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Beatriz Ferreyra

Beatriz Ferreyra is an Argentinian composer. Ferreyra studied music in Paris with Nadia Boulanger (1962) and with Edgardo Canton (GRM in France, RAI in Italy, 1963). She worked at Groupe De Recherches Musicales (GRM) from 1963 to 1970, where she participated in the production of recordings for Pierre Schaeffer’s Solfège de l’objet sonore (1967). She had an educational function during GRM training periods and gave lectures at the courses in Conservatoire national de musique de Paris.

Beatriz Ferreyra is an Argentinian composer. Ferreyra studied music in Paris with Nadia Boulanger (1962) and with Edgardo Canton (GRM in France, RAI in Italy, 1963). She worked at Groupe De Recherches Musicales (GRM) from 1963 to 1970, where she participated in the production of recordings for Pierre Schaeffer’s Solfège de l’objet sonore (1967). She had an educational function during GRM training periods and gave lectures at the courses in Conservatoire national de musique de Paris.

Switched On – The Dawn of Electronic Sound by Latin American Women (Book)
** Hardcover. English edition. ** The first book dedicated exclusively to the female protagonists of Latin American electronic music. The book has been edited by independent curator, researcher and label head of Buh Records, Luis Alvarado, and experimental musician, multimedia artist and researcher Alejandra Cárdenas (also known as Ale Hop). Composers and sound artists featured in this historical account include: Alicia Urreta, Beatriz Ferreyra, Elsa Justel, Eulalia Bernard, Graciela Castillo, H…
Senderos de Luz Y Sombras
A 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.
Beatriz Ferreyra
Argentinian composer born in 1937, Beatriz Ferreyra studied with Nadia Boulanger in Paris, Edgardo Canton, Earle Brown and Gyorgy Ligeti in Germany. In 1963 she took a position in the research department of the Office de Radiodiffusion Television Francaise (ORTF). She made a name with the incredible work of making all sound examples for the Pierre Schaeffer’s ‘Solfege de l’Objet Sonore. Schaeffer founded the Groupe de Recherches Musicales was founded in 1958. She also worked with Bernard Baschet…
Canto+
Room 40 presents Canto+ by Beatriz Ferreyra. "I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pl…
Souvenirs Cachés / Innermost
Persistence of Sound presents a split LP from two leading voices in electroacoustic music. It would be hard to find a better-suited combination of contemporary acousmatica on one record.   Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space. Ferreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM P…
Huellas Entreveradas
Beatriz Ferreyra has been at the forefront of electroacoustic music composition since 1963 when she joined the Groupe de Recherches Musicales as one of Pierre Schaeffer’s research assistants. She is one of very few composers still performing who was instrumental at the beginning of Schaeffer’s theories of sound objects and reduced listening techniques. She continues to compose commissioned works and perform around the world in a career that has spanned some sixty years.From the 1960s until 1997 …
Echos+
From Lawrence English: I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.  That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatri…
Grm works
Restocked. Argentine electroacoustic composer Beatriz Ferreyra describes each of the pieces included on GRM Works: Demeures aquatiques (1967): "This electroacoustic piece, articulated into two clearly distinct parts, draws its sound source from the classical and unorthodox instruments -- metal sheets, glass rods, etc. -- invented by the Baschet brothers. I wanted to show the contrast between the rhythmic repetition of a sounding object, which gives out a feeling of fixity, an electroacoustic…
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