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**small repress available**Honest Jon's Records present Solo Guitar Volume 1, a reissue of Derek Bailey's Solo Guitar release on Incus in 1971, with additional tracks included on previous reissues and a performance at York University in 1972. Kicking off a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo and in duos with Anthony Braxton (HJR 201LP) and Han Bennink (HJR 202LP), augmenting the original …
300 copies. Devoting most of his time to performing with various international groups, Liudas Mockunas is hailed as an ambassador of Lithuanian jazz. He is a multi-reeds player and composer, whose name stands for masterly performance and intriguing compositions. His 'natural' idiom is an explosive mixture of free jazz, lyricism and expressionism combined with highly unconventional performance techniques. His in-depth exploration of the properties of sound and possibilities of harmonic series lea…
Joe Morris is primarily known as a guitar player, but he's equally good on bass, with a somewhat different approach. He started playing double bass in the year 2000 only, and this album celebrates his 10th anniversary on the instrument. Other Joe Morris albums on which he plays bass as the leader are "Wildlife", "High Definition", or as co-leader with "The Flow" or "The Story Of Mankind", and playing bass with other artists such as Jim Hobbs, Steve Lantner, Petr Cancura, Rob Brown and Whit Dic…
300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Early alto & soprano saxophone solo Recorded in 2004 inside two french chapels. "There are no tricks here, first and foremost ; Bertrand Gauguet has simply developed a weird array of techniques for his alto and soprano, which he exploits via close-miking. There are seven untitled tracks in 42-minutes, each one relentlessly exploring a different technical area : the restrained breath noises of the opening track, the superb low-end growl of the fourth, the chasm-like whooshing of the third, or the…