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Luka Aron is a German musician and composer of electroacoustic and minimalist music based between Stockholm and Berlin. 'XV XXVII III XXI IX: Variations & Coda' is his debut vinyl release. Apart from his solo work, he is also a member of the trio Minua (signed to Nils Frahm's Leiter label) and the dream gaze band Roomer. His work was previously described as "thick, impasto layers of slow-moving sound that completely command your attention" in The Guardian.
'XV XXVII III XXI IX: Variations & Coda…
Tip! *200 copies limited edition* From distant ocean song to the clang and howl of a murky forgotten memory, MASS is a dreamlike collage of shrill shrieks, gasps, corroded brass choirs, and melting modular synth soundscapes, all heard through a mist of hiss and noise. Fused together with equal parts frenetic improvisation, shrouded ritual, and meticulous arrangement, it presents a sonic topography at once tongue-in-cheek, sensitive, and nightmarish.
With discordant chorales and angular trumpet i…
"Space Jungle Luv" emerged in 1976 (a year after the classic "African Rhythms" set) and marked a distinct change of direction for Plunky and co. Their feet were still in the ghetto, but this time they were looking at the stars; headed up by the strong, sweet vocal stylings of Jacqueline Holman (aka Lady Eka-Ete) and Branch's often effects drenched saxophones, this is cosmic dancefloor jazz of the first water.
Strut presents an exclusive reissue of Experience Unlimited’s 1977 debut album, Free Yourself, featuring a brand new interview with bandleader and co-founder ‘Sugar Bear.` This seminal recording blends soul, jazz, and funk-rock, laying the foundation for Washington D.C.'s go-go scene. Experience unlimited had originally started out in 1973 when they met at Ballou Senior High School in South-East D.C. and came to the attention of Black Fire Records’ Jimmy Gray after winning a school talent compe…
A chronologically edited, audio document of the definitive recorded output of 'Les Sculptures Sonores', the instruments solely created by the French brothers Bernard and François Baschet, who from 1954 pioneered for over 45 years a completely new way of combining sculpture and sound. Some small, some over 20 feet high and incorporating glass rods, metal cones, wires, plastic inflatable resonators, and many other devices, these fascinating structures are not only cosmetically entrancing, but prod…
Another much sought after and long unavailable title recorded in 1974 with a smallish ensemble consisting (probably) of stalwarts Marshall Allen, John Gilmore, Danny David, James Jacson, Akh Tal Ebah, Clifford Jarvis, Artakatune, and a new electric guitarist, Sly, and released on Saturn in the same year. This sounds like a studio recording and carefully thought out - most of the compositions appear only on this record (apart from versions of 'Nature's God' and 'Space Is The Place'), and include …
*2024 stock* Which significance does rhythm have for us? Focus? Means to an end? The main parameter or one parameter of many?How much time do we spend on rhythmic organisation while composing? Is our music danceable?Which sounds do we use to generate beats? How do our electronic “percussion instruments” sound? How is groove generated? Does my computer groove? Can digital groove be distinguished from analogue groove? What do our pulse grids look like? Music on the timing grid, microtiming, quant…
The stable Quartetto that pianist Davide Mosconi, saxophonist Enzo Gardenghi, percussionist Marco Cristofolini, and cellist and violinist Gustavo Bonora brought to life beginning in the late '60s constituted the core of what would, in the early years of the next decade, become the larger improvising ensemble NADMA. The group was also an elegant and accomplished expression of the musical objectives of its members. This music expresses the rich yields that Davide Mosconi cultivated from his explor…
One Walter Marchetti compositions and two ZAJ pieces from 1965, '66, and '73, a work for hunting calls and whistles and two extreme electronic works; with a 16 page booklet of photos and text. Alga marghen very proudly presents the only authorized reissue of all Walter Marchetti original recordings previously released by Cramps Records. The recording of La Caccia, one of the most radical in the neo-avantgarde panorama for 35 years, is divided in two tracks: 'Versione All'aria Aperta' and 'Versio…
