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2025 stock The Destroyed Room: B-sides And Rarities, a band-chosen collection of near-hidden Sonic Youth gems. The album brings together songs from throughout the band's career with Geffen, focusing on tracks previously available only on vinyl, limited-release compilations, or as b-sides to international singles. The tracks were hand picked by the band and also include material that has never before been released.
Hits Are for Squares is the first greatest hits album by American rock band Sonic Youth, released on June 10, 2008, by Starbucks Entertainment. The album features 15 songs spanning Sonic Youth's career since the release of their debut studio album in 1983, Confusion Is Sex. It also includes one new song: "Slow Revolution". The band intended to create a compilation album that appealed to the casual consumer. Hits Are for Squares received acclaim from critics, who noted it as a strong introduction…
In celebration of The Infinite Mix, The Vinyl Factory releases the soundtrack to Cameron Jamie's ‘Massage The History’ by Sonic Youth. Cameron Jamie has described his films as ‘a way to visit hidden worlds within our world.’ In Massage the History, the artist combines footage of young men in Alabama performing an erotically charged, provocative dance with living-room furniture in middle-class homes, with found footage of violent or surreal events filmed in anonymous American suburbs. In the…
Sonic Youth’s second full-length LP Bad Moon Rising was originally released on Homestead and Blast First in 1985. The album is a fascinating examination of “the junction where hippie idealism [meets] the cold hard world,” says guitarist Lee Ranaldo, “where Woodstock [meets] Altamont—Death Valley, Charles Manson, Brian Wilson, musicians, murderers, heroes and villains.” Its original eight-song tapestry of droning guitar feedback, distant clattering percussion, and sullen vocals, all held together…
Another great installment in Sonic Youth's SYR series, this one features two engrossing, lengthy pieces : 'J'Accuse Ted Hughes' and 'Agnes B Musique'. The former was recorded at All Tomorrow's Parties 2001, when the band were premiering material from their NYC Ghosts & Flowers album, and takes the form of a ragged twenty-two minute noise jam featuring free association lyrics by Kim Gordon ("I sent my poem to Good Housekeeping. They paid me ten dollars" she imparts). Meanwhile, the more composed,…