John Cage
John Cage (1912 to 1992) was an American composer, writer, philosopher and printmaker, and the figure who did most to widen the idea of what music can be. Educated in California and on a study tour of Europe, he studied with Henry Cowell and Arnold Schoenberg, gave up painting for music in 1934 and in 1940 devised the prepared piano, inserting bolts and rubber between the strings so that one instrument became a percussion orchestra. From Music of Changes (1951) he composed with chance operations drawn from the I Ching, so that his own taste would no longer decide the notes, and with 4'33" (1952) he framed silence and the sounds around it as a piece.
John Cage (1912 to 1992) was an American composer, writer, philosopher and printmaker, and the figure who did most to widen the idea of what music can be. Educated in California and on a study tour of Europe, he studied with Henry Cowell and Arnold Schoenberg, gave up painting for music in 1934 and in 1940 devised the prepared piano, inserting bolts and rubber between the strings so that one instrument became a percussion orchestra. From Music of Changes (1951) he composed with chance operations drawn from the I Ching, so that his own taste would no longer decide the notes, and with 4'33" (1952) he framed silence and the sounds around it as a piece.
The Works for Organ
First complete recording of John Cage's works for organ, played by Gary Verkade on the organ of Gammelstad Church, Sweden: Some of 'The Harmony of Maine', Souvenir, ASLSP and Organ2/ASLSP, with 4'33'' on the DVD only.
Sonatas & Interludes
How rare, and valuable, it is to be able to experience one composer’s masterwork through the sensibility of another significant, stylistically distinct composer – via a performance that reveals unexpected aspects of both. that is to say, an approach to performance not as an act of self-conscious, flamboyant or dramatic interpretation, according to the concerns of technique, expression, and projection that are at the heart of an instrumentalist’s presentation of a musical score to an audie…
Music Of Changes
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
Variations V
First commercial release of John Cage's Variations V, the 1966 NDR Hamburg television production with David Tudor, Gordon Mumma and the Cunningham Dance Company, with the Paris 1966 audio, dancer interviews and a 12-page book.
How To Get Out Of The Cage
From 1982 to 1992 Frank Scheffer worked with John Cage on many different occasions, which resulted in a unique archive of historical audio-visual material. Based on this unique archive, including interviews, musical performances and images of different locations related to his life and work—filmed on 16mm—the filmmaker Scheffer created How to Get Out of the Cage—A Year with John Cage. Frank Scheffer wrote: "The famous artist Marina Abramovic introduced me to John Cage. She thought it woul…
Journeys in Sound
This documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage. The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermac…
I Want the Beatles to Play at my Art Center
Music From the Henie Onstad Kunstsenter Archives 1968-2011. This 2LP presents seminal works of music from the nearly 50-year history of Henie Onstad Kunstsenter (HOK). When HOK founder Sonja Henie exclaimed that she wanted The Beatles to play at her art center, in essence she expressed its founding ambition to produce and stage a lively cross-artistic program that captured the contemporary spirit of the day in live form. This release is filled with previously-unreleased material recorded at H…
Song Books
Works for voices & electronics, performed by Lore Lixenberg, Gregory Rose, and Robert Worby. Recorded in 2012. "This year, 2012, the maverick American experimental composer John Cage would have been 100 years old. He defined experimental music in the 1930s and, since that time, his ideas, his music and his work have been copied by hundreds of other composers and musicians time and time and time again. Anybody who claims to make experimental music today has to acknowledge their debt to John …
John Cage Shock Vol. 2
Volume 2 in EM Records' John Cage Shock series lifts off with a fiery example of David Tudor's piano virtuosity, his mastery of dynamics well-evident in a performance of Klavierstücke X (1961) by Karlheinz Stockhausen. The titular shock of this series is delivered even more forcefully with the next piece, John Cage's 26'55.988" for 2 Pianists and a String Player (1961), which was first performed the year before in Darmstadt by Tudor and Kenji Kobayashi, a combination of two of Cage's solo piece…
John Cage Shock Vol. 3
The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstraction, following the score's directions: "with maximum amplification (no feedback), perform a disciplined action." Next is Composition II for 2 Pianos (1960/1961) by Michael von Biel, lovely and sparse, performed by David Tudor and Toshi Ichiyanagi. …
John Cage Shock Vol. 1
In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, is the source of this series of releases -- three CDs and a "best hits" double LP compilation. Recorded primarily at the Sogetsu Art Center in Tokyo on October 24, 1962 (with two performances from October 17 at Mido-Kaikan in Osaka), all recordin…
Shock
of EM Records' John Cage Shock series, compiled from the three CD releases. Featured works: 26'55.988" for 2 Pianists and a String Player, Piano Music #7, 0'00", Variations II. Performers include: David Tudor, Toshi Ichiyanagi, Kenji Kobayashi, Yoko Ono and John Cage. Includes rare photos and liner notes in Japanese and English, plus commentary by Toshi Ichiyanagi. In October 1962 John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposi…
The Number Pieces 6
Three of John Cage's late number pieces, Five, Seven and Thirteen, recorded in 1993-94 by Essential Music of New York and released for the first time. Thirteen, Cage's final completed work, is heard in only its second recording.
Earle Brown Contemporary Sound Series Vol. 1
Few figures of the American avant-garde wore as many hats as Earle Brown. Composer, graphic notation pioneer, member of the New York School alongside John Cage, Morton Feldman, and Christian Wolff - but also, and crucially, a record producer whose ear shaped one of the most important document series in 20th century music. Between 1960 and 1973, working first for Time Records and then Mainstream Records, Brown curated the Contemporary Sound Series - 18 LPs presenting works by 49 composers from 16…
Freeman Etudes - Books 1&2
Amazing CD of Cage's Freeman Etudes with the amazing performance of Marco Fusi.
Complete Piano Music Vol. 10 - Etcetera
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Silenzio
*Italian language edition* This volume presents fully translated into Italian the landmark texts of the post-World War II musical avant-garde. Master John Cage revolutionized the traditional and academic concept of music and pushed into new frontiers of sound experimentation by applying the method of composition through consultation of the I Ching. And without forgetting to fascinate the reader with the narration of episodes from his life, which rise to the role of Zen parables.
How To Get Started
"John Cage conceived How To Get Started almost as an afterthought -- a performance substituting for another that was previously planned in 1989 for delivery at 'Sound Design: An Invitational Conference on the Uses of Sound for Radio Drama, Film, Video, Theater and Music' presented by Bay Area Radio Drama at Sprocket Systems, Skywalker Ranch, in Nicasio, California. In his introduction, Cage talks about the difficulty of initiating the creative process, while exploring the usefulness of im…
The Works for Percussion I
The complete Imaginary Landscapes 1-5 and Credo in US by John Cage, with radios, phonograph records and percussion, played by Percussion Group Cincinnati in the first volume of the Mode Cage percussion works.
Radio music (1956)
Four different versions of Radio Music (1956) from John Cage performed by S. Pittis, JH Peron, Z. Diermaier. Each version is 6 minutes long and uses radio as only sound source.