We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A relentless pedal-free noise blitz that will surely offend most music lovers is certainly going to delight a wide range of noise fans. This album fits somewhere between extreme free jazz and the works of Iannis Xenakis. Charlie Mumma has played drums on over 150 albums with legendary noise-grind-music concrete band Sissy Spacek, led by John Wiese, an outfit that changes members almost as often as they get in the studio. Martín Escalante has appeared on a few of those Spacek albums in fact that …
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
Tip! “Desperate death throes roaring from a man playing the saxophone with more agony than anyone has ever seen before.” - Toshiji Mikawa “A gem, a badass. One of the most talented saxophone players I have ever met.” - Otomo Yoshihide This is Martín Escalante’s solo CD debut (not counting a few homemade CDrs and tapes or a 12” produced by Lasse Marhaug). The title of the album and the liner notes tell us that its content is harsh noise played on a saxophone acoustically without any electronic ef…
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
In Complete Works for Multiple Piano, Morton Feldman’s quietly radical writing for three or more hands is heard as a three‑hour continuum of hushed, hovering sonorities, where time dilates and the piano becomes a shared, breathing instrument.
The sixth and final volume in Wergo's acclaimed series of recordings, Earle Brown - A Life in Music completes the label's reissue of the eighteen LPs of Earle Brown's legendary Contemporary Sound Series, recorded between 1960 and 1973. The first disc in the set contains works by John Cage and Christian Wolff from the early 1960s. Disc two presents violinist Paul Zukofsky accompanied by pianist Gilbert Kalish in works by Crumb, Yun, Wuorinen and Cage. The final disc contains works by South Americ…
Three discs, three distinct worlds - each one a landmark. Vol. 5 of Earle Brown's Contemporary Sound Series may be the most dramatically varied installment in the entire programme, arcing from the handmade electronic circuitry of four American mavericks to one of the great piano sonatas of the 20th century, and closing with the golden tone of the most celebrated flutist of the post-war avant-garde.
The first disc is Electric Sound, the only album the Sonic Arts Union ever released as a group. Or…
"Wergo's reissues of the legendary Earle Brown Contemporary Sound Series have been a big hit with fans of contemporary music around the world. Each set is a treasure-trove of works by a wide range of composers, performed by some of the finest musicians of the time. The three CDs of volume four feature string quartets by Boulez, Scelsi and Earle Brown, works for chamber orchestra by Xenakis, Aldo Clementi, Bo Nilsson, Wlodzimierz Kotonski and Yuji Takahashi and works by Milko Kelemen, Niccolo Cas…
The voice as instrument, the temple bell as orchestra, the piano as detonator. Vol. 3 of Earle Brown's Contemporary Sound Series traces three radical propositions about sound and its sources - each originating from a different continent, each redefining what was possible within its medium.
The first disc belongs to Cathy Berberian. Originally issued on Time Records in 1962, it captures the American mezzo-soprano - then based in Milan and married to Luciano Berio - at the height of her extraordin…
3-CD Set. Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historically important recordings of international avant-garde music have been carefully digitized and remastered by the Earle Brown Music Foundation. Volume two includes music by Nono (Polifonica-Monodia-Ritmica), Bruno Maderna (Serenata No. 2), Luciano Ber…
Few figures of the American avant-garde wore as many hats as Earle Brown. Composer, graphic notation pioneer, member of the New York School alongside John Cage, Morton Feldman, and Christian Wolff - but also, and crucially, a record producer whose ear shaped one of the most important document series in 20th century music. Between 1960 and 1973, working first for Time Records and then Mainstream Records, Brown curated the Contemporary Sound Series - 18 LPs presenting works by 49 composers from 16…
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…
For approximately 18 months (from the fall of 1961 to June 1963), Archie Shepp and Bill Dixon co-led a group that varied in size between a quartet, quintet and sextet, depending on the gig. They mostly played coffee houses and small theatres in Greenwich Village, and travelled to Scandinavia in July 1962 for a series of concerts at the first International Youth Festival in Helsinki. Already in his late 30s, Bill Dixon seems to have suddenly appeared in 1962, stretching jazz modernism in distinct…
In the years leading up to 1971, Sun Ra wrote many compositions and poems specifically inspired by the ancient African Kingdoms and many others with associated mythological and heliocentric connotations. As such, a visit to Egypt and the opportunity for the Arkestra to play there was a matter of necessity. Ra’s first ever concerts outside of the US had occurred in late summer and autumn of 1970 with performances in France, Germany and the UK and a second European tour was arranged for late 1971.…
Edition of 250 copies. Rod Summers (° 1943) is a sound, visual, conceptual artist, performance poet, dramatist, mail and book artist, publisher, archivist, and lecturer on intermedia. Has worked as a Mail-Artist from 1973 to the present day. The results of Summers’ multiple, art-related activities have often appeared as part of his concept of VEC (Visual, Experimental, Concrete), which he originated in 1973. Summers is a sound, visual, conceptual artist, performance poet, dramatist, mail and boo…
*2022 stock. In process of stocking* Following 2016's definitive collection of singles released by Sun Ra from across his illustrious career, Strut present the second volume of the vinyl edition on 3LP format which focus on Ra's later 1962-1991 period.
Released sporadically during the three decades and primarily on the Saturn label, the 45s offer one-off missives from Ra's prolific cosmic journey, tracing the development of his forwardthinking 'Space-Bop' and his unique take on jazz and blues tr…
A strange and beautiful artifact of late‑70s outsider music returns: Kit Ream’s lone 1978 album, All That I Am, has been reissued on vinyl and digital formats. Once a private-press secret treasured by psych‑folk collectors, this ultra‑rare record is now available again for listeners drawn to music that sits defiantly outside conventional boundaries.
Weirdos, or so they said. A long‑term psychological state. All That I Am grew from that condition — music shaped by solitude, introspection and an u…
In 1968, while he was also the leader of the Military Music Departments in Heliopolis, Salah Ragab formed the first jazz big band in Egypt, The Cairo Jazz Band. Some of the best musicians in Egypt of that time were members – Zaki Osman (trumpet), Saied Salama (tenor sax), Khamis El-Kholy (piano) and Ala Mostafa (piano). On these recordings The Band consists of five saxophones, four trumpets, four trombones, piano, bass, drums and percussion and various other oriental instruments. The opening con…