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Stirring with poetic force, Dark Days by Neil Charles sets the bass as both anchor and insurrection, channeling the spirit of James Baldwin into a contemporary jazz crucible. Here, searing improvisation and taut spoken word entwine, yielding an album that radiates both urgency and gravitas.
This is British improvised music at its absolute finest. Three giants of the UK scene – pianist Robert Mitchell, double bassist Neil Charles, and drummer Mark Sanders – locked in a room at Café Oto in February 2022, no safety net, no second takes, just forty minutes of pure telepathic interplay. The result is devastating.
Vol. 2 captures the second half of The Flame's legendary debut performance – and if Vol. 1 was a revelation, this is the confirmation. Three extended pieces that move from tend…