We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*150 copies limited edition* The Belgian free jazz scene of the early 1970s remains criminally under-documented. While Fred Van Hove's participation in the legendary Machine Gun sessions (1968) with Peter Brötzmann, Han Bennink, and Evan Parker placed Antwerp on the international map, a wild ecosystem of temporary combos and performative madness flourished in the shadows. The WIM (Werkgroep Improviserende Musici) collective - founded in 1972 after Van Hove and saxophonist Cel Overberghe refused…