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Werner Durand

Composer, instrument builder and performer based in Berlin. His interest encompasses many musical traditions: he performs his own music for saxophones, iranian ney, and self-made wind instruments since the late seventies. He studied with Ariel Kalma in Paris, La Monte Young in New York, Indian classical music in India and Berlin (with Kamalesh Maitra) and Iranian ney with Ali Reza Asgharia. His personal, mininalist style is characterized by the rich layers, textures and rhythmic effects he achieves using digital delays.

Composer, instrument builder and performer based in Berlin. His interest encompasses many musical traditions: he performs his own music for saxophones, iranian ney, and self-made wind instruments since the late seventies. He studied with Ariel Kalma in Paris, La Monte Young in New York, Indian classical music in India and Berlin (with Kamalesh Maitra) and Iranian ney with Ali Reza Asgharia. His personal, mininalist style is characterized by the rich layers, textures and rhythmic effects he achieves using digital delays.

Schwingende Luftsäulen 3
Here the third and final chapter of “Schwingende Luftsäulen” the series dedicated by Werner Durand to the Pan-Ney, the wind instrument of his own invention. In confront with the first two volumes this one represent a sort of flashback. In fact the five pieces on the CD present “early” works, mainly created in the first half of the 90s. “Still Another Ocean” was composed in June /July1991 in Ile de la Réunion, in the wonderful house of Frédéric Borne.
“M-Ocean” was composed in the summer of 1994 …
Schwingende Luftsäulen 2
Werner Durand Schwingende Luftsäulen 2, the second chapter dedicated to Durand's music applied to the Pan-Ney, the wind instrument of his own invention. With gorgeous artworks by Karlheinz Bux and extensive liner notes by Adelio Fusé. "Schwingende Luftsäulen 2 is the second chapter of a trilogy featuring the Pan-Ney with its tubes or columns of vibrating air (Schwingende Luftsäulen, in fact). This second chapter, in which the Pan-Ney is flanked by the tenor sax, reconnects where the first one en…
I'd Rather Be Lucky Than Good
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
The art of buzzing (Excuse the delay vol.1)
2001 release ** "A terrific drone album here, on this first solo-release, Werner Durand presents six works all dealing with the buzzing phenomena. This phenomena is found in many musical cultures around the world as an integral part of the sound, eg. with chinese and korean flutes, ethiopian and basque string instruments and also the Indian tanpura. The results are stunning: dense drones with pulsing, buzzing, dizzying movements swarm with an intoxicating cadence. Recorded in multi-track, the so…
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