Nikos Veliotis
Members: MMMD
Cryo
Cryo is the first album by the duo of cellist Nikos Veliotis (GR) and pianist Alex Zethson (SE). Veliotis is best known for the pioneering electronic group In Trance 95, MMMD and his collaboration with Giannis Aggelakas of the rock group Tripes. Zethson is a member of groups such as Goran Kajfes’ Tropiques, Martin Küchen's Angles, Fire! Orchestra, Vathres, and more. The duo met in Athens when Tropiques played at the legendary record store, gallery and concert venue Underflow, where Veliotis was …
Pèkisyon Funebri
Leaving behind their folk based trilogy, Mohammad return to their own original material. Heavy and concentrated, majestic and dark, ethereal and subtle, Pèkisyon Funebri marks a new era in Mohammad’s existence, unfolding earthly murmurs and ghostly chants over their distinctive seismic diapasons. An exhilarating procession through highly charged sonic plateaus, from the burning core to the silent skies.
Hagazussa
Mohammad are back!! With their name compressed into MMMD deliver their most lyrical work to date on the original soundtrack for Lukas Feigelfeld's slow-burning gothic horror movie “Hagazussa – A heathen's curse”. The music is absorbing, emotional and powerful as ever and bears MMMD's familiar idiosyncratic universe galvanized in their previous releases, while open to new sonic territories that reflect the film's constant state of dread as well as key elements such as trauma, isolation, anxiety a…
L’Âge de l’Absolutisme
** Limited edition Compact Disc. Comes in A5 oversized digipack. ** Antifrost proudly presents a new release by ΜΜΜΔ featuring baroque keyboardist Alem. Entitled ‘’L’âge de l’absolutisme” this new album, ΜΜΜΔ’s 12th release to date, contains an idiosyncratic take on three landmark late baroque masterpieces: Alessandro Marcello’s Adagio from Oboe Concerto D minor, Georg Friedrich Händel’s Sarabande from Keyboard Suite in D minor (Suite de pièce Vol. 2 No. 4) and Johann Sebastian Bach’s Air from A…
Sidiroun Parapetasma
“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…