Barry Guy
Barry Guy is an innovative bass player and composer whose creative diversity in the fields of jazz improvisation, chamber and orchestral performance and solo recitals is the outcome both of an unusually varied training and a zest for experimentation, underpinned by a dedication to the double bass and the ideal of musical communication. He is founder and Artistic Director of the London Jazz Composers Orchestra and the BGNO (Barry Guy New Orchestra) for which he has written several extended works. His concert works for chamber orchestras, chamber groups and soloists have been widely performed and his skillful and inventive writing has resulted in an exceptional series of compositions.
Barry Guy is an innovative bass player and composer whose creative diversity in the fields of jazz improvisation, chamber and orchestral performance and solo recitals is the outcome both of an unusually varied training and a zest for experimentation, underpinned by a dedication to the double bass and the ideal of musical communication. He is founder and Artistic Director of the London Jazz Composers Orchestra and the BGNO (Barry Guy New Orchestra) for which he has written several extended works. His concert works for chamber orchestras, chamber groups and soloists have been widely performed and his skillful and inventive writing has resulted in an exceptional series of compositions.
Member of: Iskra 1903
Barry Guy — Plays
"The bass music you will hear on this album is, it might be said, a child of the seventies. A ferociously radical time in the development of the double bass as a solo instrument found composers eager to formulate soundscapes that would send our Bottesinis and Dragonettis running for the exit !
As an emerging bassist in these heady times, immersed deeply into the art of improvisation where almost on a daily basis colleagues pushed the boundaries of instrumental possibilities, I found myself addit…
Kouartéto
"We recorded this CD in May 2023 on the magical Greek island of Hydra in the Old Carpet Factory Studio. The title Kouartéto emanates from the cover image by the artist William Pownall who in the true spirit of Hydra has for many years been an important focus for visitors seeking original artistic creations. And so, in this spirit. The music on this CD reflects a multifaceted response to a multicultural and open understanding of how artists can work together.
Every project involving these four cr…
Sidereus Nuncius – The Starry Messenger
*2025 stock* "It was at Ramón’s suggestion that we record as a duo in the downtime of another studio session, and perhaps it was his constellation of drums and cymbals that prompted the thought of a metaphorical planetary system. So Sidereus Nuncius - The Starry Messenger the title of Galileo Galilei’s short astronomical treatise published in early 1610, did not necessarily stretch the imagination unduly – there it was in front of me!
Galilei’s telescopic observations of the moon and other celes…
So It Goes...
*2025 stock* "Barry Guy and I first met and played together in a version of the Spontaneous Music Ensemble in the days of the legendary Little Theatre Club. The late John Stevens, visionary prophet of the coming music was the key figure at the centre of things who brought us together. “So it goes“ – John often used this figure of speech.
I was reminded of this when I was looking through Samuel Beckett’s Collected Letters, hoping to glean some titles, knowing that Barry would be happy with a Beck…
Schweben – Ay, But Can Ye?
*2025 stock* Important for this composition commissioned by the Glasgow Improvisers Orchestra from Barry Guy, is the unity of composed and improvised passages, the concern for the capabilities and strengths of individual players, the way in which small groups are part of the larger structures. Based on “Ay, but can ye?” a Russian poem translated into Scots by Edwin Morgan and using images of Wassily Kandinsky, this mostly graphically notated score is a musical adventure for the players as well a…
Some Other Place
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
Aurora
*2025 stock* "In this provocative journey towards lost innocence, the pianist imposes restraint in the use of instrument not only upon himself, but also asks his colleagues Barry Guy and Ramón López, to simplify their interventions in a similar way. Who would have thought it of these three indomitable, red-hot hyper-virtuosos? However, this three-way understanding goes back a long way, for they have been generating high-voltage spontaneous combustion together in different formats for years, and …
Zafiro
*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…
At Sotto Il Mare, First Visit
"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't one of them. And the present album shows that "non-idiomatic" is the wrong description for much free improvisation. The common description "abstract" is also misleading. All music is abstract in form, humane in utterance." – Andy Hamilton
In The Light Of The Current Myth
"The time in Porto when Barry Guy and The Blue Shroud Band recorded an album all this here would also be a time when a group of outstanding artists and warm friends also had the opportunity to spend time making music together outside the big band formula. It's not easy to bring together some of Europe's most original artists, and it's not easy to assemble such a stellar quintet with Savina Yannatou, Julius Gabriel, Agusti Fernendez, Barry Guy and Ramon Lopez. It's a great thing to be able to doc…
Six Hands Open As One
In 2019, a year before the onset of the pandemic and three years before the full-scale war in Ukraine broke out, we released Illuminated Silence. This was the first album of a new trio consisting of the young Japanese-born, Irish-based pianist and composer Izumi Kimura and the greats of the improvised music world Barry Guy and Gerry Hemingway. The album was very much liked by listeners and I heard from many of them the question whether there is a chance that this formation will survive, because …
Concert in Vilnius
*2023 stock* This concert was recorded during the Vilnius Jazz Festival, 15th October, 2017 at Russian Drama Theater, Vilnius, Lithuania. Line-up consists of Evan Parker - soprano and tenor saxophones, Barry Guy - bass, Paul Lytton - drums and percussion. Sound Engineer: Valdas Karpuška, mixed by Evan Parker. Mastered by Arūnas Zujus at MAMAstudios. Original cover painting by Paul Lytton, design by Oskaras Anosovas.
Irvin's Comet
300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.
The Swiftest Traveler
**CD version** An exciting new international trio initiated by Scandinavian saxophonist Torben Snekkestad, accompanied by two esteemed international players in the field of improvised music – the Spanish pianist Agusti Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative, innovative sounds and textures. Record…
Luminous
Two giants of improvised music Barry Guy and Gerry Hemingway joining pianist/composer Simon Nabatov, for a concert recorded live in Loft, Cologne, Germany on 30-31st October. Simon Nabatov - piano, Barry Guy - double bass Gerry Hemingway - drums, marimba
Louisiana Variations
"Torben Snekkestad and Barry Guy first worked together on 2015’s impressive Slip, Slide and Collide - that recording, with its labyrinthine improvisations and near-feverish eruptions, proved the duo to be fiercely attuned to one another. Now, on Louisiana Variations, another voice is drawn into the fold - that of Spanish pianist Agustí Fernández, a long-time collaborator with Barry Guy and an excellent composer/improviser in his own right. On this release, the trio lose none of the intensity pre…
Tensegrity
"Here the 14 members of British bassist Barry Guy’s Blue Shroud Band, gathered in Krakow to perform the bassist’s orchestral Blue Shroud, were recorded in Small Formations. The set features 26 tracks where band members from 10 countries demonstrate their skills. Some improvisations are unexpected, as when four reed players stack up so many timbres that are alternately shrill, subterranean, harsh and gentle, that it appears critical mass is reached. Then they’re joined by serpent-player Michael G…
Live At Maya Recordings Festival
Bomb! 500 copies. After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness. Live At Maya Recordings Festival, captured at Winterthur, Switzerland in 2011 forms another t…
Five Fizzles For Samuel Beckett
"Is there a better all-around bassist with a bow than Barry Guy? That query may scream sycophantic hyperbole, but in taking stock of the British improviser's discography it's an interrogative that can't help but manifest repeatedly.
On Guy's end the distinction of best isn't even a peripheral consideration or goal. He's placed his instrument in near-countless contexts, bringing to it a perfect sense of pitch and dynamics. Five Fizzles for Samuel Beckett is right in line with that sterling…