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Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
Released in 1970, Earwax marked the debut album of Dutch Free Jazz ensemble Association P.C., recorded in Wageningen, The Netherlands, and produced by Dutch Jazz pioneer Wim Wigt. The album fuses Free Jazz with Jazz-rock, showcasing an adventurous sound led by drummer Pierre Courbois. The line-up includes guitarist Toto Blanke, bassists Siggi Busch and Peter Krijnen, and Jasper van ‘t Hof on electric piano. Members Courbois, Blanke and van ‘t Hof are considered as the early inspirators of the Ja…
Reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisation". Tone …
The legendary German band La Düsseldorf proudly celebrates the enduring legacy of their seminal debut album, La Düsseldorf. Originally released in 1976, this groundbreaking record stands as a cornerstone of the Krautrock movement and continues to resonate with music lovers across generations.
Formed by Klaus Dinger, co-founder of the renowned band NEU!, La Düsseldorf forged a visionary sound that fused rhythmic innovation with melodic clarity. La Düsseldorf introduced a blend of driving motorik …
Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differenc…
The only album by hard rock band Twenty Sixty Six and Zen, released in Germany in 1972 as a mixed Anglo-German band. The original is an extremely rare and classic record, which has been sold at a high price amongst enthusiasts. The wild vocals and keyboards form a heavy and thick dynamism, and there are many progressive elements such as the introduction of the mellotron. This long-awaited encore pressing of this long-unavailable masterpiece is now available in paper jacket and SHM-CD / remastere…
Released in 1973. This is their 5th album, following their 4th album "Rage", and features Jimmy Jackson on keyboards, who also played in Amon Dur II, and Mal Waldron, who at that time was active in many German rock bands. This album is a masterpiece that deserves to be called their best work in the context of progressive jazz rock, and can be said to be the perfection of the "ethnic jazz rock" that they aimed for in their early days. This is a masterpiece in paper jacket, SHM-CD, and the latest …
Over the last five decades, Krautrock forerunners Guru Guru have been breaking boundaries, experimenting with free jazz, rock’n’roll, Indian, South East Asian and African rhythms and scales to create their own brand of psychedelic cosmic rock. This reissue of their acclaimed 1977 album is an excellent exponent of their global experiment, done flawlessly. Recorded after long stays in India in the mid 1970s, Globetrotter is a landmark album in the Guru Guru discography
Guru Guru have been an insti…
Originally released in 1974, Dzyan’s third and final album is a Krautrock masterpiece, blending daring world beat, jazz-prog, and mysticism. Multi-instrumentalists experiment with exotic sounds and inventive instruments, creating a psychedelic, otherworldly work—an enduring highlight of German rock.
Originally released in 1973, Dzyan’s second album "Time Machine" marked a shift from vocal prog-rock to a unique blend of jazz, ethnic, and acid-rock influences. Showcasing virtuosic musicianship, it stands as a pioneering work in German rock, ahead of its time.
40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item.
cover article: Captain Flapattak - French underground todayplus: Don Falcone (Spirits Burning) interview, Flasket Brinner - Scandinavian fusion legends 9, Mange Ferraille, Intermodulation (1970s avant-garde ensemble): Unlikely Connections, Choice French label classics: Atem, The Dr Space / ØSC & co. Sector, labels: Whitelabrecs, ReR Megacorp, PQR-Dis…
Tip! Causa Sui return with the perfect companion to last year's tour de force, "From The Source". Whereas that record was a tightly structured piece of work, that condensed many aspects of the band's sound into a concise 45 minute LP, "In Flux" presents the more loose and impulsive side of Causa Sui. After an introductory suite in classic Causa Sui territory, with deep fuzz riffs and syncopated grooves, things gradually become more outlandish.
The following three vinyl sides see the band chann…
Formed in 1972 as a quintet, Dzyan recorded their self-titled debut album after only two months and released it on Aronda, a small Bad Homburg label owned by producer Günther Müller. The original line-up, which never performed live, broke up after a few months. Bassist Reinhard Karwatky soon formed a trio that took the band's name. Karwatky, guitarist Eddy Marron and drummer Peter Giger signed a contract with Bacillus/Bellaphon, Peter Hauke (Omega, Nektar, Jeronimo, etc.) produced and Dieter Die…
Guitarist Ax Genrich began his career in 1970 with a brief stint with German prog-kraut rockers Agitation Free. There he was able to develop his improvisational style, but was soon poached by Mani Neumeier to join Guru Guru. Together with bassist Uli Trepte, Genrich and Neumeier enjoyed their first major successes and were soon regarded as the new figureheads of Krautrock, releasing Känguru in 1972, a milestone in the genre. After four years and four albums, Ax Genrich left Guru Guru because the…
Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…
Mystic Synthesis at the Dawn of Electronic Consciousness! Florian Fricke's visionary second album remains a towering achievement in transcendental electronics
The German guitarist, bandleader and soundscape architect JJ Whitefield has been an innovative force of the contemporary scene of Neo-Jazz-Kraut, and adjacent sub-genres within the world of organic grooves, ever since the early 1990s. The work with his group Poets of Rhythm drew the blueprint for what’s now known as retro-soul, and his creative canvas has never been blank since with numerous solo projects and collaborations across diverse constellations.
'Off The Grid' is yet another testament to…
A veritable supergroup consisting of Eblis Alvarez (Meridian Brothers), Mario Galeano (Frente Cumbiero) and Pedro Ojeda (Romperayo), Los Pirañas, the Colombian Avant-Latin experimentalists, return with their most formidable and forward-looking album yet.
Improvised live in the studio, with each member contributing ideas and interpretive strategies, the result is a masterclass in spontaneous, collective composition. Daring, imaginative, eclectic and always deeply groovy, Una Oportunidad más de tr…
S.Y.P.H. formed in 1977 in Solingen and began playing concerts in nearby Düsseldorf. Initially clearly based on punk, the band's sound quickly developed and became increasingly difficult to categorise. In the intensive years that followed, S.Y.P.H.’s productions often featured guests from the Düsseldorf scene around Ratinger Hof or Can’s Holger Czukay.