We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Even For Just the Briefest Moment...
Post-metal avantgarde power force Sumac - based around Aaron Turner (Isis, Old Man Gloom) - follow up their collaboration with legendary Japanese guitarist and singer / performer Keiji Haino on Thrill Jockey - American Dollar Bill - Keep Facing Sideways, You Are Too Hideous To Look at Face On (2018), with another monolith, heavy and experimental at the same time.Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass. Recorded a…
To Catch a Bird In a Net of Wind
Tashi Dorji (electric guitar) and Tyler Damon (drums/percussion) have developed a musical language that is not only shaped by original forms as free jazz, metal, rock and Buddhist monastic music. Their sound merges passion and emotions of literature, art, cultural movements, politics - flashes of ecstatic intensity, blurred timbral lines, fractal repetition, noir-ish, cinematic mystery and inclinations toward free play hint that the two are pleased to follow a winding path to destinations yet un…
Shared Boundaries
** Edition of 200 ** Ke thu are an up and coming producing and live act duo based in Detroit, MI. Their style ranges from classic dub techno to ethereal ambient and anything in between. Their latest release, Shared Boundaries, is a series of sonic explorations with untitled track names that allow the listener a clean palette to explore from. The main (and only) sound source used for this release is a guitar, which was played live while being processed by a variety of outboard effects and modulat…
Island On The Moon
Dirk Serries (worldwide renowned for his ambient alter-ego Vidna Obmana from 1984 till 2007) returns to this expansive sound universe with a new collaborative album that redefines the genre. Together with alto saxophonist Trösta the duo delivers a breathtaking album just in time to comfort, soothe and challenge in these darker times. Island On The Moon is a symphony of harmony, depth and nuance. A solace drenched in melancholy and light, made without the aid of computers but by the hands of two …
Echoes
* 2022 stock * Recorded at the Studio Jazz Unité in Paris, France, on June 19, 1981, Filet de Sole / Philly of Soul was the only recording made by brilliant drummer Philly Joe Jones with this exact octet formation.The group plays a variety of tunes, including well-known pieces by Tadd Dameron, Benny Golson, Randy Weston, and the tandem of John Lewis & Dizzy Gillespie, plus an homage to Tadd Dameron composed by the group's tenor saxophonist Charles Davis (a regular with Archie Shepp and Sun Ra), …
Milano Calibro 9
**2020 repress, green vinyl** During a 1972 full of progressive rock masterpieces, the Neapolitan group Osanna released a follow-up to their debut LP "L'uomo"; a very peculiar record, the result of a collaboration between the band and the Maestro and composer Luis Bacalov (who already worked with New Trolls on their "Concerto Grosso" the previous year), a work commissioned for Fernando Di Leo's movie "Milano Calibro 9".The 'real' title of the album is actually "Preludio, tema, variazioni, canzon…
Mekanik Destruktiw Kommandoh
* 180 Gram Audiophile vinyl. Limited edition of 2000 individually numbered copies on Copper coloured vinyl * Magma is one of the most influential bands from France. Their music defies any of the standard and convenient classifications of rock, instead they operate in a realm of their own creation. Their third studio album Mëkanïk Dëstruktïẁ Kömmandöh was originally released in 1973 and showcased in particular the range of singer Klaus Blasquiz and introduced the ground-moving work of bassist Jan…
Femme Descendant L'escalier
* Rare private press CD *  By a beautiful day of end of summer, September 20, 2004, my hosts Maria Bella and Miguel, involved me in a hazardous route in the streets of Madrid. The finality was to record sound elements which could be useful to me in the project “Itinerario del Sonido” to which they had invited me to take part. We thus went on, walking by bus by subway and some times, I recognized the singular places which I had already met several years, perhaps 10 years before and it was like vi…
Acnalbasac Noom
Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …
Propellers In Love
Arnold Dreyblatt has been called "the most rock 'n' roll of all the composers to emerge from New York's downtown scene in the 1970s." Arnold Dreyblatt founded the Orchestra Of Excited Strings in 1979, harnessing unusual tuning intervals to an exuberant performance style. Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration…
The Pavilion of Dreams
For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the ear…
Miracle
Dovetailing and combining the rich harmonics of Michel Doneda's soprano and sopranino saxophone with Pascal Battus' rotating surfaces--mechanisms from small consumer electronics and their like put in motion and in contact with resonators and vibrators--this French improvising duo create fascinatingly shifting, unusual textures and sonic environments.
