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James Blackshaw

Fantomas: Le Faux Magistrat
"In celebration of the centenary of Louis Feuillade's Fantomassilent film series, James Blackshaw was invited by Yann Tiersen to perform a live score to the fifth and final film, Le Faux Magistrat, at the beautiful and prestigious surroundings of the Theatre de Chatelet, Paris on October 31, 2013. Fantomas -- a master of disguise and symbol of terror -- is one of the most popular characters in French crime fiction, as well as a favorite with the avant-garde, particularly the surrealists. Tim Hec…
Love Is The Plan, The Plan Is Death
Important is proud to welcome back James Blackshaw for his first full length on Important since his breakthrough album O True Believers was released on the label in 2006. James has since forged a remarkable career achieving critical praise for his dexterity, his deep, connected songwriting and his beautiful arrangement. Love Is The Plan, The Plan Is Death is available on CD & LP. LP pressed in an edition of 1000.  Limited stock of color vinyl for mailorder customers.
All Is Falling
The ultra savant of 12-string mantra cycles expands further into cinematic, orchestral glory - an orgy of organic, deeply felt & exquisitely played pathways to the sublime. His 1st foray into the realm of the electric 12-string guitar. Comprised of one slowly evolving, shifting piece of music in eight parts, replete w/ swirling string cycles & wind instruments augmenting his extended pointillist flurries w/ clouds of sound, sometimes adding delicate counter-melodies but just as often feed…
The Cloud of Unknowing
For fans of acoustic guitar music, James Blackshaw's The Cloud of Unknowing is a gift that's long overdue. Blackshaw's fourth album gracefully glides over the same sonic ground that his contemporaries generally tread with reverential obedience or dilettante tactics. Growing into his prodigious own at the relatively young age of 25, Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition…
Lost Prayers
Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…
Sunshrine
With a mindblowing track gracing this weeks phenomenal ‘Gold Leaf Branches’ compilation, James Blackshaw's brilliant "Sunshrine" album is finally being made available on cd. At only 23 years of age, Blackshaw has already mustered up enough talent on the guitar to put many more renowned acts to shame. His gorgeous finger picked melodies on 12-string guitar are incredibly affecting and a stark contrast to the ragas and ragtimes of peer Jack Rose. Instead of concentrating on replicating a sp…
Celeste
Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…
Litany Of Echoes
It was once easy to think of James Blackshaw as an inheritor of the Takoma tradition, a school of searching acoustic guitar playing pioneered by John Fahey, Robbie Basho, Leo Kottke, and others in the 1960s. But listening to the English guitarist's new album, it's clear it's not that simple. While echoes of those three and some of their contemporaries are still present in Blackshaw's music, these days you can hear just as much Terry Riley and Philip Glass in his work. His synthesis of acoustic e…
O True Believers
Like most of his previous work, O True Believers may be born of a finite moment of hope in a sea of infinite sadness, a fleeting moment of fragile beauty that extends beyond it's physicality. Unlike past albums, the listener's feeling upon conclusion is more ambiguous: there is no happy and immediate resolution, as if ghosts of the past will find themselves resurfacing time and time again in the future, an idea which is reflected in several reoccurring themes within the songs themselves. Colourf…
The Glass Bead Game
James Blackshaw once made Michael Gira cry. Not by sucker-punching the poor guy. It was something much simpler: Blackshaw reduced the former Swan frontman — a menacing presence even as he eclipses AARP eligibility — to tears through nothing but a finger-picked acoustic and minimal, melancholic chords. It's easy to understand why. As Gira wrote in a press release celebrating Blackshaw's signing to his Young God imprint, the widely-acclaimed 12-string maestro writes "absolutely beautiful and spell…
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