Jazz /
Penguin Bids
*2022 stock.* Hot, hot and even hotter! Thrilling big-band recordings from the 1960s, made with the Polish Radio Dance Orchestra… The music is full of energy and swing, and is an evidence of Jerzy Milian’s artistry as an arranger, and above all, as a great vibraphone player.
After Edward Czerny took over the leadership of the Polish Radio Dance Orchestra in 1959, he took it to a level unattainable to his predecessors. Until 1974 he regularly performed with the Orchestra in Poland and in other Ea…
Fire Music To Mama Too Tight, Revisited
'Jost may have had Fire Music and Mama Too Tight in mind when he suggested that by 1965 Shepp spoke “basically two musical languages whose grammar and syntax had hardly any- thing in common.” This reflected the commentariat’s insistence that a chasm existed between free jazz and mainstream jazz practices, and, implicitly, between the New Wave in Jazz and the New Breed led by James Brown. What was revolutionary about Shepp’s music is that it rejected the underlying binary, and embraced an inclusi…
Live Europe 1960 revisited
'The Miles Davis Quintet of early 1960 was an endangered, embattled entity. Davis and his frontline foil John Coltrane had been drifting apart stylistically and temperamentally for months. United in the embrace and exploration of modal devices on the trumpeter’s seminal Kind of Blue album released the previous summer, bandleader and sideman were increasingly at odds as to where to go next with the celebrated innovations.' - Derek Taylor
Jazz From District Six
Impossible-to-find gem from 1969 finally reissued in a deluxe edition.
ULTRA RARE South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.
With(Exit) To Student Studies, Revisited
'Cecil Taylor’s whole career was a wave-front of exploration. The analogy with light is apposite enough. He evolved so fast most of us never quite caught up and relied instead on a few safe generalisations that momentarily applied around 1962 and only occasionally thereafter. Taylor rarely referenced the space programme, and admitted towards the end of his life that he had found the moon landings “banal”. Like Sun Ra, he was a cosmonaut of sound, breaking free of gravity and showing us the music…
Ezz-thetics & The Stratus Seekers Revisited
*In process of stocking* On Ezz-thetics: Eric Dolphy alto saxophone, bass clarinet, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. On The Stratus Seekers: Paul Plummer tenor saxophone , John Peirce alto saxophone, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. The six albums that George Russell recorded in just two years – starting with Sextet at the Five Spot in September 196…
Zodiac
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
Playtime
*Remastered reissue from original tape transfers* Piero Umiliani's 1968 album Playtime was originally issued on the Omicron label. It has been remastered by Noah Mintz at Lacquer Channel Mastering. Licensed from Liuto Edizioni Musicali.
I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 1
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Blakey In Paris
*300 copies limited edition* This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and…
Miles Davis Quintets Stockholm Live 1967 & 1969 Revisited
'Was there more than one Miles Davis? Could he be both the Prince of Darkness and the purveyor of cool? A drug addict and an athletic boxer? A hip bebopper and a protohippie? A flamboyant dresser and a shy vulnerable soul? A brutal misogynist and an insecure romantic? The answer is yes, and yes. Miles Davis was both a creator and a destroyer. His chameleon-like nature can be explained by the times in which he lived and created his art. These live recordings in Stockholm, Sweden, 1967 and 1969, i…
Japanese Jazz Spectacle Vol.I
Tip! “Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also the Shōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has…
Song Of Praise, Live New York 1965
"These Half Note recordings from March 26 and May 7, 1965, two dates from an extended stay at the club, were captured as a radio broadcast. ezz-thetics has re-sequenced the music here to demonstrate Coltrane’s approach to incorporating all his inventions into a performance, while also mapping a future to his music." – Mark Corroto
Producers note: "We have re-sequenced these tracks to allow the listener to become part of the development of the music and to follow John Coltrane’s evolutio…
Eden's Island - Extended
Now here we go with a project that can easily be labeled a mammoth. Who remembers Eden Ahbez actually, except for a couple of born too late retro hippies? Well, here we go with the story: It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun, but soon will run out due to the new and exciting beat invasion. In the US mainstream the tiki culture has reached a certain peak and is about to collapse, but s…
Life Time & Spring (Revisited)
"Life Time posited a radicalism quite different from the other watershed recordings of 1964. Anthony Williams had an overt, unconventional approach to form, accentuated by the time constraints of a LP side and the various configurations he employed... By the time the 19-year-old Williams returned to Van Gelder Studio to record Spring with Hancock, Peacock, Rivers, and Shorter, the avant-garde was ascending... He retained some of the parameters
of Life Time ..." - Bill Shoemaker