We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*54 copies limited edition*
Handmade work.Each copy is composed by:-red cardboard dust jacket (weight 260 grams) printed on the front-three-panel cardboard cover (250 grams) printed in color on the front and back-printed cd-r-3 stickers in different dimensions-a business card printed on cardboard-two mini posters invented for hardcore movies
*30 copies limited edition* Born Cursed was originally conceived as part of the album “Under The Mother Hands, With Pain At My Side / Symphonic Noise”, but then it was excluded to be the prelude to something that could become a continuation.Born Cursed / Symphonic Noise (Prelude)Born cursed, on the line of light, one step before the darkness. The darkness that obscures the light. Crawling into the light while the darkness is beyond the light.Born cursed, born from pain and pain above all. The cu…
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
If during the early years of his long and prolific artistic activity, Fabio Orsi made extensive use of acoustic and concrete sound sources in his music, often painting very 'earthly' environmental realms, more recently he has definitively 'taken off', abandoning the earth to search for scenarios made of a purely synthetic matrix, building a myriad of dense electronic textures and pulsations, projected into the infinite and unexplored spaces of the universe.
This double CD collects a series of "s…
*200 copies limited edition* In its apparent bare simplicity, “Fade, Remain” is Iluiteq's most uncompromising and intimate album to date. Delving into the universal human condition of experiencing a loss and coping with a new phase of life, Iluiteq have released a new collaborative album, co-written with renowned Italian producer and musician Eraldo Bernocchi. The album juxtaposes the condition of “fading”, meant as leaving or departing, with the notion of “remaining”, either physically or spiri…
*200 copies limited edition* "Cold Star: A Noise Inc." is a collaboration between Deison and Cranioclast. From 2019 to 2024 there were continuous virtual exchange processes to create long sound-themes. The sounds were recorded, collected and manipulated by Deison at 1st Floor Studio and by Soltan Karik with the virtual succour by Sankt Klario. Tracks are segmented as circular encyclicas and the notorious use of anagrams is adopted for each title. Michael from Kallabris, helped to start the colla…
*250 copies limited edition*
- SynopsisA cosmic operator (Edward Ka-Spel), tasked with cleansing the Universe, stumbles upon the remains of a mysterious monastery scattered in Jupiter’s skies during his work shift. The monastery once housed a community of cloistered nuns devoted to cosmic solitude. Among the ruins, he discovers the diary of Suona Menfrem (Dorothy Moskowitz). Through her words, he uncovers the secrets of her soul—her love for a woman millions of light years away—and learns why t…
The compilation "Return to Acapulco - Music for Hotels Vol. 1", curated by Vittore Baroni and released in the summer of 2024, collected 16 songs created by as many musicians as a soundtrack for the different areas of a typical seaside hotel structure. The second volume of this unique collection that seeks new solutions to combine tourism and culture starts from a different concept, with 20 covers of well-known and lesser-known songs dedicated to summer by 20 Italian musicians and bands (plus a c…
*Please note that the book part of this edition is available in Italian language only.* "I first listened to Crass in the late summer of 1979: a friend, just back from a trip to London, had brought me a newly released record, "Stations of the Crass", as a present. I had already read about them somewhere, perhaps because of a censorship issue they were involved in, but I had never really heard of them. That was their second album, and it ended up substituting for a long time, to the indignation o…
A magnificent document of the music of the young Paul Bley. Recorded at the end of 1965 with Kent Carter - double bass and Barry Altschul - drums, "Touching" shows the already advanced musical conception of someone who over the years will establish himself as one of the greatest pianists in the history of Jazz. Between original pieces and compositions by Carla Bley and Annette Peacock, Bley's music unfolds with an autonomous step and extreme originality compared to most of the avant-garde pianis…
One of the most beautiful albums of the first production of the great South African pianist. Recorded live in 1965 at Cafe Montmartre in Copenhagen, in trio with Johnny Gertze - double bass and Makaya Ntshoko - drums, "Anatomy of a South African Village" shows the various aspects of the poetics of the then Dollar Brand and future Abdullah Ibrahim. From the circular and hypnotic pianism of African inspiration to the angularity of Monkish style, here expressed in the declared reinterpretation of c…
“Cologne Curiosities” collects, for the first time on vinyl, all the otherwise unpublished/un-reissued material that firstly appeared on the three "Unknown Deutschland - The Krautrock Archive" CDs released on Virgin during 1996. These CD only releases were originally compiled by Trevor Manwaring (Paratactile, Impetus, Virgin, Harmonia Mundi) from tapes supplied to him by Toby Robinson. Toby - aka The Mad Twiddler, aka Genius P. Orridge - is well-known to Krautrock collectors as one of a number …
Repress in vintage-styled tip-on hard cardboard sleeve. Guerssen Records present a reissue of Dave Bixby's Ode To Quetzalcoatl, originally released in 1969. Since its discovery in the late '90s, Dave Bixby's legendary $2000 private press album from 1969 is considered by all serious record collectors as the king in the loner / downer folk genre. After being involved in '60s Michigan folk and garage-rock bands such as The Shillelaghs and Peter & The Prophets, Bixby started playing acoustic guitar …
Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique…
Second volume of unreleased solo material by Tim Barnes, Noumena explores the thresholds of perception with long-form compositions built from minimal gestures, field recordings, and ambient textures. A durational and meditative counterpart to Lost Words.
After decades of being the rhythmic architect behind some of underground music's most essential recordings, experimental percussionist Tim Barnes steps forward with Lost Words, a deeply personal collection that celebrates collaboration while exploring new sonic territories. Released on Drag City, this remarkable album brings together an extraordinary cast of musicians who have shared Barnes' musical journey over the years. Lost Words represents both a culmination and a new beginning. The album f…
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
Recorded at Munich’s Muffathalle twenty years ago, in September 2004, this previously-unreleased concert recording of the Tomasz Stanko Quartet is a fascinating document, capturing a developmental chapter in the music between the song forms of the Suspended Night repertoire and the improvised areas that the Polish musicians would explore on Lontano. The Munich show was a highlight in a year in which the Stanko Quartet played a record number of gigs, with extensive tours of the US and Europe. T…
John Scofield’s first guitar-solo-recording ever gives a résumé of all the influences and idioms he has cultivated over his career in performances on guitar, accompanied by his own rhythmic pulse and chordal backing using a loop machine. Besides jazz, John is known to have always also had a soft spot for the rock and roll and country music he grew up with, revealed here in unencumbered renditions of Buddy Holly’s “Not Fade Away” and Hank Williams’ “You Win Again”. Between elegant and personal re…
LP version. Includes digital download with two bonus tracks: the tracks on the Dilatation/Scale 45. Reissue, originally released in 1970. Cool library-styled French album. Psychedelic, proggy jazz-funk with Brazilian/bossa touches. Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a "pop" album after the worldwide impact of pro…