Iskra 1903
Paul Rutherford formed Iskra 1903 in 1970 with Derek Bailey and Barry Guy. All three musicians had worked together in larger groups, starting off with the 1966/7 edition of the Spontaneous Music Ensemble. However, they had a strong desire to work as a percussionless trio. It's not that they were or are anti-percussion - each of them have subsequently worked in various settings with numerous percussionists - it’s just that they felt a need for this sort of instrumentation. Rutherford named the group after 'Iskra' (the Russian word for spark) which was the paper that Lenin edited before the Russian Revolution. The '19' indicates 20th century music, and the '03' is the number of performers.
Paul Rutherford formed Iskra 1903 in 1970 with Derek Bailey and Barry Guy. All three musicians had worked together in larger groups, starting off with the 1966/7 edition of the Spontaneous Music Ensemble. However, they had a strong desire to work as a percussionless trio. It's not that they were or are anti-percussion - each of them have subsequently worked in various settings with numerous percussionists - it’s just that they felt a need for this sort of instrumentation. Rutherford named the group after 'Iskra' (the Russian word for spark) which was the paper that Lenin edited before the Russian Revolution. The '19' indicates 20th century music, and the '03' is the number of performers.
Slip Slide And Collide
*2025 stock* "This latest release on Maya Recordings documents a new duo collaboration of Barry Guy together with the exceptional Norwegian saxophonist Torben Snekkestad. At convergent boundaries, tectonic plates collide with each other, sometimes slowly, other times giving way suddenly with huge energy being expended. The various plates that encompass this planet either get subducted by being bent and pulled under the crust, or they collide and fold the rock at the boundary creating mountains. …
A Moment's Liberty
*2025 stock* Free jazz trio made up of leading improvisers pianist Agusti Fernandez, bassist Barry Guy and drummer/percussionist Ramon Lopez, recorded live in Cologne in 2013. Agusti Fernandez gives some insight into the music, “I believe that the essential thing for us is our shared desire to create an extraordinary, unexpected and unusual moment through music. A moment that cannot, perhaps, be described in words, but which can be perceived perfectly, as one of those fantastic occasions when mu…
Schweben – Ay, But Can Ye?
*2025 stock* Important for this composition commissioned by the Glasgow Improvisers Orchestra from Barry Guy, is the unity of composed and improvised passages, the concern for the capabilities and strengths of individual players, the way in which small groups are part of the larger structures. Based on “Ay, but can ye?” a Russian poem translated into Scots by Edwin Morgan and using images of Wassily Kandinsky, this mostly graphically notated score is a musical adventure for the players as well a…
Playing
1993 release (RARE) ** ""This lovely duet between avant guitar kingpin Derek Bailey and drummer/trumpet player John Stevens is a fine example of what Bailey was up to in the early '90s, before he discovered drum'n'bass and Bill Laswell, among other things. While the date is, as usual, completely improvised, relying more on nuance, texture, and timing than tonality, subtle timbral studies are evident, particularly in the middle of the recording on "Ping Pong" (where Bailey forgoes the electric g…
Attikos
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
Morning Glory
*2025 stock* New recording from the free jazz trio of Agustí Fernández (piano), Barry Guy (bass) and Ramón López (drums and percussion) to follow their much acclaimed 'Aurora' album. The album includes a second ‘bonus’ disc of music recorded live in New York. "... Morning Glory rises as a monument dedicated to all music; music that has come and gone, music in the making, and music yet to come. Any genre, any emotion, any referent finds expression in this work, where introspection (“An Anonymous …
Some Other Place
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
Fox Fire
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…
Tarfala
*2025 stock* "Listening to the tapes of this live concert from Culturen Västerås, persuaded me that certain attributes of the playing of Mats Gustafsson and Raymond Strid are indeed bound with “Terroir”. There is probably a useful Swedish word describing this, but the French word nevertheless seems appropriate in describing a sense of place, something earthy and powerful. My thoughts moved to volcanoes and in particular glaciers, which of course abound in Sweden. The explosive power of the volca…
Topos
*2025 stock* When Evan Parker, Barry Guy and percussionist Paul Lytton renewed their association at l’Auditori in Barcelona in March 2006, they chose to call the resulting CD ZAFIRO, or “Sapphire”. The following day, the trio was joined by Catalan pianist Agustí Fernández at the same venue to record the Topos album. The chemistry changes to an almost microscopic world of shifting colours and densities prompted by Fernández’s mercurial articulations of the piano keys and the strings inside the in…
Aurora
*2025 stock* "In this provocative journey towards lost innocence, the pianist imposes restraint in the use of instrument not only upon himself, but also asks his colleagues Barry Guy and Ramón López, to simplify their interventions in a similar way. Who would have thought it of these three indomitable, red-hot hyper-virtuosos? However, this three-way understanding goes back a long way, for they have been generating high-voltage spontaneous combustion together in different formats for years, and …
Zafiro
*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…
Icarus
2024 Stock. Minor signs of wear from long-time storage.
Cascades
2024 Stock. Minor signs of wear from long-time storage. ** "Recorded at the 1993 Vancouver Jazz Festival, these five group improvisations feature sound explorations by pianist Marilyn Crispell, bassist Barry Guy, and drummer Gerry Hemingway. The interplay is quite spontaneous and the continuous music is rather forbidding, atonal, and with an emphasis on sounds rather than notes."
At Sotto Il Mare, First Visit
"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't one of them. And the present album shows that "non-idiomatic" is the wrong description for much free improvisation. The common description "abstract" is also misleading. All music is abstract in form, humane in utterance." – Andy Hamilton
In The Light Of The Current Myth
"The time in Porto when Barry Guy and The Blue Shroud Band recorded an album all this here would also be a time when a group of outstanding artists and warm friends also had the opportunity to spend time making music together outside the big band formula. It's not easy to bring together some of Europe's most original artists, and it's not easy to assemble such a stellar quintet with Savina Yannatou, Julius Gabriel, Agusti Fernendez, Barry Guy and Ramon Lopez. It's a great thing to be able to doc…
The Advocate
One of the most important musical partnerships in English Free Improvisation was the duo of Tony Oxley and Derek Bailey. Their long standing friendship began as early as 1963 with the group Joseph Holbrooke (including composer/bassist Gavin Bryars) and lasted over forty years. These recordings were created in the studio in 1975 and catch them at their peak. Also included is Oxley’s touching tribute to Bailey, a dynamic new piece for electronics and percussion recorded live at the recent Bailey t…
Live In Munich
This concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities. “To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano. Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up …
Breath Awareness
Derek Bailey - guitarSabu Toyozumi - drums
Recorded live on November 2nd, 1987 at IMAI-Tei, Fukuoka City, Japan by Hidenobu EharaConcert produced by Masahiro TomiokaMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhoto by Yumi Mochizuki at Taruho Jazz, Yamato CityCover art by Sabu Toyozumi
Six Hands Open As One
In 2019, a year before the onset of the pandemic and three years before the full-scale war in Ukraine broke out, we released Illuminated Silence. This was the first album of a new trio consisting of the young Japanese-born, Irish-based pianist and composer Izumi Kimura and the greats of the improvised music world Barry Guy and Gerry Hemingway. The album was very much liked by listeners and I heard from many of them the question whether there is a chance that this formation will survive, because …