D'incise
Incendies
"Incendies" is a piece that sings the jolts of a world on battery. Just as we watch a fire with fascination, its beauty and its destructive force at the same time, one can listen to analog signals enriched with saturations and give birth to the space created inside a stereophony. Or meditate on the carbon footprint of the same action. And for your information: the number of megafires will increase by 30% by 2050 (according to a report by the United Nations Environment Program (UNEP) which also d…
Variaciones Sobre Las Instrucciones
*250 copies limited edition* Alvear, Bondi & d'incise consists of Cristián Alvear from Chile, and Cyril Bondi and d'incise from Switzerland. The three musicians collaborate frequently in duo and trio formats. This album documents a duo performance by Alvear (guitar) and d’incise (vibraphone, electronics) of “Sleepless Night” (2022), a work by Spanish composer/sound artist Clara de Asís; and a trio performance by Alvear (guitar), Bondi (vibraphone) and d’incise (electronics) of “uno, dos o tres e…
καῦμα (kaûma)
"The word καῦμα (kaûma) gave us the "calm" losing its primary sens of "heat". Here an archaic experimental music, a more or less advanced electronic technology with questionable sustainability, false loops, oscillations and glidings, between immutable harmonic series and dubious Chinese components. If "kaûma" also gives "chômer" ("not to work") (from occitan "caumar", "to rest during the heat"), another warming would call to disturb the calm, the pattern, to come out of our torpor (κῶμα, kôma ("…
ABC 1-6
2017 release ** Limited edition of 200 copies. "ABC 1-6 by Stefan Thut (2012) as performed by Cristian Alvear, Cyril Bondi, D'Incise. ABC 1-6 is a score written by Stefan Thut in 2012 that evolves around 3 categories for an ever changing structure. As Stefan Thut describes it in his own words: "A faintly coloured noise (0) / an amalgam of noise and pitch (1) / a pitch (2). The first category refers to white noise which never occurs in its purity since the actual environment always colours a whi…
Assemblée, Relâche, Réjouissance, Parade
**200 copies** "Assemblée, Relâche, Réjouissance, Parade or another long, unspeakable, French, title (that would somehow translate as " Assembly, Pause, Rejoicing, Parade"). Words that conjure ideas of music used in public, and social rituals. The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path, in the sense, among others, to not forbid certain aspects of music…
The Probability of an Encounter
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…