D'incise
καῦμα (kaûma)
"The word καῦμα (kaûma) gave us the "calm" losing its primary sens of "heat". Here an archaic experimental music, a more or less advanced electronic technology with questionable sustainability, false loops, oscillations and glidings, between immutable harmonic series and dubious Chinese components. If "kaûma" also gives "chômer" ("not to work") (from occitan "caumar", "to rest during the heat"), another warming would call to disturb the calm, the pattern, to come out of our torpor (κῶμα, kôma ("…
Assemblée, Relâche, Réjouissance, Parade
**200 copies** "Assemblée, Relâche, Réjouissance, Parade or another long, unspeakable, French, title (that would somehow translate as " Assembly, Pause, Rejoicing, Parade"). Words that conjure ideas of music used in public, and social rituals. The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path, in the sense, among others, to not forbid certain aspects of music…
The Probability of an Encounter
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…