Giulio Aldinucci
Real
Italian sound artist Giulio Aldinucci returns with his 4th album on Karl: "Real" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders And Ruins" (2017), "Disappearing In A Mirror" (2018) and "Shards Of Distant Times" which all made it onto several year's best lists.
With now his 4thalbum for Karl, the sound artist from Siena has proved a steady and prolific artist on the label roster. And each time, Giu…
Bureau
In 2016 Matteo Uggeri took hundreds of pictures during his working days in a 70’s building aimed at training and desk work located in the surroundings of Milan. Later that Winter the photographs taken served as inspiration for him and Giulio Aldinucci for this album themed on the alienation of the working life inside the office (bureau, from where the term ‘bureaucracy’ comes).
The tracks are based on outdoor field recordings that have been looped, treated and re-shaped in order to be transfor…
Music from Organ
On his new EP ‘Music from Organ’, producer and live musician Giulio Aldinucci offers up four tracks of layered and meticulously-crafted ambience. In his own words: “The EP explores the interaction between the pipe organ and the sound environment, in terms of architectural space and soundscape. Every single sound of this work is created from pipe organ recordings using different techniques related to sound reflection, from granular processing to filters that “carve” the sound emulating the phonem…
Shards of Distant Times
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
Crystalline Tragedies / The Procession - Distant Motionless Shore
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…