Folk /
Luck In The Valley
Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs without overworking the material, but at the same time creating memorable accompaniments on the spot.' Several of the so…
Nordic Visions
Alreay out of print "While Wooden Wand and Satya Sai jammed with the Sky High Band in beautiful California, the Vanishing Voice dug in deep in the frozen northeast. Snowed in with utopian texts and mounting paranoia, Steven the Harvester, Heidi White Diamond Diehl, and Pete Wolfy Nolan joined nonhorse in an abandoned textile factory, boiling out these ballads of suspended disbelief and hope for the better world... killer vinyl edition on this new label of the self released cdr. Great packaging w…
The Glass Bead Game
James Blackshaw once made Michael Gira cry. Not by sucker-punching the poor guy. It was something much simpler: Blackshaw reduced the former Swan frontman — a menacing presence even as he eclipses AARP eligibility — to tears through nothing but a finger-picked acoustic and minimal, melancholic chords. It's easy to understand why. As Gira wrote in a press release celebrating Blackshaw's signing to his Young God imprint, the widely-acclaimed 12-string maestro writes "absolutely beautiful and spell…
The Black Dirt Sessions
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.
Music By William Eaton
Mellow disc of tripped-out experimental acoustic-instrument pieces from composer/instrument designer William Eaton, reissuing a self-released 1978 lp of said. there’s more than a twinge of Fahey/takoma-lineage steel-string wrangling herein, albeit augmented with a certain Partch/Hans Reichel-ish sensibility and unusual recording techniques... but it stays pretty damn “easy on the ears” throughout.. "When I started building instruments, playing guitar took on a whole new dimension. The process of…