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Weston Olencki

Music for Two Flutes
"Music for Two Flutes is one of those numerous documents of modern composition with deceptively humble titles. Both "Ceòl Meadhonach" and "SLUB", the pair of pieces presented on this digipak release from Hideous Replica, are certainly written for and performed by flutes, but what each actually sounds like transcends (yet does not hide) such a minimal approach. I’m revealing my own inexperience when I admit I have always associated the instrument with an almost saccharine whimsicality, all delica…
Several
*200 copies limited release* "Needless to say, anything new from saxophonist / composer Anna Webber raises an eyebrow or two. Her works for large and small ensembles exhibit a knotty sophistication that can be compared to that of Anthony Braxton. Here, she teams with experimental multi-instrumentalist Weston Olencki for just over 32 minutes of sax / trombone outside improv. Several comes across more in the established style of Olencki than that of Webber. While there are a number of contrapuntal…
Don​’​t Tell No Tales Upon Us
Channeling their shared interest in noise, drone, freak folk, liturgy, and some real haunted New England atmosphere, Tongue Depressor and Weston Olencki unfold their singular vision in two wild pieces of rapturous intensity and resonance. Weston Olencki is a musician, composer, and sound artist from South Carolina, now living and working in Berlin. Their work is centered around questions of instrumental music and its contexts/constructs, various mediated practices of listening and improvisation,…
Live In Accord
*In process of stocking. Edition of 200.* Recorded live in Accord, New York, this recording stands not only as Notice Recording’s 70th album, but also the first release to document an event organized by Notice as well. June 6th was one of the hottest days of that summer, and the wooden platform on which the performances occurred was on the top of a small hill on Deer Creek Farm. Many sweaty trips up and down that hill carrying gear ensued. Luckily, the performance and audience space was nestled …
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