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Mostly improvised by clarinettist Tony Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
** 2024 Much-needed repress, Llimited edition of 150 copies, silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally issued in 1984 as a cassette…
Tip! Noise Matrix unleashes material from the same sessions as noisembryo and counterpart 'hole' and selected recordings from the time period. Originally released as a bonus disc on the definitive ’Noisembryo' 2xcd edition noise matrix absolutely can’t be missed for fans of this period of noise deity Merzbow. When people ask where to start with merzbow or the entire 90’s noise movement in japan - this is an answer! Masami Akita’s surrealism of the past stands prominently relevant to this day co…
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
*Edition of 300 numbered copies Die-cut cardboard outer sleeve, color print inner sleeve + poly-liner sleeves.* "The exquisite corpse shall drink the new wine", wrote the French Surrealists almost 100 years ago, and from this missive stems the parlor game in which we partake here. Through obscuring the tower itself, they cobble together meandering staircases in which to ascend with absent-minded haste; spontaneous line-weaving amasses figures and phrases into new planes of thought, therefore hol…
Temporary offer *Limited black & orange marbled colored vinyl.* A Love Supreme is a suite about redemption, a work of pure spirit and song, that encapsulates all the struggles and aspirations of the 1960s. Following hard on the heels of the lyrical, swinging Crescent, A Love Supreme heralded Coltrane's search for spiritual and musical freedom, as expressed through polyrhythms, modalities, and purely vertical forms that seemed strange to some jazz purists, but which captivated more adventurous li…
Reissue, Remastered, Stereo, 180g. on British Jazz Explosion series. Off Centre, the 1969 debut from The John Cameron Quartet, stands as a vivid and essential snapshot of late 60s British jazz, now reissued on vinyl for the first time in decades by Decca. Led by renowned pianist, arranger, and composer John Cameron, the quartet features an all-star lineup: Harold McNair (flute, tenor sax), Danny Thompson (bass), and Tony Carr (percussion). Originally released on Decca’s progressive Deram imprint…
One of the greatest line-ups of drummer Art Blakey’s hard bop finishing school The Jazz Messengers locked into place in 1960 when tenor saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt for the recording of The Big Beat, an album that signaled the transformation of the band into a modern jazz juggernaut. In August of that year The Jazz Messengers returned to Van Gelder Studio twice for sessions that would yield the companion albums A Night In…
In his third and final album, recorded ahead of the publication of his novel, Doctor Sax, Jack Kerouac uses his voice as an instrument, weaving his words inside of patterns and percussive accents the way a horn player solos over the changes of a well-known standard. The set is presented with an immense focus and energy to keep the listener engaged for a full 40 minutes. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Limited and numbered edition of 250 copies. Die-cut box, 5 inlays and extensive booklet (Libretto). The opera "juHrop" was recorded with great effort at the Studio für Komische Musik Berlin and at the studio of Diamanda Galas in New York from 1996 to 2001. It is orchestral music produced with electronic devices and voices of Chinese singer Wu Jiang, David Moss, Diamanda Galas, Udo Scheuerpflug, Margarete Huber and the Moabiter Motettenchor. It was broadcasted in full length on "Deutschlandradio …
Hidden Harmony is proud to present the first full-length LP from Estonian composer and keyboardist Volodja Brodsky. The six compositions on ‘Whispering Ln’ were entirely recorded during Brodsky's trip to the USA in 2018-2019 and showcased his passion for the transformative power of minimalism as an art form. The follow-up to his keyboard duties on psych funk/rare groove Estonian outfits Estrada Orchestra, Centre El Muusa, Misha Panfilov Septet, on ‘Whispering Ln’ Brodsky reinventing himself as a…
*100 copies limited edition.* A raw sonic document of exile, trauma, and transformation, this CD collects early works by Hungarian artist Sándor Vály, recorded between 1988 and 1992. Created using homemade instruments, rudimentary electronics, and cassette gear, these tracks trace a turbulent path through desertion, psychiatric confinement, political escape, and cultural rebirth. Inspired by the Tibetan Book of the Dead and personal upheaval, Bardo Tödol I–II, SoulDrum, and other recordings evok…
2025 stock To mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series. A 1-LP mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-LP stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl…
Beatrice Dillon and Hideki Umezawa's split record for the Portrait series. The title of this work by Beatrice Dillon is taken from the notion of ‘basho’, developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school. Kitaro’s ‘basho’ (場) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynami…
2024 stock. Black Vinyl edition. Kestrel was a UK band that disbanded soon after releasing an unsung prog-rock gem of an album in 1975. Boasting an abundance of technical musicianship and inhabiting a space somewhere between golden-age prog and AOR, the band was defined by their sophisticated sense of melody and exquisite sonic balance. Unfortunately, and probably because they were so far ahead of their time, the album failed to chart and is remembered only amongst a small number of cult fans. G…
The ultimate cosmic music has arrived! Prepare to be gently led into an invigorating electronic dreamscape by a skillfully creative partnership. Despite collaborating since 2016, Endless Season is the first duo album from 577 Records Co-Creator (and legendary maestro), Daniel Carter, and rising tenor saxist Ayumi Ishito. Originally recorded as an acoustic set, the plan changed when Carter encouraged Ishito to explore audio production. Before they knew it, she had shaped beats and sounds that per…
Formed 29 years ago (1996) by Nate Young, Wolf Eyes is currently a duo generally characterized as "noise," though they have called themselves "psycho jazz" (among other things). Extremely prolific, they have literally hundreds of releases and are a towering presence in underground music. Saxophonist Anthony Braxton was an early member of the AACM (Association for the Advancement of Creative Musicians) and has won a MacArthur and been named an NEA Jazz Master, though his work is hardly confined t…
The world is more elusive than simple cause and effect imply, more typically, life circumvents causation in favor of an unknowable correlation. It seems like the more we know, the less we know. On this first volume from Zoh Amba and Francisco Mela, the duo brings their regional traditions, from Tennessee and Cuba respectively, and musical inclinations to the cause and effect behind their own life stories. Causa y Efecto, Vol. 1 is an ode to the unknown, transporting audiences between the New Yor…
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…