Paul Lovens
Madly You
"Most Americans discover European improvised music using a map dominated by Amsterdam, Berlin, and London, which dwarfs and shoves the rest of the continent to the margins. At some point, however, even they realize the land lies differently. Yet, extensive exploration is required to correct the proportions, label the tributaries, and overlay the trade routes. In this endeavor, recordings become the coordinates that begin to flesh out the map's heretofore blank spaces.
Madly You is valuable in th…
Live At Banlieue Bleue
2023 stock** "Such is the strength and conviction with which the Sudo Quartet performs that thoughts immediately turn to how they developed such a cohesive group sound. But when uniting four virtuoso stylists from the European free improvisation scene, it's a near certainty that their paths have crossed many times during their careers. Whatever the history, it becomes straight away apparent from the first few notes that there are powerful forces at work as Léandre's richly resonant bowing meshes…
Lepomis Gibbosus
Fundacja Sluchaj! presents a new recording by Gerard Lebik (tenor sax), John Edwards (doubke bass) and Paul Lovens (Drums), performed live on 23 of April 2015 at Lublin Jazz Festival
"They are sameïliar which means each one resembles the one before as well as the consecutive one as if they were the same. Perhaps they were all the same in a utopian past, or there was even only one of them – which must have been, then, identical. The sameïliarity they show holds that the same is always different. …
Nephlokokkygia 1992
To be free. What does that actually mean? Not in a social or even political sense. But as a human being? As a musician? When we speak of free improvised music, freedom is the mother of all things. And that in a literal- al sense. You free yourself from yourself. As human beings, we always act with the sum of what we have collected, stored and reflected in all the years before. An improviser does not have to apply his knowledge and skills intellectually, but instinctively. So, that things do not …
Tetratne
It is surely significant that both Lovens and Stoffner use all four limbs to control their instrument. Lower limbs used principally to play bass drum and hi-hat in the case of Lovens, volume control and effects pedal for Stoffner. Right and left limbs, right and left brain hemispheres It is not surprising that there is plenty going on in their music. “Whatever happened to the Art of the Individual?!” Han Bennink once asked rhetorically to a crowded backstage. Well here it is, alive and well an…
Signals
**CD edition** Alexander von Schlippenbach: piano; Aki Takase: piano; DJ Illvibe: turntables; Paul Lovens: drums. Recorded by Rainer Robben at AudioCue, Berlin. Lovens joins the Lok 03 trio of Schlippenbach, Takase, and DJ Illvibe for the follow-up to their 2005 debut. Mastered by Beat Halberschmidt. Artwork by Philip Hillers. Liner notes by Yoko Tawada.
Live at Hasselt
Excellent free improvisation from the quartet of Els Vandeweyer (vibraphone), Fred Van Hove (piano / accordion), Paul Lovens (percussion), Martin Blume (percussion) recording at Kunstencentrum BELGIE & Cultuurplatform Motives for Jazz.