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Massive discount on a large selection of items from the God Records catalogue. 🔥

Philip Glass

Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.

Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.

Einstein on the Beach
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
Film Scores : Jenipapo
Philip Glass’ original score to Monique Gardenberg’s 1995 political thriller “Jenipapo”, starring Henry Czerny, brought Glass another opportunity to composed against the backdrop of the Brazilian landscape and the tumult of political upheaval. The story of the film follows a reporter in his search to track down an influential priest who has gone silent during a political battle over Brazil’s forests. Glass’ score reflects the political implications of the film as well as the vast canvas against …
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