Smegma
improvization band with a heap of Unfinished Sixties Business factored in (the real-time-from-scratch multilayered equivalent of "I Am the Walrus," let's say)...Free Music in its grandest, and least superficial, sense (à la the denser moments of Ornette Coleman's Free Jazz)...a ritual fusing of any and all musics and non-musics at the level of the hum, the blap, the tink, the boom.
improvization band with a heap of Unfinished Sixties Business factored in (the real-time-from-scratch multilayered equivalent of "I Am the Walrus," let's say)...Free Music in its grandest, and least superficial, sense (à la the denser moments of Ornette Coleman's Free Jazz)...a ritual fusing of any and all musics and non-musics at the level of the hum, the blap, the tink, the boom.
Member of: LAFMS - Los Angeles Free Music Society
Plays
Available for the first time as the artists originally intended!
XCIII
More than 25 years after their first partnership, international collaborators Smegma and Merzbow reunite for an all-new album that pushes the conceptual springboard of random composition generation even further. Consisting of two movements spread over 93 tracks, XCIII presents a collage of abstract electronics, unconventional instruments, reel to reel tape manipulation, loops and effects, best experienced in unique combinations on shuffled play.The first movement, Climactic Gruesome Costumes (wh…
Blorp Esette Gazette Volumes Three & Four
The history of the Blorp Esette, which chronicles the output of the Los Angeles Free Music Society and other entities in its orbit, dates back to 1977, with the release of Blorp Esette Volume One LP (soon to be reissued by Superior Viaduct) and Volume 2 2LP in 1980. Volumes 3 and 4 emerged in 1999, packaged in a boxset with the previous volumes. The Blorp Esette Gazette first appeared with Volume 1 & 2 in 2013. Intended to be an on-going series, it was paused after the passing of Transparency la…
Infringements
Tip! **Edition of 230** This is alga marghen’s third installment of Smegma’s original “Suburban Primitive Avant-folk music” Period (1973-1975) based in Pasadena, featuring three previously unreleased tracks from the deep vault of their home recordings. In the beginning, the Band Smegma had only one rule. No Musicians.
Starting from scratch, they took the Road much less traveled. They were inspired by outsider musical artists of the time such as John Cage, Sun Ra, Captain Beefheart, Wild Man Fish…
Glamour Girl 1941
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Blorp Esette Volume One
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
I.D. Art #2
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
35 S. Raymond Avenue
**Edition of 200** One afternoon in 1975, friend and fellow music traveler, Harold Schroeder, showed up at Poo-Bah Record Shop where Tom Recchion worked selling records and experimental music to people, forcing them to buy albums that he swore would change their lives. Harold asked if Tom wanted to share in a studio space close to the shop. After seeing it Tom immediately said "YES!". They moved in and divided the space in half. On Tom's half he made drawings, paintings, performances, video, scu…
Look'n for Ya (1973-75)
In 1973, when Smegma (the band) was born they had only one rule: No Musicians! That way they could re-invent the musical wheel with a new primitive, suburban, anti-hippie approach. 44 years later perhaps the world is ready for the first full LP of this original, uncompromising sound. At the time, it seemed they thought they were on a solitary journey, but shortly after these recordings, it was discovered that there was another local group, The Los Angeles Free Music Society, that they shortly be…