Jazz /
Rivbea Live! Series, Volume 1
Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums
Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell
Happiness Is... Takin' Care Of Natural Business... Dig?
Reissue, originally released in 1967. In a 1990 interview, producer James Bronson described his Touché label as a "floating record label", comparing it to the "floating gambling houses" that Black people in his city had operated to try and avoid attention from the law. The label itself was a private enterprise, run from home, and had scant budget for promotion nor expansion. His slogan "Record companies don't make music, musicians do" spoke volumes as to his respect for the artist. Nevertheless,…
Disco é Cultura, Vol.2
"Disco é Cultura, 2" Brings 15 tracks of the funkiest Brazilian music from the 70s and 80s. Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.
Song For Biko
"Repress of Johnny Dyani's 1979 LP Song for Biko, recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana, the album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977). Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa in 1945 and became one of South Africa's most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The …
That's Why
*2024 stock* Sublime Christian folk jazz from 1970s Norway. In the '60s and '70s churches throughout Europe had serious competition for the attention of its younger members. The ecclesiastical establishment was shocked to hear teenagers expressing 'Sympathy for the Devil' rather than sympathy for Christ and his teachings. In Norway at this time the same situation was prevalent as was happening across Europe; teenagers were turning their back on the church and embracing the temptations and pleasu…
L'inter Communal
The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…
Reflections (The Romantic Guitar Of Amancio D'Silva)
Universal Music Recordings and Decca Records are making Jazz guitarist Amancio D’Silva’s album ‘Reflections (The Romantic Guitar Of Amancio D’Silva)’ available again for the first time since it was released in 1971, on limited edition clear vinyl. Long sought after by collectors and connoisseurs, original copies now sell for upwards of £350. This new edition was mastered at Abbey Road using high definition 24bit/192kHz audio files, copied directly from the original analogue master tapes. Images …
De Las Colonias Del Río De La Plata
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz’s leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz’s departure from the traditional forms of jazz.
Viagem
Light and breezy, pure and easy, that’s how I spent most of last week, and this album was a great soundtrack for it. Osmar Milito is an interesting figure in Brazilian jazz, having a hand in the famous Canecão club in Rio and playing with the likes of Sylvia Telles, Leny Andrade, and Flora Purim early in his career, and later on doing lots of soundtrack work for those venerable Brazilian exports, telenovelas. His post-bossa nova records are collectible for a reason: they’re damn good listening…
First Encounter
After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’…
Tribal Dance
Los Angeles bass titan Henry Franklin is bestknown for the two Skipper LPs issued by Black Jazz in 1972-74; 1977’s Tribal Dance is more obscure and arguably the best of the bunch, the spiritual jazz given an extra propulsive dimension via the excesses of Sonship, banging complex rhythms on his elaborate self-made drums, as heard on the opening title track and the extended ‘Cosmos Dwellers.’ Elsewhere, ‘Eric’s Tune’ has flamenco undercurrents, ‘Spring Song’ is a slow piano meditation, and ‘Prime …
Dawit Yifru
Ethiopia’s music company Muzikawi reissue the self-titled solo instrumental album of Ethio-jazz composer Dawit Yifru, which offers an exceptional occasion to rediscover one of the most important eras in Ethiopia’s music history. This 11-track album features a compilation of songs that were restored and remastered from cassettes released throughout the 1970s. With Ethiopian Chickchika music, Twist, Congolese Rumba, and Waltz music styles converging, the songs reflect the dynamic musical crossroad…
Mackey Feary Band
An all-time classic, must-have rare groove record from the Hawaiian Islands.
Tales Of The Algonquin
Reissue, Remastered, Stereo, 180g. on British Jazz Explosion series. As in most European countries, jazz in Britain prior to the '60s was largely a copycat of its American counterparts. But with the emergence of artists like trumpeters Harry Beckett and Kenny Wheeler, bassists Graham Collier and Harry Miller, and saxophonists Stan Sulzmann and Alan Skidmore, a very specific yet remarkably diverse complexion began to emerge. From his emergence in the mid-'60s to 1971, baritone/soprano saxophonist…
New American Music, Vol. 1
*2024 stock. Custon CDr* From Milford Graves’ guttural experiments with percussion and the body to Mary Lou Williams’ jazz combo interrupted by atonal “fungus,” this compilation of new (1970s) music makes for an eclectic mix of musical sounds. Star innovators Gil Evans, Sam Rivers, Sunny Murray also contribute to this collection of jazz.
At The Helm
*2024 stock. Custom CDr* East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings!
The sound is loose and free – spiritually…
Our Kind Of Sabi
Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.
Choma (Burn)
Wewantsounds is delighted to reissue Harold Land's 1971 Mainstream Records LP 'Choma (Burn),' recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with …
Nio & Pigeon
"New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of their seminal work Perspective in 1969, they've opened up new horizons in big band jazz with their cutting-edge sound. This work, Niou to Hato, is one such representative work of the new hard movement, which reached its zenith in 1972. Bandleader Kozaburo Yamaki was then in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: Japan, the nation in and of i…
In The Groove
*2024 repress* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusion. This work i…