We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Carlos Giffoni

The Carlos Giffoni sound can be described as psychedelic electronics for the new era of death and destruction hope music. He is a Venezuelan artist who resides in the New York City area since the year 2000, applying feedback systems, modular manipulation, rewired electronic instruments, analog and digital synthesis to the composition of electronic music pieces, as well as improvising live with local and international renown musicians. Carlos remains very active performing live in New York and in a number of tours and festivals in the US, South America, Europe and Japan. He is the curator of the No Fun Fest, a yearly event in Brooklyn bringing together a wide variety of international experimental musicians.

website  

The Carlos Giffoni sound can be described as psychedelic electronics for the new era of death and destruction hope music. He is a Venezuelan artist who resides in the New York City area since the year 2000, applying feedback systems, modular manipulation, rewired electronic instruments, analog and digital synthesis to the composition of electronic music pieces, as well as improvising live with local and international renown musicians. Carlos remains very active performing live in New York and in a number of tours and festivals in the US, South America, Europe and Japan. He is the curator of the No Fun Fest, a yearly event in Brooklyn bringing together a wide variety of international experimental musicians.

website  
Dream Walker
About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of con…
Vain
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g  r u l e sCarlos’ first new release i…
Lift
Pressed in an edition of 250 copies on 200 gram virgin clear vinyl. A new studio LP from this synth maverick. Primordial dance music comprised of pulsating analog rhythms and austere waves of mechanical tones. With beginnings in laptop electronics and his focus now turned toward analog synthesizers and modular manipulation, results vary from the extreme to the beautiful. Photography by Rachael Cassells."...the impression of countless banks of machinery being flicked into operation and the distin…
Techno b/w 070207
Two very active modern electronic musicians who enjoy 20th century analog equipment deliver a document of mind expanding electronics with very different approaches. Giffoni's track 'Techno' is full of layered and perfectly synched synthetic rhythms matched with some very adhesive evolving sounds; Creating something that somehow ends up being a homage to both early Techno and harsh Japanese electronics. Whitman's track is a beautiful exploration of synthetic tonality and space, like a sudden mass…
1