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*2026 stock* Guitarist Sunao Wada spent the seventies as one of the most consistently working figures in Japanese jazz, a player whose tone owed something to Wes Montgomery and Kenny Burrell but whose phrasing carried a particular Japanese weight, mo…
*2026 stock* Saxophonist Kenji Mori belongs to the second generation of TBM regulars, a player whose work for the label spans several years and several formats, but whose quartet records have a particularly distilled quality. Firebird fits cleanly in…
*2026 stock* The pianist Fumio Karashima is best known internationally for his long association with Elvin Jones, having held the piano chair in Jones's working bands for years, a credit that already tells you most of what you need to know about his …
*2026 stock* One of the more intimate entries in the Three Blind Mice catalogue: a duo session, with all the exposure and concentrated focus the format implies. Conversation lives up to its title. Two players in close, careful dialogue, with neither …
*2026 stock* A later Sunao Wada session for Three Blind Mice, and one of the more outward-looking records in his TBM run. The quintet-plus-one format brings the saxophonist and flautist Minoru Ikeno alongside Wada's working group, and the addition sh…
*2026 stock* An earlier Sunao Wada outing on Three Blind Mice, recorded with both quartet and quintet formations across the programme, and built (as the title suggests) around the blues. But this is blues in the broader, more searching sense the seve…
*2026 much needed repress!!* "Written and arranged by Hiromasa Suzuki, and originally released in 1975 on Nippon Columbia, this album is incredible, and truly well-named - funky stuff, indeed! Fat bass, a great variety of guitar sounds, horns and org…
*2026 stock* This album is the second release by saxophonist Sachi Hayasaka, following her debut album Free Fight. Most of the music was recorded in Tokyo with members of Stir Up!, capturing the raw energy and spirit of the group. Two additional trac…
*2026 stock* A live document from one of the towering figures in Japanese jazz history. By the early seventies Terumasa Hino had established himself as Japan's most internationally fluent trumpeter, a player whose vocabulary moved easily between Lee …
*2026 stock* Legendary Japanese jazz vocalist Kimiko Kasai, one of the most innovative singers of the 1970s, joins forces with the fiery Kosuke Mine Quartet on the newly reissued Yellow Carcass in the Blue, originally released in 1971 on the esteemed…
*2026 stock* Bassist Hideto Kanai was one of the most ambitious composer-bandleaders to emerge from the Japanese jazz scene of the early seventies, a writer of long-form pieces that integrated free playing with chamber-jazz architecture, and a player…
*2026 stock* Hidefumi Toki's 1975 album Toki offers a deeply personal journey into the realms of jazz, showcasing his expressive prowess on alto and soprano saxophones. Backed by a stellar quartet including Kazumi Watanabe on guitar, Nobuyoshi Ino on…
*2026 stock* Trumpeter Shunzo Ohno spent much of his career moving between the Japanese scene and the New York post-bop circuit, a player whose résumé runs through American bandleaders alongside his domestic work, and whose tone bears the marks of bo…
This album is a masterpiece in which the three core pillars of Akira Ishikawa’s musical vision—jazz, rock, and African music—are fused in a sublime and thrilling balance. One arresting track follows another: the solemn and majestic “Prayer”, evoking …
At a time when the Japanese jazz scene was rapidly maturing and one accomplished musician after another was emerging, another saxophonist worthy of new attention joined the scene: Masafumi Yamaguchi. This work, his memorable first album as a leader…
A refined jazz work by Hiromasa Suzuki. Featuring Nobuyoshi Ino on bass and the accomplished Steve Jackson on drums, this album unfolds through interplay that is tightly knit yet relaxed throughout, and now makes its long-awaited first appearance as …
Following the great response to the previous release "Flash Up," a live recording from Shinjuku Pit Inn in March 1977, this new work composed by Takeo Moriyama was recorded about a year later. The second release left by the Takeo Moriyama Group on Te…
Beloved by fans under the nickname “Colgen”, jazz pianist Hiromasa Suzuki released this jazz-funk album in 1977 as part of the high-fidelity Toshiba Pro-Use Series. Now, this sought-after title is being pressed on transparent red vinyl for the first …
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
On Cadillac Woman, Isao Suzuki steers his bass into sleek crossover territory, blending jazz‑funk, fusion and soulful vocals into a polished, club‑ready ride that still carries his unmistakable sense of groove and melodic finesse.