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Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmo…
This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to …
Charlie Mingus’s 1956 Jazz Composers Workshop showcases his visionary blend of hard bop, classical, gospel, and avant-garde. The album captures Mingus’s restless innovation—by turns explosive, tender, and genre-defying.
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an…
*Back in print by popular demand!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank W…
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would …
Limited edition The most valuable of Gürtler’s (founder of Saar Records in 1950) jewels came from the jazz world. Gürtler donated all his passion and expertise to jazz, financing every project without complaints. The jewel in the crown of his product…
*2022 stock. In process of stocking* Trumpeter Donald Byrd spent a few months in France in 1958, and a Paris concert resulted in two LPs' worth of material. Byrd's quintet at the time included Bobby Jaspar (on tenor and flute), pianist Walter Davis, …
A fantastic early recording from the great French tenor saxophonist Barney Wilen – best known as an artist who recorded famously in the soundtrack world of the French new wave, and with Art Blakey – but who's even more striking here on a rare small c…
*2022 stock. In process of stocking* One of the few albums ever cut as a leader by pianist Ronnell Bright – a player best known for his accompaniment behind famous vocalists, like Sarah Vaughan and Nancy Wilson! This rare date was cut in Paris – at a…
Here is a chance to hear Miles Davis in something close to real time. Small matter that most collectors of hard bop will have these sides already and will be familiar with a particular running order. Perhaps those who have invested in the complete se…
Temporary Super Offer! Thelonious Monk devised a new theoretical basis for his compositional aesthetic, an unorthodox, deconstructed and reinvented pianistic approach that defined his music’s unique rhythmic and melodic parameters. The piano was the …
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussioni…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip …