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A wonderful CD, recorded under Kurtag's supervision: the hour-long Kafka Fragments, completed in 1986, is his biggest work to date: it's a characteristic cycle of 40 tiny movements, scored for soprano voice and violin, that adds up to something far greater than the sum of its parts.The text is a mosaic of quotations from Kafka's writings, diaries and letters. The cycle is divided into four parts, articulated by the two longest movements; they draw a huge range of expression from soprano Juliane …
The title Ausklang (Final Notes, or Fading Away) is intended to be understood literally. Lachenmann's Musik für Klavier und Or-chester is centrally concerned with final notes and sounds fading away. In particular, it is concerned with piano sounds created with certain techniques (playing silently at the keyboard, special ways of operating the piano pedals, etc.). It is also concerned with the fading away of sound as the sounds of the piano are being picked up by the orchestra just as they are ab…
This 1972 classic captures saxophonist Paul Winter and his ensemble at the height of their improvisational powers. Winter was one of the first artists to incorporate such exotic instruments as the sitar and tabla into his music and the result was memorable chamber jazz-folk played in the wonderfully experimental, post-hippie way only Winter and his merry band could. The title track, one of guitarist Ralph Towner's compositions, became famous for its pensive melody and soaring soprano sax. "Whole…
Someday someone will write a history of modern music that will free us of the false dichotomies such as high vs. low, improviser vs. composer, classical vs. everything else… …The written materials Joe passed out to the musicians for Red Morocco was minimal, sometimes more visual than musical, but always modest. Everyone was seated in the same room, in a circle. The music heard on this recording occurred late in the day, when Joe felt a certain clarity was occurring……The results are an elegant,…
this mindblowing album was originally released in 1972, when Robin Williamson was at the time still a member of the Incredible String Band, the ensemble he started with Mike Heron in 1966. These ten songs are all Williamson originals, with the exception of"Strings In The Earth And Air" by Ivan Pawle.Where his band's recordings were then getting increasingly electric, this is a return to a more acoustic bearing. This set includes some gorgeous, if overlooked, songs from the vast catalogue William…
Jan Philip Schulze has been playing Henze’s piano works “in his sleep,” as he says. Indeed he has worked with the composer intensively on every piece, yet during the recording sessions he was noticeably surprised, while listening back to recordings, to find himself confronted by the work afresh, discovering new sides to it which he had previously experienced differently.
restocked ""three days of silence" is conceived as complete phenomenological experience of listening. i have been three days within the sanctuary of la verna on the top of a mountain called "the mountain of the stigmata" in tuscany. i've lived together with the monks recording and attending the ceremonies and the sounds of the place trying to penetrate in a dimension of pure contemplation. la verna, in latin alvernia and geographically known as monte penna, is a locality on mount penna, an…
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
Sound-track to the prize-winning movie. The Necks break with convention here and put several shorter pieces on one CD. All gems and all pared back to the reiterative imperfection that is the Necks' unique and glorious signature. This a band that seems to be coming into its golden age. Prodigious music and highly recommended.
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their program back in 1957, a time when it was by no means a matter of course to hear this music in established concert halls. The man at the piano was one of the greatest of his trade: Géza Anda, a fervent and uncompromising advocate of Bartók's oeuvre, w…
On reading the title Gnomic Variations, lovers of piano music might fancy themselves to be in a kind of "Grieg's World," but the truth is far from it: the title of the piano solo, completed in 1981, does not refer to any thieving Irish gnomes but solely to the conciseness of the structure of the work. "Gnomic" here means expressing an idea in brief words, or, simply, describing a maxim as accurately as possible. The Gnomic Variations consist of three parts, comprising a total of 18 variations. A…
Unusually, the 2004 annual COL LEGNO release from the Donaueschinger Musiktage is devoted to the work of one composer, Englishman Benedict Mason, and to just one extensive and curiously-titled work, commissioned in 2001 by the German Südwestrundfunk. Specially written for the hall in Donaueschingen where this live recording of the work’s first performance was made, Mason’s music explores space and acoustic, as well as the character of a variety of instruments, to fascinating effect.
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime and music hall, neo-gothic and bitonality, typing machine and doorbell, jocular or praising quotes – everything is linked with everything, without any previous weighing and selection, without preconditions, following a kind of anarchic play instinct. […
4 panel CD digipack: it would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH ‘raison d’être’. Coming 11 years after IRON, which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recor…
Long deleted, originally released by Columbia Records on March 1970, “ Kokotsu / Ecstasy” is here re-released for the first time. Sonic-wise, the disc unleashes a whirlpool of Latin styled mondo -sexploitation sounds that get spiced up with feminine breathing and respiration sounds, moaning and hissing, igniting a maelstrom of assorted eroticism and sexual depravity. In all, it resembles a caged vixen engaged in sexual intercourse, hatching out cries, moans, sighs, words and other sounds such as…
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
the long awaited SIGILLUM S 20th anniversary album: this is the digipack CD and a limited edition gatefold double vinyl , with different track lists and sequences for each format (some tracks are on both formats, while others can only be found either on CD or vinyl).
Shifts is Frans De Waard. Famous for his ground-breaking releases on his own Korm Plastics/Bake/Microwave labels (all available as CDRs) and his work for Staalplaat (which he didn't found, contrary to popular belief) and from a thousand other projects as Goem, Beequeen and Kapotte Muziek. Shifts produces another angle of De Waard's minimal music. The guitar is the source of Shifts. After a string of 7"s, 10"s and 2 CDs, we are proud to say that Mechanica is one of his best. The album is a contin…