We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Don Cherry

From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.

From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.

Human Music
"Mu" First Part
"Mu" Second Part
Live in Stockholm
Song Of Soil
Cherry Jam
Brown Rice
1 2