2010 release. Alga Marghen presents the first edition ever issued of Dick Higgins' music. Fluxus founding member, in 1958 Dick Higgins studied Composition and Experimental Music with John Cage in his class at the New School for Social Research in New York together with, among others, La Monte Young, Richard Maxfield, Toshi Ichiyanagi, George Brecht, Allan Kaprow, Al Hansen, and Jackson Mac Low. In the Spring of 1968, Geoffrey Hendricks and Robert Watts told Dick Higgins of a project that was afo…
N.A.D.M.A. was officially born between August and the beginning of September 1972 during time spent in a little village in the Tuscan-Emilian Apennines. The identity and musical orientation of the collective centered on the convergence of heterogeneous interests and sensibilities coming from avant-garde jazz experiences liberated by post-free currents, from classical studies, or from musicians also active as visual artists who had cultivated an instrumental practice utilizing spontaneous …
2004 release. Excerpts from the liner notes of More from the Judson Years (Early 60s) Instrumental-Vocal Works Vol. 2, written by Philip Corner: "Everything Max Has" (1964), Max Neuhaus solo, recorded at the ONCE Festival, 1965. "A performance of Max's taking down all of his stuff; tons of equipment filling entire stages." "Big Trombone" (1963), Jim Fulkerson improvisation over tape collage. "Homage to Revere" (1962) for ensemble of copper-bottom kitchen utensils. "Punkt" (1961) for ensemble of …
"'String Quartet Describing The Motions of Large Real Bodies' was composed as the potential orchestra for a Robert Ashley opera based on the text of 'In Sara, Mencken, Christ and Beethoven There Were Men And Women'. When the work was composed, in 1972, it was clear that a huge change in electronic instrumentation was just beginning, a change that would involve computers and sound producing devices as yet undreamed of. The piece consists of an electronic orchestra of 42 sound producing modules. T…
Gerald Cleaver's second electronic album, jointly released by 577 Records sub label Positive Elevation and Meakusma. It sees Cleaver further exploring the depths of electronic music offered by his hometown Detroit, combining those influences with his personal musical background as a jazz drummer.
In 1985, Andrea Azzali and Simon Balestrazzi remained the only members of Tomografia Assiale Computerizzata (T.A.C.). They decided to reconfigure their work around tape manipulation. The two were recording in a studio in Florence and in an intense week, they realized Symphonie Industrielle. With the emergence of this new formation, however, T.A.C. dedicated itself to new projects and live performances, and the album was actually abandoned. Miraculously, the tapes have been recovered, and the res…
Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians …
*Limited edition of 300 copies.* Directed by Patrice Romme, The Devil's Nightmare was an Italian-Belgian production and featured main performers Jean Servais alongside a sensual Erika Blanc; also worthy of note is the disturbing presence of the graceful and filiform silhouette of Daniel Emilfork in the role of Satan. The film's components are typical of the Euro-horror genre of the time: a Gothic castle, eroticism, and bloody murders...all in a spectral and dense photograph.
It is the music of M…
*200 copies limited edition* Former Pulled Apart By Horses guitarist James Adrian Brown has been tirelessly sculpting his new sonic identity since early 2021. After making the transition from fuzz-soaked guitars to swarming synthesizers, Brown has been regularly releasing singles, remixes, collaborations and composing scores over the past three years. July 19th marks the release of his first EP titled “Terra Incognita.”
This expansive and cinematic journey, comprising six tracks, represents a me…
Hugely influential and appearing nearly everywhere within Washington D.C.'s contemporary music scene as bandleaders and contributing artistic voices, cellist and vocalist Janel Leppin and guitarist Anthony Pirog have long been creative partners as well as life partners. Their Cuneiform Records debut Where is Home (2012) is considered a crucial modern recording from the region. Following that release, the two have crafted a double-LP opus which crosses genres and mirrors their exploratory and dia…