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A selection from The Brondesbury Tapes
CD Edition, newly remastered by David Singleton for 2025, with greatly improved audio.Rare 1968 Home Recordings by Giles, Giles & Fripp Finally Receive Definitive Vinyl Treatment, Featuring Early Appearances by Ian McDonald and Judy Dyble. The story of King Crimson's genesis has gained a crucial new chapter with the release of The Brondesbury Tapes 2025 Remaster, an extraordinary collection that opens the doors to the intimate creative laboratory where progressive rock's future was quietly takin…
Blasé
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
La Morte ha Fatto l'Uovo
Wow! ** Deluxe LP + insert. Orange Vinyl. Edition of 400 copies ** “La morte ha fatto l’uovo” (1968), published here for the first time on vinyl, is a score distinguished by avant-garde soundscapes that mix the dazzling tones of an unusual thriller that pays homage to Luis Buñuel's filmography. “Death Laid an Egg”, directed in 1968 by Giulio Questi, with an international cast starring Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant, features a distinctive warm and glittering photography…
For The Sake Of The Song
Townes Van Zandt's seminal 1968 debut "For The Sake Of The Song" returns on limited orange marbled vinyl. This analogue remastered edition showcases the haunting songwriting that established Van Zandt as a legendary figure in American music.
Arrival
Double LP version. Black Vinyl. Their first two albums, Exit and Enter, were presented with sizable and ambitious line-ups of 28 musicians. Ritual saw it reduced to 21 and with Arrival it's been trimmed down to a "mere" 14, with the core trio of Fire! (Mats Gustafsson, Johan Berthling, and Andreas Werliin) and the two singers Mariam Wallentin and Sofia Jernberg being the only constant members since the beginning. Apart from this reduction, the main line-up difference is the introduction of a str…
Like an Old Fashioned Waltz
On Like an Old Fashioned Waltz, Sandy Denny leans into cinema-lit nostalgia, braiding English folk melancholy with 30s-inflected strings and jazz standards. Time, memory and solitude waltz together, her voice hovering between confessional intimacy and silver-screen reverie, poised at the fragile brink of reinvention.
Perception
Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
Salad Days Vol. 2
*2023 stock* "Motorpsycho's Salad Days vol. 2 includes the following titles, with all artwork recreated by from the very best available original sources and the music remastered from the original tapes where these were available: Mountain EP; Another Ugly EP; Live at Blitz '93 (LP); Demon Box (2LP)."
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
I Really Want To Bomb You: 1972 - 1984
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
The Cheerful Insanity of...
The Cheerful Insanity of Giles, Giles and Fripp reveals King Crimson's gentle 1968 genesis - a landmark British psychedelia album featuring the Giles brothers and young Robert Fripp. This breezy, Beatles-esque collection showcases burning Frippian guitar work and the original "I Talk To The Wind." The 2025 Panegyric reissue removes spoken interludes for improved flow. Essential prehistory.
Banana Moon
** Original 1971 BYG album. Digitally mastered from BYG tapes by Nick Robbins. 16-page booklet with photos & exclusive liner notes by author and journalist Kevin Le Gendre ** Debut solo album by the legendary purveyor of music that daringly blurred the boundary between psychedelic rock and raucous, riotous Dadaism. Australian vocalist-guitarist Daevid Allen was a part of the highly experimental Canterbury scene, alongside the likes of drummers Robert Wyatt and Pip Pyle, before he relocated to P…
Message to Our Folks
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri **'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and st…
Sandy
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.
Soft Heap
First-ever reissue on vinyl of the short-lived supergroup’s sole studio album. Originally recorded in 1978, it brings together some of the most renowned figures from the Canterbury Scene.
Quincicasm (LP)
Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations.
Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …
Traneing In
*2025 stock* John Coltrane with the Red Garland Trio is the third studio album by the jazz musician John Coltrane. It was released in early 1958 through Prestige Records. The recording took place at Rudy Van Gelder's studio on August 23, 1957. It was reissued in 1961 as Traneing In with a new catalogue number and cover design.
Christmas
Kranky announces the reissue of Low Christmas, the beloved 1999 holiday EP from slowcore pioneers Low, available now on vinyl, CD, and digital formats. This timeless collection of subversive seasonal songs—originally released as a limited-edition cassette—captures the Duluth trio's signature minimalist beauty, blending haunting harmonies, sparse instrumentation, and wry takes on Christmas traditions.
Low—comprising Alan Sparhawk, Mimi Parker, and John Nichols—crafted Low Christmas as an antidote…
Lake Fire
Loscil (aka Scott Morgan) returns to Kranky with Lake Fire, a nine-track offering of ash-laden sonics that mine the tension within the cycle of destruction and rejuvenation. Lake Fire is the result of a disjointed creative process. Originally conceived as a suite for electronics and ensemble, most of the original compositions were deserted, save for “Ash Clouds,” featuring James Meager on double bass. The remaining tracks were reshaped and remixed, built anew out of the remnants of the abandoned…
Buy
Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…