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Krzysztof Komeda

Jazz pianist and composer of film music, by profession a doctor of laryngology. The precursor of modern jazz in Poland. He is mostly known for sound tracks for over 60 movies, including Roman Polański's films: 'Knife in Water' (1962), 'Disgust' (1965), ''The Trap' (1966) and 'Rosemary's Baby' (1968). Recognized as a father of modern Polish jazz he worked with numbers of musicians such asJerzy MilianTomasz Stańko and Jan Ptaszyn Wróblewski

Jazz pianist and composer of film music, by profession a doctor of laryngology. The precursor of modern jazz in Poland. He is mostly known for sound tracks for over 60 movies, including Roman Polański's films: 'Knife in Water' (1962), 'Disgust' (1965), ''The Trap' (1966) and 'Rosemary's Baby' (1968). Recognized as a father of modern Polish jazz he worked with numbers of musicians such asJerzy MilianTomasz Stańko and Jan Ptaszyn Wróblewski

Ballet Etudes
Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism.…
Mam Tu Swój Dom
*2022 stock.* Two forgotten films from the same year, with similar themes and music by the same composer. The album "Mam Tu Swój Dom" presents previously unpublished recordings of film music by Krzysztof Komeda, who, it turns out, found himself as at ease in short, intimate forms arranged for unusual instrumental lineups as he did in jazz. Krzysztof Komeda's film music is still to some extent an undiscovered land. In addition to the timeless and legendary works ("Nóż w wodzie", "Niewinni czarodz…
Live and Radio Recordings 1957-1962
One more step into the eclectic world of Krzystof Komeda. This is the second Naked Lunch release dedicated to the music of the great late Polish pianist and film music composer. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europ…
Jazz Jamboree 63
This is the legendary Krzystof Komeda Quintet caught live at the Jazz Jamboree Festival in Warsaw in 1963. A marvelous combo featuring some of the greatest Polish jazz musicians, such as Tomasz Stanko (trumpet), Michal Urbaniak (tenor sax), Maciej Suzin (bass), and Czeslaw Bartowski (drums). Komeda, Stanko, and Urbaniak were sort of pioneers who effectively opened up a way for jazz in Poland. Komeda's fluent modern jazz conception was a perfect synthesis between the American influence and a cert…
Knife in the Water: Original Motion Picture Soundtrack
Krzysztof Komeda is regarded as one of the most significant European jazz musicians of the 20th century. His performances with the Komeda Sextet paved the way for modern jazz in Poland and soon caught the attention of filmmakers like the great Roman Polanski. You can find here the first collaborations between the artists: the score for Knife in the Water (1962) and Two Men and a Wardrobe (1958). Limited edition of 500 copies.
Rare Jazz and Film Music: Volume 1
"His music was cool and modern, but there was a hot heart inside. Komeda was a film composer par excellence. He gave truth to my films. Without his music they would be meaningless." --Roman Polanski; Volume one of this Krzysztof Komeda series on vinyl looks at Komeda's classic work for Polanski's Knife in the Water (Nóz w wodzie) (1962) along with rare earlier recordings that have never been on vinyl before. These were recorded by Komeda's progressive trio at the legendary Jazz Jamboree Fes…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
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