Folk /
Black Earth
Black Earth has eleven traditional Macedonian songs infused with African aesthetics, including Gnawa undertones, Congo rumba, and African field recordings. The core of the traditional Macedonian harmonies and rhythms was developed over the centuries from the Ancient Greek and Roman Empire’s lyricism, Byzantium’s chants, and the Ottoman Empire’s classical music progressions, by way of multiple migrations, storytelling, wars, myths, tribalism, reconciliations, etc.) In a nutshell, Black Earth is a…
Talea
Recorded in Australia, Brasil, Italy, Japan, Turkey and America on his 2015/16 world tour, these excellent recordings offer an astonishing range of styles and sounds – all somehow emanating from Angeli’s fingers and feet – and his highly modified, prepared, extended and amplified giant Sardinian guitar which – like Angeli himself – is routinely able do several very different things at once. You have to keep reminding yourself as you listen that this is just one person with one instrument, workin…
Istehlal
Zehra is proud to present the debut album Istehlal by the Mohamad Zatari Trio, consisting of musicians from Syria, Iran and India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh and Riad Al-Sunbati classics.
Confluence
**Limited 1st Edition mini lLP paprsleeve in 500 only copies** In Hindustani classical music, jugalbandi denotes a duet performance whereby the soloists are entwined in the exploration of a raga (Indian musical mode). Sheer improvisation, interplay, playful challenge and the mutual nourishment of each other’s musical imagination make this form of presentation extremely dynamic and inspiring for the performers and audiences alike. Providing the fundamental yet responsive rhythmic framework, are u…
Scaling New Horizons with Guitar
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
The Magic of Music - Guitar and Tabla
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
The Complete Paramount & Brunswick Recordings, 1929
From 1926 to 1930 one of the most popular rural string bands on record was Charlie Poole & The North Carolina Ramblers. Through their 78 RPM discs and their various performances, Charlie Poole was second only to Gid Tanner and His Skillet Lickers. Poole's uniquely syncopated three finger banjo picking style coupled with his Piedmont vocal inflections eventually colored and defined much of what we consider "old-time" music. The classic configuration of banjo, fiddle and guitar with vocals was enc…
The Sacred Entertainment, Réak Ceremonial Horse Trance Music (LP
Kasenian réak is a genre of performative art from the Priangan area of west Java, organized during hajatans (life-cycle celebrations) and nowadays primarily held during weddings and circumcisions. The style, known as a seni lungsuran, is part of the greater family of Javanese horse dances, originally known in their most famous forms of jathilan and kuda lumping. Javanese horse dances, which could be as old as animistic Java, may already have been practiced before the eight century, travelling th…