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A late and welcome arrival from the Matchless vaults. Phlegm captures AMM in their classic trio configuration, Eddie Prévost on percussion, Keith Rowe on tabletop electronics, John Tilbury on piano, recorded live at the Huddersfield Contemporary Music Festival, November 2015. One continuous hour-long piece, a setting closely aligned with the group's longstanding commitment to electroacoustic improvisation and one of the final documented performances of the trio.
By this stage AMM's language had …
*2026 stock. 350 copies limited edition*
John Tilbury - Piano
Keith Rowe - Guitar, Electronics
Kjell Bjørgeengen - Video, Electronics
Recorded by Shaun CrookCafe Oto, London, UK26 March 2018
Mixed & Mastered by Giuseppe Ielasi
Artwork by Kjell Bjørgeengen and Salvatore Panatteri
*2026 stock. 350 copies limited edition*
Keith Rowe - Guitar, Electronics, DrawingKjell Bjørgeengen - Video, Dave Jones Synthesizer
Recorded by Byron WestbrookExperimental IntermediaNew York City, NY, USA5 December 2010
Mastered by Giuseppe Ielasi
Dedicated to Phill Niblock (1933 – 2024)
One of the best ever recordings by the mighty AMM, here composed of Eddie Prevost, Keith Rowe and John Tilbury. Original 1992 CD on Matchless Recordings.
Superb 1996 triple-CD set on Matchless Recordings presenting 3 exceptional full live recordings spanning 25 years (1969-1994). AMM: Cornelius Cardew, Christopher Hobbs, Lou Gare, Keith Rowe, Eddie Prevost and John Tilbury in different combinations.
1993 white vinyl single, the first volume in Table Of The Elements' limited edition Guitar Series 7"s, deservely dedicated to solo guitar improvisations by the AMM member.
Original first US edition on Red from 1979 of the third volume of the Guitar Solos series featuring Henry Kaiser, Chip Handy, Peter Cusack, Keith Rowe, Fred Frith, Eugene Chadbourne, Davey Williams and Akira Iijima. Never re-issued on either CD or LP.
AMM collaborates with Sachiko M on Testing (Matchless Recordings), documenting sessions between the British collective and the Japanese sound artist. The work explores intersections of improvised acoustic techniques and sine wave electronics, presenting careful negotiations between established experimental practices and minimalist electronic intervention.
Cassette edition of the 1982 LP compilation on UD, featuring Jacques Berrocal, Anima, Foetus, AMM, Nurse With Wound and Operating Theatre, manufactured and marketed by RRRecords in 1987 on behalf of United Dairies.
Aura captures the unmatched synergy between two of AMM's core figures, percussionist Eddie Prévost and pianist John Tilbury, who also explores the harpsichord in this release. Recorded in the acoustically rich setting of The Sibelius Museum in Turku, Finland, this album offers a meditative, deeply intimate experience through extended improvisations that emphasize AMM's ethos of creating expansive, ambient soundscapes. With Prévost's textural percussive approach and Tilbury's subtle, evolving cho…
The meeting of AMM guitarist Keith Rowe with Burkhard Beins on percussion, two studio sessions and one live recording, sparse and subtle improv of the highest standard.
*In process of stocking. 2023 stock "Lady Band (of Various Fruit Names) is an all-female experimental music ensemble founded by Sandy Ewen in 2009. Performances are singular, often site-specific events, featuring a rotating lineup (and different fruit-themed name for each show), with members contributing graphic and text-based scores for structured improvisation.
Drawing parallels between Ewen's group and Scratch Orchestra, the 1960s-70s London experimental music ensemble Rowe was involved in, S…
The first recording by these pioneers of electro-acoustic improvisation, AMMMusic stands the test of time both as a remarkably prescient session and as an utterly powerful and deep piece of 20th century music
*In process of stocking. 2022 stock.* More than half a century has elapsed since the founding of the legendary British free improvisation group AMM. We could say there would be no free improvisation as we know it today without AMM’s Eddie Prévost, John Tilbury and Keith Rowe. The mystery surrounding AMM has not faded; to the contrary, even nowadays it carries a particular appeal due to its engaged, intelligible and nonetheless radical message. AMM Until The Next Time Next Festival LP 2019 In 196…
"Friday the 6th of November 2015 was an important day for me. Christian Kobi had invited me to take part in his »zoom in« festival in Bern. Earlier that day I visited the Kunst Museum, looking at the work of Cuno Amiet (1868-1961), recalling the work of an earlier Camille Pissarro, interesting contributions from Felix Vallotton (1835-1925), also an very important exhibition of how photography had influenced Toulouse-Lautrec (1864-1901) called “Lautrec’s Photographic Eye”.
What struck me was how …
The title Indústria was chosen by Eddie Prevost in tribute to the history behind the Museu Industrial de Bala do Tejo, in Portugal where this concert took place by the legendary free improvisation band AMM, represented here as the duo of percussionist Eddie Prévost and pianist John Tilbury, performing as part of the 2015 Out.Fest - Festival Internacional de Musica Exploratoria do Barreiro.
* 2021 Stock * This is the CD and catalogue for the 'Debris Field' exhibition at Bolton Museum curated by Phil Mouldycliff. The CD is an editied version of 'Debris Field ambient wash', a 48 minute piece that is split into 3 movements. The catalogue includes an essay by Mouldycliff titled 'Tracing paths through debris fields' which gives some insight into the exhibition and CD. Also includes photographs of some of the exhibits and artist biographies for those involved including Colin Potter, Keit…
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…