81/44
Side A: 20% heavily armed with random discharges of radio-wave theatre and metal noise. Multiple blows with a heavy hatchet along the time axis, but no blood flows. From the speakers, the right and left wing exchange blows but reconciliation remains eternally unreachable. Steeped in idle repetition in a comfortably heated secret chamber. With several random passers-by, sounds like those made by slapping a wet towel alternate between life and death but in a continual state of existence. However, …
In Praise of Learning
A landmark in the history of European experimental rock, the third 'Cow' work, originally released on Virgin in 1975, represents the second act of joined forces between Henry Cow and Slapp Happy, and the first fully integrated appearance of Dagmar Krause. In Praise Of Learning is a unique piece of art, showing perfect unity of political content, with rock complexity, extended song form and free noise explorations. An impressive array of new compositions, including Tim Hodgkinson's masterwork 'Li…
Clic
There is no figure in Italian music, nor within the country’s shimmering, expansive avant-garde, who demands the respect and awe offered to Franco Battiato. He is the beginning and the end. An artist whose output, stretching across six decades, is so diverse and singular, that it defies any concrete definition - darting from psychedelic Prog, definitive gestures in the history of Minimalism, to the heights of explicit Pop. Like many of his contemporaries, Battiato’s journey toward avant-garde an…
La Jetee
"'This is the story of a man, marked by an image from his childhood.' Thus begins, with deceptive simplicity, Chris Marker's La Jetée (1962). The film, by far Marker's bestknown work, synthesizes many of the elusive filmmaker's central preoccupations -- time and memory, power and resistance, the ephemerality and resilience of love -- yet it also undermines the very idea of film. Composed almost entirely of still photographs, La Jetée quite literally pieces together the tale of an unnamed, forsak…
Future Travel
Long out of print in its original, 1981 LP version from Street Records, Future Travel, has now been released again, remastered for digital media, by New World Records (80668-2). All the music composed and performed by David Rosenboom from this historic album is included, along with a new version of And Out Come the Night Ears, which was first introduced on an LP from 1750 Arch Records in 1978. One of the first albums composed almost entirely with a digital synthesizer, Future Travel, features th…
Five Works For Voices, Instruments, And Electronics
Kenneth Gaburo (1926–1993) composed works for instruments, voices, electronics, multi-media, theater, and a variety of other resources. Foremost among his many interests was a concern with the voice and with language—how we shape language and how we are shaped by it—and with making works that existed somewhere between the boundaries of music and language. Of the works on this CD, three are intensely concerned with what Gaburo termed “Compositional Linguistics” (Antiphony III, Antiphony IV, and M…
Lonesome Road (The Crawford Variations)
Larry Polansky, though known primarily for his work in the field of computer music, has produced a major addition to the keyboard literature, this massive theme-and-variations on Ruth Crawford Seeger’s arrangement of the folk song "Lonesome Road." Inspired by his deep engagement with her music, Lonesome Road (1988-89) is a prime example of Polansky’s penchant for building large architectonic structures through complex transformational processes. The work is in three sections of seventeen variati…
Terry Riley
Uncle Jard (1998) (saxophone quartet, piano, harpsichord, and voice) is a particularly compelling example of this. In this piece, Indian classical music and blues/jazz elements co-exist in a stylistically coherent whole: ragtime and raga have never been so closely intertwined. The piece is divided into three parts. While in the first and second parts the texture of the saxophone ensemble is enriched by the voice and keyboard, in the third part the voice is not featured. Assassin Reverie (2001), …