Jazz /
Una ofrenda a la ausencia
“Una ofrenda a la ausencia” (an offering to absence) explores in depth the rawness, harshness and roughness of sound embracing the intense and unfiltered expressions that emerges from absence.
Correspondence
Aaron Burnett is “a standout new voice on the saxophone. In a very short time, the young musician has already lent his personal and unhindered approach to a breadth of bandleaders including Esperanza Spalding, Wynton Marsalis, Anti-Pop Consortium‘s HPRIZM, and Weasel Walter. He also toured with three time Grammy winner, Esperanza Spalding in her 2012 world tour with Radio Music Society. Aaron has the also retained the true nature of jazz in his music and his playing, constantly searching for new…
Fukiya
*In process of stocking* The sublime first solo saxophone release of Masayo Koketsu is deeply steeped in the free jazz tradition of Japan. From Coltrane's visit to Japan in 1966 to the free jazz exploits of Kaoru Abe, Masayo Koketsu's astonishing solo session marks her as a force to be reckoned with. A single 46 minute piece of achingly beautiful wails and declarations punctuate the bedrock of silence then retreat back. A singular effort.
Creation Series
** Edition of 400 ** NoBusiness Records presents Creation Series by Joel Futterman. All compositions by Joel Futterman. Recording engineer Dr. Benjamin Tomassetti. Recorded at the Paradise Studio, Virginia Beach, Virginia. Each track is complete unedited first-take and is in the orderi n which it was recorded. Photos by Michael Wilderman. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer - Danas Mikailionis. Co-producer - Valerij Anosov.
CD 1 - Recorded 16th June, 200…
Etwa
Early alto & soprano saxophone solo Recorded in 2004 inside two french chapels. "There are no tricks here, first and foremost ; Bertrand Gauguet has simply developed a weird array of techniques for his alto and soprano, which he exploits via close-miking. There are seven untitled tracks in 42-minutes, each one relentlessly exploring a different technical area : the restrained breath noises of the opening track, the superb low-end growl of the fourth, the chasm-like whooshing of the third, or the…