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Robert Ashley

Robert Ashley (1930 to 2014) wrote operas for television, with characters who talk rather than sing over a slow electronic pulse, and in doing so invented a form that still has no proper name. Perfect Lives (1983), a seven part story about a bank robbery in a small Midwestern town, is its masterpiece; Automatic Writing (1979) turned his own involuntary speech into a whispered, hypnotic score. Born in Ann Arbor, he co-founded the ONCE Festival there in the 1960s, was a member of the Sonic Arts Union with Alvin Lucier, David Behrman and Gordon Mumma, and directed the Center for Contemporary Music at Mills College.

Robert Ashley (1930 to 2014) wrote operas for television, with characters who talk rather than sing over a slow electronic pulse, and in doing so invented a form that still has no proper name. Perfect Lives (1983), a seven part story about a bank robbery in a small Midwestern town, is its masterpiece; Automatic Writing (1979) turned his own involuntary speech into a whispered, hypnotic score. Born in Ann Arbor, he co-founded the ONCE Festival there in the 1960s, was a member of the Sonic Arts Union with Alvin Lucier, David Behrman and Gordon Mumma, and directed the Center for Contemporary Music at Mills College.

String Quartet
Double LP reprint of the compact disc by Robert Ashley titled String Quartet Describing the Motions of Large Real Bodies / How can I Tell the Difference? (I & II). 'String Quartet' was composed as the potential orchestra for an opera based on the text of 'In Sara, Mencken, Christ and Beethoven There Were Men and Women'. When the work was composed, in 1972, it was clear that a huge change in electronic instrumentation was just beginning, a change that would involve computers and sound producing d…
Atalanta (Acts of God)
Originally released on Lovely Music in 1985. Robert Ashley makes use of the story of Atalanta - a royal princess, discarded by her family, who was raised by the animals to become the fastest-running human, and who was later reclaimed by her father to marry her off for dynastic purposes - to present the character aspects of the "successful suitor". These three aspects of character are presented in the opera as anecdotes about three extraordinary men of our times: Max Ernst (surrealist paint…
Celestial Excursions
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
Dust
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Your Money My Life Goodbye
An opera commissioned by Bayerisher Rundfunk Munich's Hörspiel und Medienkunst department about an internationally renowned swindler, who almost took down the European and American banking system. Featuring the voices of Robert Ashley, Sam Ashley, Thomas Buckner, Jackie Humbert, and Joan La Barbara. Recorded and mixed by Tom Hamilton. Robert Ashley on the piece: "Your Money My Life Goodbye is one of forty-nine vocal-ensemble pieces of various lengths (from ten minutes to ninety minutes or more) …
Yellow Man With Heart With Wings
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…
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