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Another absolutely essential vinyl only album this time from New Zealander Greg Malcolm. Working as a perfect companion piece to the wonderful Es album, 'Swimming In It' sounds like an on-form John Fahey jamming with Morton Subotnick - it's really that good. As unusual synthesized bleeps and drones cut through Malcolm's lovingly finger picked guitar playing it is easy to realise how so many people have been touting this as a potential album of 2005. I was actually quite taken aback when I first …
Long awaited vinyl pressing of this amazing album from one half of The Skaters, and all-round Hypnagogic Pop hero James Ferraro - 450 copies for the world!* James Ferraro has fast become one of those artists whose records we can't wait to devour in the office. 'Last American Hero' is by far one of his most acutely affective dreams, originally released (like most of his stuff) on tape via the Belgian label Dreamtime Taped Sounds in late 2008, but reaching us on a super limited run of 450 vi…
This follows NHK's sold out 12" on Raster Noton. This is Important's final release in a 4 record series featuring the work of the enigmatic Japanese artist Kouhei Matsunaga. NHK began in Osaka in 2006 between Kouhei and Toshio Munehiro. Their previous work, titled Unununium, can be found on the Raster Noton label.These experimental electro-rhythmic compositions sound incorporate beats, noise and a modern aesthetic.
Alessandro Bosetti, voice, electronics. Tony Buck, drums. Kenta Nagai, guitar. With guests : Hilary Jeffrey, trombone. Els Vandeweyer, vibes.'You Wait to Publish' is the third release of the powerful voice and electronics, fretless guitar, drums trio led by Italian (via Berlin) speech musician Alessandro Bosetti with Tony Buck The Necks) from Australia and Japanese, based in the USA, Kenta Nagai (Shelley Hirsch, Tatsuya Nakatani). This album sticks to the band's original core approach based on …
A split album by two masters of 'loud drone music' with an entirely electronic background. Piotrowicz already surprised us with 'Lasting Clinamen' on CD (see review in Vital Weekly 621), and this is now continued with 'Clinamen 3', also recorded using analog modular synthesizer. He plays what seems a loud, looped drone (no doubt repeated within the machine), which is piercingly loud at the start, but just like his great CD, he knows how to create a subtle piece music after that. It grows and it …
“The Absence is a 7” single, a collaboration between Rainier Lericolais and Sylvain Chauveau, released on February 2011 for Abstracks, Rainier's exhibition at Le Confort Moderne (Poitiers, France). The two tracks on The Absence were built from Sylvain vocal recording sessions for his album Singular Forms (Sometimes Repeated) (Type / 2010), Rainier added his delicate arrangements of piano, xylophone, cello and weird electronics, in a similar vein to his previous single, Intangible (Sordide Sentim…
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
Sicilian saxophonist, flutist, composer and arranger Nino Rapicavoli is one of the unsung heroes in the world of Italian soundtracks of the 1970s. A musician with a solid background in jazz as well as a long-time member of Italy's state-owned RAI TV orchestra, Rapicavoli has only a handful of library albums to his name, but each is of the highest quality. This Divagazioni ('Ramblings') is probably the best of the lot, an album that mixes jazz, easy listening and a pinch of prog with that …
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
Abstemious Austrian composer who committed suicide in 2007. Two long pieces, one that builds up from violins all making a slightly different type of scratching. The second piece uses computer processing, and does a great job of establishing a droning floor and then dropping through to a lower frequency beneath, or suddenly revealing a pulse without simply fading things in & out. Comes with a book that contains an interview with Zibigiew Karkowski (Weirdo Records)“So the point is that so mu…
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Utterances into a dictophone from a backdoor man hiding in the closet as the husband arrives home. The tales plod along in whispers, accompanied by defined guitar interplay, punctuated piano and snappy drums. Nearly every accent of guitar seems present. Fragile flamenco plucks, fuzz-to-the-front fumblings onto smooth lyrics of a detective attempting to resolve his own crimes. Vocals and acoustic guitar were recorded by Greg Weeks. The arrangements, instrumentation and production were lovi…
Latest transmission from The Andy Votel / Demdike Stare curated Pre-Cert Home Entertainment imprint - 700 copies only* Anworth Kirk casts a spellbinding sixth Pre-Cert edition with this mystic invocation of eldritch ritual music. Divining inspiration from myriad and disparate fake-loric sources - the Temperance movement, Egyptology, drug abuse, Early Freemasonry, Carnatic music, Oramics in Ardwick, Kommune Pop and Letterist actions, to name a few - our protagonist projects dank and discom…
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
This review for Wet Hair’s excellent debut full-length is dedicated to the late Barry Goldwater, five-term U.S. Senator. In 1984, Senator Goldwater wrote the Cable Franchise Policy and Communications Act, allowing local governments to require public, educational, and government access channels on television sets in their area. This act also wiped said local government’s hands clean of whatever content these channels would feature. Because of this act, because of Barry Goldwater, many a ni…
RESTOCKED: Irmler and einheit represent two generations of legendary german musicians. Out of the ruins of 1968 faust emerged in the early 70s and it was with this band that irmler's organ playing was first to be heard. Hardly a decade later fm einheit's performances with einstürzende neubauten were an expression of a heightened self-consciousness and the self-proclaimed "geniale diletanten". Today these masters of evocative noise making are a motivating force for experimental music and are both…
This is the debut full-length from Julian Lynch, who to date is probably best known for a split 7" with Matthew Mondanile of Real Estate, Ducktails and Predator Vision fame. The two are childhood pals and frequent collaborators, but here Lynch steps out of the shadows and into the lo-fi limelight. The album stitches together fourtrack recordings and various fragmentary, cross-cultural elements into a fluid tapestry of psychedelic doodles and hazy songs driven by keyboards and guitar. L…
Debut vinyl album by contemporary electric guitar wizard Bill Nace, ‘Too Dead for Dreaming’ begins in the form of a deconstructed blues piece, slowly exploring the territories of atonal composition, string–scraping and feedback, crashing all these styles in an instinctive, personal way. His affiliations with X04, Northampton Wools and Vampire Belt converge here in a unique flux. Bill’s ability in creating sounds, follows a clear logic of ‘construction of tension’ that eventually explodes…