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Two works by Netherlands-based Argentine composer Claudio F Baroni where recorded speech is set against acoustic and electronic pitched sounds. The instrumental material emerges entirely from digitally aided speech analysis, which identifies occurrences of Western scale pitches within the natural intonations of speech.From these pitches, Baroni selects and assigns certain tones to instruments and electronics. The scores consist of the written speech text paired with musical notes, precisely alig…
2018 release ** "Claudio F Baroni returns to Unsounds with Motum, an album featuring three recent compositions for electronic quartet, organ and string quartet. The thread connecting the works on Motum is – nomen est omen – motion and movement. Baroni explores this central theme in concept and sounds, in his inimitable layered, open and dynamic style. Motum takes the listener on a path from the very origin of sound as air in motion to hitherto uncharted territories. The music originates in myria…
The music on this album originates in the interactive sound installation The Body Imitates the Landscape by artist Adi Hollander: she designed a collection of ergonomic objects that are meant to transform music into vibrations felt through the entire body. Hollander was inspired by the Japanese book Karada by Michitaro Tada about the ‘school of the body’. Hollander and Claudio F. Baroni made a live version of the installation where Baroni’s music, performed by Maze, was experienced live by the p…
**300 copies limited edition** "Ursae Minoris, meaning ‘of Ursa Minor’, is the title of this work because in this album we encounter this constellation not as a singular instance but as an evolution of multiple perspectives to ruminate upon. As our view of the stars changes with time and place, the three movements of this piece each offer a different aural interpretation. While working on his string quartet Perpetuo Motum, Baroni happened upon the diaries of Ciriaco d’Ancona (1391-1455), an Ita…