Beyond Sound
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
Antilogy
Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.
Central to Hamburger's practice and engagement with poetry is a focus on writing as the expression of a performative disruption and playful reworking of semiotic systems. With references to Fluxus intermediality, Brazilian concretism, experimental music, and sound poetry, Hamburger's work dynamically collapses the distinctions between fa…
Thèses/Voix
* French Edition * A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.
Alessandro Bosetti (born 1973 in Milan, lives and works in Marseille) is a composer and sound artist who focuses is in the fringe area between spoken language and music, working on the musicality of spoken words and unusual aspects of spoken communication, producing te…
Radiophonics Volume 1 - Radiophonic Cultures
* German Edition. 2020 Stock * Radio, which developed over the course of the 20th century into a crucial form of communication, is currently undergoing processes of fundamental reorganization under the general heading »digitalization.« When considered under the older term »radiophonics,« these processes unleash conceptual possibilities that surpass the simple scheme of economization or the acceleration of production- or broadcasting-forms. These conceptual possibilities are addressed by the exhi…
The Nomadic Listener
Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.
Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What s…
Dirty Ear Report #03
* English Edition * Dirty Ear Report #3 documents a collective workshop by sound artists and researchers working in the fields of experimental dramaturgy, sonic social engagement, and voice studies. Representing the sixth in the series of the Dirty Ear Forum held in Lisbon in 2016, the Report brings together essays, text pieces, and documents from the participants. In particular, questions of affect and urban experience are considered, posing sound as a vehicle for generating performative cartog…
Software For People: Collected Writings 1963-80
Second Edition. Pauline Oliveros's much sought-after 1984 publication Software For People: Collected Writings 1963–80 is back in print. Originally published in 1984, it’s an anthology of essays that covers a broad range of the US composer, philosopher and accordionist’s interests. “I am publishing this collection of twenty-six articles partly to show the growth and change in my attitudes, interests and perceptions over the seventeen year period presented,” explains Oliveros in her introduction. …
The Roots of the Moment: Collected Writings 1980-1996
This volume of collected writings by Pauline Oliveros is presented in an unique polytextural format includes essays and scores along with a CD. Introduction by Jackson Mac Low. Excerpt. Publication of this book by Drogue Press has been made possible with the assistance of The Institute for Electronic Arts, School of Art and Design at Alfred University with generous support from Pamela Joseph.
Essays, poems, scores, dreams, and HorSpiele (German for, literally, "ear-plays") are presented as sim…
Pauline Oliveros: Deep Listening Pieces
Deep Listening Publications, 1990. Second edition. Stapled wrps., 42pp. Illustrated. Fifteen pieces some including audience participation (1971-1990). Through her Deep Listening Pieces and earlier Sonic Meditations (1971), Pauline Oliveros helped introduce the concept of incorporating all environmental sounds into musical performance. This requires focused concentration, skilled musicianship. and strong improvisational skills, which are the hallmarks of Oliveros' form.
Little Paul
**Edition of 100 copies, signed & stamped by Wolfgang Müller** "Music lessons from the Walther-von-Goethe-Foundation: with nightingale and frog songs, calls from the crane, a fantasy song by Ahmad Hamad, a song by Tabea Blumenschein, a music box and a dancing vibrator from The Deadly Doris (German/English Edition).“
Süden: Gastón Solnicki on Mauricio Kagel
111 cyclists reach famed opera house Teatro Colón to welcome Mauricio Kagel (1931-2008), one of the great composers of the 20th Century, who was born in Argentina, but left the country and settled in Germany in 1957. However, his adventurous music remained an inspiration to a number of forward-thinking Argentinean musicians, and in 2006 he returned to Buenos Aires for a Kagel festival, where he was to direct a major concert by the Buenos Aires Philharmonic, but also worked with a group of young …
Zweikommasieben #21
Over the years, it has become clear that the “thing” that continues to captivate us is in flux, as are its possible definitions. Various contributions to the current issue of this magazine attest to this permanent development, too. And whatever our “thing” might be called or actually might be, the following has become clearer in the recent past: the boundaries separating different artistic practices have been dissolving more and more. Also this second assertion seems to be present again in the i…
Free Jazz Communism
Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962. Including archive material and documents, commissioned theoretical and historical texts, and interviews, the book edited by Sezgin Boynik and Taneli Viitahuhta contextualizes politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of av…
Tacet #04: The Sounds of Utopia
**2020 stock. 560 pages!** The sound arts and experimental music annual review's 4th issue, on the theme of utopias. Utopia belongs to those concepts that haunt both the history of ideas and the history of artistic practice. In this fourth issue,Tacetsets off to listen to the sounds of utopia emerging from sound art and experimental music, but also from sound design and our everyday use of sound technology. Mixing science-fiction short stories, theoretical analysis and artists' writings, this i…
A-sides – A cosmology of audio editions by Artists
Art & vinyl: an analytic anthology of artist's records in Switzerland. Since the beginning of its existence, the record has always been used by visual artists as a form of distribution for their sound practice. First experimented with by the early avant-garde movements, the role of these sound supports was later redefined in the context of the proliferation and hybridization of forms between sound and language. While recording media such as discs or cassettes were used to document happenings, r…
Ultrablack of Music
The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...). Ultrablack of Music speculates on the manifold wa…
An Individual Note of Music, Sound and Electronics
Hardback cover. Daphne Oram (1925–2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. Oram left the BBC in 1959 to pursue commercial work in television, advertising, film and theatre, to make her own music for recording and performance, and to continue her personal resear…
Music with Roots in the Aether
"Music with Roots in the Aether" is a series of interviews with seven composers who seemed to me (Robert Ashley) when I conceived the piece-and who still seem to me twenty-five years later-to be among the most important, influential and active members of the so-called avant-garde movement in American music, a movement that had its origins in the work of and in the stories about composers who started hearing things in a new way at least fifty years ago.There is, of course, our indebtedness to Eur…
Outside of Time - Ideas about Music
English-German Edition, 655 pages (!) collection of writings about ideas concerning music by American composer Robert Ashley. For nearly forty-five years, composer robert Ashley has pursued his vision of opera in the face of near complete indifference from the American mainstream culture industry. Ashley’s experience parallels that of other American indepen-dent avant-garde figures such as Terry Riley, Alvin lucier, and Pauline Oliveros. like these composers, Ashley uses notation only to the ext…
Mo-No Music to Read | Musik zum Lesen (1969)
Expanded new edition of this 1969 classic. 244 pages, English/German edition. There must be no victors, not even in the arts… This was the credo Dieter Schnebel shared with artists like John Cage and remained faithful to his whole life. The arts and the world, music and everyday life – these were no contrasts to the composer, church minister, musicologist and teacher who had been born in Lahr in Baden. He created a new open concept of work which left boundaries in space and time behind and saw t…