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All of these work deal somewhat with a fake factor. Part Time Heroes handles the star concept, in a larger than life way; Running Sushi refers to comics and manga. Burning Palace, on the other hand, is based on The Art of Seduction. (...) For the human body to remain interesting, one must constantly put it in a different light or in another context. One has to look at the body sideways. With this, one achieves a large choreographic change in perspective, because everything is altered. In another…
With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition – even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transferral from one context to another, the strategy of declaring something-to-be-art, of making the spectator aware of processes, changes over the time or the ambiguity of objects and shapes.
Marina Gržinić and Aina Šmid are major figures of Slovenian video art. Their political art attacks the multilayered root of the videographic medium and its relation to mass media. Using cross references from cinema, literature, theatre, visual arts and philosophy, they mobilize a vast cultural reservoir, which they re-read within the social and political reality of post-socialism. In their work transvestism becomes a linguistic strategy. Gržinić’s and Šmid’s works demonstrate that post-communist…
This is the debut album of a group dedicated to the invisible world. Some people operate invisibly by choice, some are invisible because of the nature of events in their life, some remain invisible and unknown against their will.
Kraanerg (1968) for 23 instruments and 4-channel tape. Callithumpian Consort. Stephen Drury, conductor. First recording with restored analog tape. Kraanerg is one of Xenakis' most popular - and infamous - works. A visceral and highly charged score for woodwinds, brass, and strings along with quadrophonic tape. The title, Kraanerg, is a composite of two Greek words: 'kraan', meaning to perfect, to accomplish; and erg, signifying energy. Commissioned for the gala opening of the National Arts Centr…
Surround sound DVD. Earle Brown first encountered the work of Alexander Calder in 1948, whose mobile sculptures Brown saw as a visual embodiment of the variable (impermanent) aesthetic that he was striving to create. This Calder aesthetic stayed with Brown throughout his several stylistic shifts. Whether he was writing twelve-tone serial music (Music for Violin, Cello, and Piano), conceptual graphic scores (Folio and Four Systems), composed material open form scores (String Quartet, New Piece an…
Reynolds’ Etudes allows the performer to not only choose the number of Etudes to be presented (even repeating them, if desired) as well as their order. In this way, the performer becomes a co-creator with the composer. All 12 Etudes are presented in this recording by Eric Huebner. Each etude inhabits a world distinctly its own. Reynolds dares a remarkable leap from the first to the second book. Rather than merely continue the premises and promises established by the first six etudes, the second …
*2023 stock* Playful reverence acts as the adhesive in this recording. The muse is filled with chromatic color and interlocking light and shadows. This release celebrates a life of music-making from John Heward and Barre Philips, both whom were eighty-years young at the time of this concert. Other members of the quintet include: Lori Freedman, Joe McPhee and Dana Reason. Positive and negative space is the organizing principle of this improvised concert. Heward, a well-respected Canadian musician…
Jerry Hemingway joined and remained a member of the infamous Anthony Braxton quartet for eleven years from 1983 - 1994. This set documents their first recorded collaboration in 12 years. Using an hourglass as a guide, each CD contains one 60-minute improvisation, and each improvisation is very different in character and instrumentation. These studio recordings were made at Wesleyan University in August 2007. Released to celebrate Braxton's 65th birthday, the recordings are packaged in ca…
This live concert is perhaps one of the last recordings from soprano saxophone legend Steve Lacy. Lacy and percussionist John Heward first met in Paris in 1975. Though they remained in regular contact through the years, they did not actually play together until this concert in Montreal on 20 June 2003. Two months later Lacy was diagnosed with cancer, and died in June 2004.Lacy suggested to Heward that he wanted to end this improvisation with the motif Recessional for Oliver Johnson, as a tribute…
* CD Edition * Over the years, the venerable New York based imprint, Mode Records, has operated to give Walter Zimmermann a solid platform, issuing both new work and reissuing lost classics. In 2019 the label reissued the entirety of the composer’s 1982 triple-album masterpiece “Lokale Musik”, including some newly recorded material, followed two years later with “Voces”, a lavishly packaged 3CD box focusing on Zimmermann’s vocal music from 1979-2016. Mode also reprinted the composer’s invaluable…
Beautiful new live document from interdisciplinary artist, composer and bandleader Rob Mazurek and a nine-piece iteration of his long-running Exploding Star Orchestra (ESO). Live at the Adler Planetarium will be released on LP, CD and DD on September 27th.
Bernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape. Until recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA/GRM label. “Stries” was written for the three synthesizer players of the Paris- based electro…
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album. The major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman …
Sarah Maria Sun’s "Killer Instincts" is a gloriously creative and colorful collection of songs about bad people doing bad things. It is also a concept album — a pleasurable journey in bad people’s shoes.
"For Bunita Marcus opens with a clear call to our attention. With these first six notes, we step over the threshold and into the journey of the piece. We know that we are in this for the long haul: Morton Feldman’s late works are notorious for being marathons. He composed For Bunita Marcus in 1985, immediately after his four-hour For Philip Guston, and two years after his six-hour String Quartet (II) These earlier works make an hour-long solo piano piece seem short. Still, it is a long time to …
This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice. Both are first recordings.“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by t…
Despite having an undeniable canon, the minimalist music movement which developed during the 1960s and continues to flourish and evolve today, is defined by a remarkable breadth in ideas and compositional approach. Particularly in Europe, it rapidly took on a diverse number of influences and became very much its own thing. Of the composers who proposed an alternate reality for this territory of sound, there have been few more accomplished than the German composer, Walter Zimmermann.All too often…
This release brings all of Morton Subotnick’s piano music together on one album for the first time, along with four first recordings, all supervised by the composer.Liquid Strata is an important work in Subotnick’s oeuvre. Here the electronic component is what he calls “ghost electronics,” and this is the first of 11 Ghost Pieces. In these works, Subotnick sought to address technology in a way that highlights rather than compromises the inherent features and strengths of acoustical instruments. …