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Massive discount on a large selection of items from the God Records catalogue. 🔥

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Close | Quarters
**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…
Traces of Eternity: of What Is Yet To Be
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
Intermediate Obscurities I+IV
**300 copies, 2019 stock** What self-taught musicians lack in education and (sometimes) technical prowess, many make up for with the need to carve out a space for themselves. Their trajectory is often like a perpetual motion of restless movements. Even among those musicians, Dirk Serries is a special case. Loyal to whoever he comes across, but a solitary seeker at the same time. An eternal outcast whose discography expands at a swift and steady pace, building an island entirely of his own, despi…
Ear Duration
**300 copies** "Overall, especially on the over 35-minute Set 1, which perversely in placed last on the CD, the improvisations’ mooring is supplied by the brief, repetative but distinctive patterning of Belgian pianist Martina Verhoeven. Much like John Tilbury’s program with AMM, these continuous motifs are the reassuring signposts for the puffs, scratches, strums and plops contributed by Britons, flutist / alto saxophonist Colin Webster, violist Benedict Taylor and Graham Dunning using a snare …
Segment Tones
**300 copies** "Tonus is a group that always contains Dirk Serries and his wife Martina Verhoeven, but otherwise seems to be an open membership group. Today, on Segment Tones, it is a trio. Serries plays accordion and soprano melodica (the latter I would believe for the first time), Verhoven is on concertina and cello and Colin Webster on clarinet and alto saxophone. Whatever the line-up of Tonus might be, I do believe they play slow and quiet music; music that is not in any way, shape or form, …
Live at Plusetage Volume 1
*300 copies limited edition* Disc One: Charlotte Keeffe (trumpet, flugelhorn) & Andrew Lisle (drums). A New Wave of Jazz live event : in concert at PlusEtage (Baarle- Nassau, The Netherlands) on April 29th, 2022. Recorded by Dirk Serries. Mixed and Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium). Disc Two: Stefan Keune (sopranino, alto sax) / Dirk Serries (archtop guitar) / Benedict Taylor (viola). A New Wave of Jazz live event: in concert at PlusEtage (Baarle- Nassau, The Netherlan…
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …
Little Jimmy
e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.
Nippon Guitars (Instrumental Surf, Eleki & Tsugaru Rock 1966-1974)
Legendary is a word too often used when writing about musicians. Takeshi Terauchi is no myth, more an elemental force and surely a nominee for the status of Living National Treasure – a first for a rock musician in Japan. While not exactly well known in the West, he has received praise over the years from artists as diverse as the Ventures and Jello BiafraYou don’t want to mess with Terry, as he is commonly known. An 8th Dan of the Wado school of Karate and a Zen master of the Zuiganji temple, h…
Around the Plywood
**300 copies** Document of salad, who performed BGM and sound performance for the exhibition "new lagoon in Hokan-Cho, Okayama " curated by Ayako Tsutsumi (edition.nord). Salad is a music team consisting of Masami Baba (Based in Hyogo) and Nagai Tsume (Based in Niigata). Ayako commissioned Nagai Tsume to compose the BGM for the exhibition. Masami Baba is a sound artist who has been attracting Ayako's attention for some time.This work is a reconstruction based on the sound of their first performa…
Wetland
**300 copies. The leaves assembled on the CD package were collected around the pond where the recording was made.** As in Eisuke Yanagisawa's own words: I set the recorder on the shore and collected it the following day. At midnight, the growling of animals (which turned out to be the sound of bullfrogs, an alien species) reverberated around the pond. Mizorogaike, which consists of a pond and a wetland, is located on the northern edge of the Kyoto Basin. Many aquatic plants, insects, fish, wild …
Don't Drown
A meeting of two mavericks - Greg Malcolm, a guitarist from New Zealand who has played with Rosy Parlane, Toshimaru Nakamura, Tetuzi Akiyama and Bruce Russell, as well as solo releases on his own label Corpus Hermeticum, and Stefan Neville aka Pumice - a long-running, endlessly inventive project whose shambolic music is equally reminiscent of Kiwi pop groups such as The Clean and Tall Dwarfs as well as the country's experimental noise-rock bands like the Dead C. "Who would attempt to combine cun…
Hattie Cooke
*In process of stocking.* Third Kind Records release Hattie Cooke's debut album anew on 180g white vinyl. We originally released this on cassette in 2016 and it quickly became a sought-after fan favourite as well as our most requested vinyl reissue. Since it’s 2016 cassette release Hattie has released two successful LPs and developed something of a following for her combination of catchy but candid alt-folk songwriting with New Order-like synth pop textures. This debut remains one of the most co…
O Yama O
O YAMA O explores a certain domestic and democratic quality of everyday life, born through associations to folk music of Japan and a folding of myth, tradition, and routine; the non-spectacular and the sublime. Formed of musician and artist Rie Nakajima and Cafe OTO co-founder Keiko Yamamoto, the group has performed since 2014 at venues and festivals such as noshowspace, Ikon Gallery, Wysing Arts Centre, Supernormal, Borealis Festival, Mayhem, and allEars Festival.Nakajima’s performance often fo…
Safe and Sane
Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
Shade
** 300 copies** This CD documents the complete first and second sets (each a little over 30 minutes) of a concert at Ftarri on September 29, 2018, performed by Yasumune Morishige (cello) Yoko Ikeda (viola), and Takashi Masubuchi (guitar), three improvisers active mainly in Tokyo. The tones produced by the three acoustic stringed instruments are rich and vivid, and the listener can't help but be mesmerized by the interweaving of the sounds. And although the performances are improvised, they're so…
Medasi
If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn't enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz. The second…
Rise Vision Comin
A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on sa…
Jazz For The Jet Set
“In much the same way hippies can be an iconic symbol of the late ’60s, the early ’60s might be represented by the world of the Jet Set. The Jet Set was a carry over from the Café Culture of the ‘50s and first popularized in such films as Fellini’s La Dolce Vita (1960) and Edward’s Breakfast at Tiffany’s (1961). The women were beautiful, glamorous, and sexually available. The men were slick, sharply dressed, and talking the fast hip lingo. The alcohol flowed, cigarettes burned, and the music alw…