Jazz /
The Field
NoBusiness Records presents The Field by Rodrigo Amado Motion trio with Alexander von Schlippenbach. Recorded by Valdas Karpuška at the Vilnius Jazz Festival, Vilnius, October 18th, 2019. Mixed by Joaquim Monte and Rodrigo Amado. Mastered by David Zuchowski. Produced by Rodrigo Amado and Danas Mikailionis. Co-producer - Valerij Anosov. Cover photo by Rodrigo Amado. Inlay photo by Vytautas Suslavičius. Design by Rodrigo Amado.
Rodrigo Amado - tenor saxophoneAlexander von Schlippenbach - pianoMigu…
Walpurgisnacht
NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…
Inscribe
** 2021 Stock ** Inscribe is the third release by this group. The self titled disc includes pieces and improvisations by all the members. The instrumentation includes guitar, cheng, violin, bass, tabla, percussion, bowed banjo and cello. With elements of indigenous music, jazz and the avant garde, natural reference points are Don Cherry, Ahmed Abdul-Malik, The Art Ensemble of Chicago and early ECM records. Includes member of the Northwoods Improvisers. The first release on the label in nearly 10…
Emerging Field
** 2021 Stock ** Emerging Field marks the sixth release of Faruq Z. Bey with the Northwoods Improvisers on the Entropy Stereo label. This release finds the group exploring rhythm and space in a broader sense than previous offerings. Faruq Z. Bey, Mike Carey, and Skeeter Shelton create thoughtful space and intricate conversations in their horn lines evoking a relaxed and passionate response with a solid blues focus. Mike Johnston and Nick Ashton root the group with their sound rhythmic foundation…
Midnight Pacific Airwaves
** 2021 Stock ** A rare recording from an under recorded period of Bobby Bradford's music. This date stems from a California radio broadcast. The line up is Bobby Bradford on trumpet, James Newton (flute), Richard Rehwald (bass) and John Goldsmith (drums). Includes a bonus track duet with Vinny Golia (clarinet) from a 2003 gig.
Journey into the Valley
** 2021 Stock ** "Once a member of Detroit legends Griot Galaxy, Bey's take on jazz is informed by the spectral divinations of Sun Ra, and pieces like "Moors" and "sherrif Sam (Sound By Law)" remind you of prime era Arkestra, floating between beautifully extended melody heads and stretches of languid free blowing, all underpinned by a steady, rolling rhythm section." Jon Dale; Signal To Noise Fall 2008. "If this were merely an audio CD, it would garner excellent reviews. But this set with DVD an…
Deorlaf X
New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet.
Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and …
Percussion Ensemble
Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each measure. Milford Graves has been one of the main drummers in the free mode scene (known for skillful inclusion of Asian and African rhythmic ingredients into his solos). He worked with the New York Art Quartet, Giuseppi Logan, Albert Ayler, Don Pu…
On Tour
First-ever American CD edition of this lost classic, recorded "live" during ESP's 1966 New York State College Tour. The "piano harp" credit is Burton Greene's way of noting that he plays inside the piano, directly on the strings – the first jazz pianist to do so on record, taking a page from avant-gardist Henry Cowell's book. In his notes to the original LP, included complete in this reissue, Greene writes, "The tour found people largely unexposed to this music. They were often shaken up. Some w…
Keep Your Heart Straight
It was May 2009 when I first heard Alexander Hawkins play at the Vortex Jazz Club, with the Anthony Braxton s cornet-playing protégé Taylor Ho Bynum, bassist Dominic Lash and drummer Harris Eisenstadt in the Convergence Quartet. The music was an idiomatic white-knuckle ride, and all the players were variously fascinating but the then 28 year-old Hawkins was a revelation, for the audacity of his ideas, the depth of his understanding of both thematic and free-form musics, and for his Cecil Taylor-…
Before the Wind Changes
Ogun presents Before the Wind Changes, the quartet of Chris McGregor, Dudu Pukwana, Johnny Dyani and Louis Moholo-Moholo recorded live at Jazzclub De Hoop, Waregem, Belgium on 1st July 1979.
