Otomo Yoshihide
Otomo Yoshihide (born August 1, 1959 in Yokohama, Japan) is a Japanese experimental musician, turntablist and guitarist. He played in rock bands while at college, but turned to improvisation after discovering free jazz and free improvisation musicians like the guitarist Derek Bailey, the saxophonist Kaoru Abe and guitarist Masayuki Takayanagi (from whom he had lessons). Otomo studied at Tokyo University from 1979 where he took a course on ethnomusicology in which he concentrated on Japanese pop music during World War II and the development of musical instruments during the Chinese Cultural Revolution (samples of instruments and music from this period are found in several of his records).
Otomo Yoshihide (born August 1, 1959 in Yokohama, Japan) is a Japanese experimental musician, turntablist and guitarist. He played in rock bands while at college, but turned to improvisation after discovering free jazz and free improvisation musicians like the guitarist Derek Bailey, the saxophonist Kaoru Abe and guitarist Masayuki Takayanagi (from whom he had lessons). Otomo studied at Tokyo University from 1979 where he took a course on ethnomusicology in which he concentrated on Japanese pop music during World War II and the development of musical instruments during the Chinese Cultural Revolution (samples of instruments and music from this period are found in several of his records).
Member of: FEN
Core Anode
Core Anode is the roaring-sound project of the versatile and multifaceted Otomo Yoshihide, who works in genres ranging from free improvisation to jazz to rock to movie and TV music. The CD contains 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006). The players/numbers of players differed at each performance. In all cases, the musicians were outside the audience area, surrounding the listeners, and in all cases they put out nothing but roaring sound. In Tok…
Loose Community
Otomo Yoshide (turntables, guitar) is active on a worldwide scale in such fields as free improvisation, composition, and film music. On a trip to Seoul in May of 2002, Otomo made a studio recording with Seoul musicians Park Je Chun (percussion) and Mi Yeon (piano). Known as a brilliant student of Kang Tae Hwan, the pioneer of the Korean improvised music scene, Park was formerly a member of Kang's band. Mi Yeon, an artist firmly grounded in contemporary classical music, has collaborated with Park…
Ensemble Cathode
Taku Sugimoto: electric guitar, Tetuzi Akiyama: turntable without records, contact microphones, Yasuhiro Yoshigaki: waterphone, Kumiko Takara: snare drum, Masahiro Uemura: bells, Ami Yoshida: voice, Itoken: crotales, Mari Furuta: snare drum, Yoshimitsu Ichiraku: cymbal with bow, Sachiko M: sine waves, contact microphone, Yoko Nishi: prepared 17-string koto, Andrea Neumann: inside piano, Yoshihide Otomo: turntable. This album was recorded intermittently between May 2001 and March 2002. Most of th…
Difference between the two clocks
Featuring French multi-instrumentist Xavier Charles and the well known experimental Japanese musician Otomo Yoshihide. Together their sounds create a monochrome mental image in a field of ambient drone and glitches. 'Difference Between The Two Clocks' is an involving, sometimes uneasy listen, during which the duo explore the relationship between sound and silence, focusing on non beating rhythms and minimalist texture and volume.
Hu-du-men: Original Motion Picture Soundtrack
Soundtrack for a movie by Shu Kei. Chino Shuichi: piano, organ, synthesizer; Uchihashi Kazuhisa: guitar, bass, banjo; Matsumoto Osamu (5): trombone; Otsubo Hirohiko (2,10,16,17): contrabass; Nasuno Mitsuru (5): bass; Yoshigaki Yasuhiro: drums, latin percussions; Aya (2,16,17): vocal; Otomo Yoshihide (1): sampler.
21 Situations
This is the long-anticipated encounter between Martin Tétreault and Otomo Yoshihide, recorded in the CBC studios in Montréal. Witness for yourself the clash of two masterful turntable manipulators, one from Japan, the other from Quebec: two universes, two attitudes and one electro-mechanical encounter around the record player. The result is a stunning collection of twenty-one improvised “situations” exploring themes such as science fiction, education, jungle, cartoons, and seventeen additional s…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
Turntables and computers
Turntables & Computers is an uncut live recording of Otomo Yoshihide and Nobukazu Takemura performing an improvised live set at the Super Deluxe club in Roppongi, for the 'Space Invaded' event on March 29, 2003. This live album documents the first performance ever of these two world renowned musicians together, and the intense collision between the sounds of Otomo's turntables and Takemura's computers.
Mottomo Otomo – Unlimited XIII
The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Matthews / Neumann / Krebs, Tetreault / Labrosse, Nagata Kazunao, Novo Tono, Keith Rowe / Taku / Otomo, Poire_Z, O.Y. New Jazz Quintet (their first performance ever!!), Hoahio, O.Y. solo (finale).
Brackwater
Recorded by Laurent Perrier Sonorisation at the former state prison of Sion, May 4, 2003.
Good Morning / Good Night
Well, 'Holy Good Night!' seems an appropriate reaction when faced with a substantial double-disc offering from the 'holy triumvirate' of Japanese reduced improvisation and minimal electronics, ie Otomo Yoshihide, Sachiko Matsubara and Toshimaru Nakamura. In August 2003, they quietly entered a studio in Tokyo and laid down the basis for this music in only two days. The following month saw a final mixdown issue from their hands. Amazingly, the roof did not fall in on the musical world as a result.…
Filament 2
Recorded at GOK Sound, Tokyo, July 1998. Mixed at GOK Sound, Tokyo, March 1999. Mastered at Transonic Studio, Tokyo, March 1999.
Out to lunch
2nd works is the covers of famous Eric Dolphy's Out To lunch! otomo's post-modern interpretation of Dolphy's compositions by Orchestra is very beautiful and intensive. Gazzelloni is translated to hardcore punk version, or Straight Up And Down ? Will Be Back is translated to improvisation that is swift to respond each other and most beautiful onkyo sound. This is the marvels of jazz! otomo Yoshihide (guitar, conduct on 4), Axel Doerner (trumpet, slide trumpet), Aoki Taisei (trombone, bamboo flute…
Guitar solo
Guitar solo performed by otomo Yoshihide. Recorded on12th Octber 2004 @ Shinjuku Pit Inn, Tokyo. First otomo's guitar solo work. This work include beautiful acoustic pieces and intense electric pieces, recorded on 12th Oct, 2004 at Shinjuku Pit Inn and new studio recording piece.
Thumb
Live recording, Instants Chavirés, Montreuil, France May 29, 2001.Thanks to Instants Chavirés, Musique Action Festival, Etienne Foyer, Soizig Le Calvez and Hugh X Vorp.
s/t
ErstLive 005 is from the quartet of Keith Rowe, Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, the centerpiece show of AMPLIFY 2004: addition, the "four hour quartet". ErstLive 005 contains three individually packaged slimline CDs in a slipcase with original artwork by Keith Rowe, which wraps around the entire box, front, side, and back, as well as liner notes from all four musicians and numerous pictures from Yuko Zama. ErstLive 005 documents only the second performance of this quartet, a…
Time Travel
Recorded on October 17th, 2002 at Gok Sound, Tokyo.
multiple Otomo
"On Monochrome Otomo presents 18 pieces that illustrate the entire range of his solo work from pieces constructed entirely of feedback, static and randomly generated radio noise, to sine wave experiments that bring to mind the humming of the solar wind as it wafts through intergalactic space. There are also rhythmic bursts of feedback and percussion that are almost danceable and subtle Zen like meditations full of slow sustained notes that fill the air with otherworldly overtones. The Mult…