Jazz /
At Earth School
*200 copies limited edition*
Recorded live 2nd October 2022 at Café OTO, London by Pedro SubtilMixed December 2022 by Alex BonneyMastered by Mikey Young
All compositions by Nicole Mitchell (Wheatgoddess Creations ASCAP) and Alexander Hawkins (PRS), except "There is a Balm in Gilead" (traditional, arr. Mitchell/Hawkins)
Ink Folly, Orchid Gleam
"Ink Folly, Orchid Gleam is a piece in two movements for alto saxophone, upright bass, and drum set. Each movement was transmuted from a two-part poem of the same name, which was first drafted on a bus to my home of Northeastern Pennsylvania. The pang to return to where nature is abundant wasn't something I expected would be so strong when I moved to New York, but Ink Folly, Orchid Gleam is a product of those emotions. Written with my dear friends Mathias Jensen and Eliza Salem in mind, I knew I…
Primitive
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.
Skra’s Confession
*2023 stock* The Orange Blue Green band improvises freely in the true sense of the word. An improvisation initiating from the very first sound produced without any prior coordination regarding the style, structure or anything relating to the overall musical form. An acoustic, almost classical trio that has embraced the fundamental features of the sound of chamber music, along with the various musical idioms and experiences of the members’ multi-dimensional course. Their music features a primal e…
Fulufulu Paupepa Paupapa
GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both…
Obeah
Recorded directly to two-track digital Mitsubishi X-80 tape recorder at Rudy Van Gelder Studio, Englewood Cliffs, NJ on June 4th & 5th, 1987.
True Or False
A great live Cd by drummer giant Roy Haynes. Roy Haynes's very active and his different approach to drumming comes out very well - hard swinging and with a lot of joy and very spontaneous.
Tesserae
Drummer Tilo Weber joins forces with bassist Petter Eldh (Koma Saxo) and Elias Stemeseder, who plays harpsichord and keys here on Weber's We Jazz debut, "Tesserae". The three musicians plus guests present a unique jazz trio sound for all times, without boundaries. Weber, based in Berlin, came to the attention of We Jazz Records with his his highly inspired drum work on Otis Sandsjö's Y-OTIS, and has since then also been awarded with the prestigious Deutscher Jazz Preis for the arrangement of the…
Stumps
* 75 copies limited edition * In times of vinyl shortage and production backlog, resourcefulness is key. In keeping with his well-established practice of replacing original materials with surrogates to generate new sonic experiences, Sven-Åke Johansson has devised a digital reinterpretation of the historic flexidisc in the shape of a 10inch rubber disc with engraved QR codes that let buyers access the music online.
About the music: "The six compositions titled ‘stumps’ are based on a potential f…
I Dream I Was An Earopean
Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in the political or legal sense, but simply breathing-together. It isn’t forbiddingly abstract music. It simply enacts our various ways of living together. Take a deep breath and enjoy." - Brian Morton
Smoke Gets In Your Eyes
"I imagined the four ensemble pieces that begin this album as belonging to the repertoire of a speculative musical culture — one potentially not so far removed from my own — whose sonic and lyrical affinities reflect chronic, hazardous inundation, and mystifying betrayal. Without my realizing it at first, they became, in their own way, more-or-less oblique renditions of the Jerome Kern / Otto Harbach standard “Smoke Gets in Your Eyes,” an object lesson in the transmutation of weather and grief i…
Earscratcher
This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…
Naja
*In process of stocking* Swedish saxophonist Mats Gustafsson might have a separate discography for his solo records. He's investigated the possibilities of unaccompanied reed music from almost every angle. Presented with the opportunity to make a new solo record under the isolation of the pandemic, Gustafsson returned to a project he'd conceptualized but never realized: the playing-card pieces of Peter Brötzmann. Although these Fluxus-like prompts are better known through the two card sets the G…
Were We Where We Were
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
Eight Pieces for Two Cellos
*In process of stocking* Repertoire for cello represents a little-explored niche of the greater jazz songbook. In 2013, cellists Tomeka Reid and Fred Lonberg-Holm turned their arrangerly and composerly attention to this terrain, assembling a selection of four originals (three by Lonberg-Holm, one by Reid) and four works by other composers. The latter include “Pluck It” by pioneering jazz cellist Fred Katz, member of the Chico Hamilton Quintet and soundtrack composer for Roger Corman films; “In W…
Afro Trane
Third all-solo outing from Nat Birchall. This time Nat pays homage to the patron saint of the tenor saxophone, John Coltrane. With a balanced programme of original songs and John Coltrane compositions the album focusses on the more Afrocentric aspects of the music.
The Mess Is Here 1958, Revisited
Recorded live 1958 in Stuttgaert. First time on CD. Performed by: Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales, Macky Kasper trumpets; Louis Blackburn, Wade Marcus, Larry Wilson, trombones; Leon Zachary, Bobby Plater, alto saxophones; Andy McGhee, Gerald Weinkopf, tenor saxophones; Lonnie Shaw, Werner Baumgart, baritone saxophones; Lionel Hampton, vibraphone & piano; Oscar Dennard, piano; Billy Mackel, guitar; Julius Browne, fender bass; Wilbert Hogan drums; Cornelius "Pinocchio" Jame…
At Her Majesty's Pleasure
*2022 stock.* Inspiration in jazz has many sources. Who would have thought that British prisons could have inspired a Belgian-born composer, arranger, co-leader of a truly international band? The fact is that when the Clarke-Boland band came to this country at the beginning of 1969 for their memorable booking at the Ronnie Scott Club tenor saxophonist Johnny Griffin was, to quote the sleeve “whisked off to Pentonville”. It was nothing worse than a question of outstanding income tax from a previo…
Linde
*In process of stocking.* The trio Slagr releases their sixth album “Linde”, made up of music created in a time of new beginnings. The music on the album is written by Katrine Schiøtt in the middle of maternity leave, giving a new touch to the trios distinctive sound. Postpartum - lack of sleep, emotional vulnerability, an extreme focus on something outside oneself; providing nourishment and love to the newborn. A minor state of emergency where small moments can inspire to musical fragments and …
Als Ik Niets Meer Van De Kano Zie
*Limited Edition of 100 hand-numbered copies.* Improvisation is a universal non-verbal language. For many of us it is a practice, not a music genre, one that knows no boundaries. Personally I’m really interested in the locality of an improvisational recording. I find it much more intriguing to listen to someone who improvises and lives outside of the big hubs for free jazz and free improv of the western world. It might seem trivial to many of you, but the fact that the titles and bandcamp notes …