An Open Letter to my Wife Mpumi
Ogun presents An Open Letter to my Wife Mpumi by Louis Moholo-Moholo Unit. Louis Moholo-Moholo - drums and vocals. Jason Yarde - soprano, alto & baritone saxophones. Ntshuks Bonga - alto & tenor saxophones. Pule Pheto - piano. Orphy Robinson - vibraphone. John Edwards - bass. Francine Luce - vocals. Recorded in London, Nov 2008. "It's a ragged and jam-like studio set with a raucous live feel - but it confirms Moholo-Moholo's presence on the scene as a blast of fresh air." - The Guardian
Khumbula (Remember)
A duo recording from October 2004, produced by Evan Parker, which marked the first time that Louis Moholo-Moholo and Stan Tracey had worked together for thirty years and the first time ever as a duo. The pair entered Gateway Studios in Kingston, London with no prior discussion on what form the music should take, choosing instead to let the music take them. This glorious album is the result.
Mpumi
An album of piano / drums duets that Louis named for his beloved, and now tragically departed, wife Mpumi. The recordings took place in London in September, 1995, though the album was not actually released until 2002.
"Louis Moholo-Moholo, Son of the soil, has embarked on this musical journey with two of South Afrika's treasures - pianists Mervyn Africa and Pule Pheto. The third Pianist being his old favourite and friend, Keith Tippett. Louis's vibrant, warm and marvellous sounds celebrate the m…
Bò Kay La Vi-a
Ogun presents Bò Kay La Vi-a by Francine Luce. One of the lesser-known gems in the Ogun catalogue - check the the list of participating musicians to start with! Francine, originally from Martinique but a long-time resident of the UK, has contributed her unique vocals to Louis Moholo-Moholo's Unit and Septet, and to the Dedication Orchestra, but this her debut album from 1999 remains her only recorded output under her name on Ogun.
Different Times Vol 2
A second volume of valuable documents from the Ogun archives by label co-founder Harry Miller. the tracks come from three sessions spanning 1977-1982. All feature Harry on bass with Louis Moholo-Moholo behind the drum kit and Trevor Watts on sax, other musicians included are Alan Wakeman (sax), Bernie Holland (guitar), Keith Tippett (piano), Alan Tomlinson (trombone), Dave Holdsworth (trumpet). This joyful music, at times rough around the edges but full of life and spirit, conviction and enthusi…
Live at Willisau
This famous recording previously released as an LP now on CD with extra music launched the Ogun label. Recorded live at the Willisau Jazz Festival, Sept. 1974. Chris McGregor's Brotherhood of Breath big band was exciting packed audiences throughout Europe, and needed an outlet provided by this new label, home of the South African family. The cover was designed by Niklaus Troxler with sleeve notes by Val Wilmer.
Recorded live at Willisau, Switzerland, 27 January 1973 by Roland Janz. Edited and re…
Carlton Streets
Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard …
The Oracle
Composer, clarinetist, singer and spiritual jazz soothsayer Angel Bat Dawid descended on Chicago's jazz and improvised music scene just a few years ago. In very short time, the potency, prowess, spirit and charisma of her cosmic musical proselytizing has taken her from relatively unknown improviser to borderline ubiquitous performer in Chicago's avant-garde. On any given night you can find Angel adding aura to ensembles led by Ben LaMar Gay, or Damon Locks, or Jaimie Branch, or Matthew Lux, or e…
Stigma
When in 1970 Jerzy Milian was developing his regular cooperation with the Berlin radio, which was launched a few months earlier by recording music for the television ballet “Rivalen”, he was at the peak of his creative possibilities. He could boast of three years of success with his own trio, along with cooperation with Gustav Brom and an ongoing adventure with the Belgian big band BRT. He also had an abundance of ideas and energy that could be devoted not to one, but two projects. In July 1970,…