We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
LP version. 180 gram vinyl; Includes printed inner sleeve with lyrics; Includes download code. Repressed; 1999 release. A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration.
"a long overdue c…
* 2005 release * Art project Christmas the fourth. Fluxus rooted artist John Armleder's Villa Magica label showcases Christmas record obsession: festive music conceptual, kitsch and literal. John invites invites Genesis to contribute. Disarmingly charming.
In a rare performance at Donau Festival in Krems, Austria in May of 2012, Tony Conrad (member of the Dream Syndicate project by La Monte Young), Genesis Breyer P-Orridge (Psychic TV / Throbbing Gristle...) and Edley ODowd (Psychic TV / Toilet Boys...) collaborate to create a unique, completely improvisational soundtrack that is at once transcendental & visceral. Consisting mainly of 2 violins, orchestral percussion and sparse electronics, quiet droning gives way to volcanic crescendos a…
Previously-unreleased recordings from live sessions at the Logos Foundation, Ghent, Belgium, recorded in 1974, 1979, and 1981. This double LP, the first release in a vinyl-only series, includes the following recordings: a 1979 performance by Max Eastley and Logos Ensemble (Max Eastley, Godfried-Willem Raes, Moniek Darge, and Rob Keymeulen playing xylophone bars, Aeolian flutes, springboard, sanzas); a 1974 performance by Feminist Improvising Group (Georgie Born: cello, bass guitar; Lindsay Coope…
'Music for Stocking Top, Swing and Staircase' is a spellbinding archival discovery documenting a performance by one of the missing links in experimental electronic and prototypical industrial music. John Lacey is one of the background players in British electronic music and conceptual performance art. He was an early collaborator with Chris Carter and Cosey Fanni Tutti and a crucial member of COUM Transmissions alongside Throbbing Gristle's Genesis P-Orridge. Lacey contributed technical directio…
**500 copies, coloured vinyl** Enter thee psychedelic world ov Genesis Breyer P-Orridge (Throbbing Gristle / Psychic TV / Thee Majesty ...) and Bryin Dall (4th Sign of the Apocalypse / Hospitality on Parade / Hirsute Pursuit / Thee Majesty ...) Thee landscape that they live in transcends both time and space. A land that will be both fascinate and confuse. Where thee war ov thee sexes is simply a mirage that transforms into unconditional love.Fall into thee majesty ov it all. Joined by family mem…
The most recent installment of the rare & unheard archival recordings from the transgressive 70′s performance art group COUM Transmissions. Founded in late 1969 by Genesis P-Orridge, COUM Transmissions’s provocative performances mixed with visual art solidified the group as one of the most forward thinking breakthroughs within the 70′s conceptual art scene. Between 1969 and 1976, with a rotating membership including John Shapiro, Cosey Fanni Tutti, and Spydeee Gasmantell, COUM Transmissions …
G.P.O. versus G.P-O: A chronicle of mail art on trial is a publication of Genesis P-Orridge’s collection of materials surrounding Great Britain’s General Post Office’s case against him for disseminating pornographic material through the mail in 1975. These postcards incorporated confrontational images with images of the Queen. When the Post Office made their case against P-Orridge, it became an opportunity to turn the case into another performance. G.P.O. versus G.P-O collects ephemera, legal do…
Originally released as a cassette on the cryptic Austrian tape label, Nekrophile, in 1981, this simplistic experimental recording was a industrial classic ahead of it’s time. Recorded in 1981 in the Hackney bedroom of Genesis P-Orridge, who at this point was romping through his final months in seminal industrial act Throbbing Gristle. Done as a spur of the ‘improvisational’ moment, Genesis was accompanied by then TG documentarian Stan Bingo (a.k.a. director Dan Landin) to try out some ne…
Made in 1974 by P.Orridge in COUM’s Hull commune/headquarters, The Ho Ho Funhouse, it’s comprised of scratchy recordings of the young actionist improvising on piano and messing around on reel-to-reel with years of accumulated field recordings and homework dictations (This recording consists of Genesis's candid kitchen recordings of solo broken piano improvisations accompanied by P-Orridge's own reel to reel experiments using old tape dating back to 1965, from which a young Neil Megson made co…
"An exclusive vinyl release of the live violin collaboration between avant-garde legends Tony Conrad and Genesis Breyer P-Orridge featuring percussion by Morrison Edley. Presented by filmmaker Marie Losier and recording live in January, 2009 at Issue Project Room in Brooklyn, NY. " - Dais.