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This collection of two tonal works by composers known for their non-tonal compositional style is a fine example of contemporary approaches to sacred choral music. Salvatore Martirano’s Mass is a setting of a traditional Latin Mass whilst Donald Marti…
"This collection of songs represents one hundred years of music produced by American composers and poets of color—the best of us. Some identify(ied) as Negro, some African-American, some Black, some men, some women, and some insisted they were beyond…
George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to…
While certain recognizable fingerprints are found throughout the body of Daniel Lentz's (b. 1942) work, he has never been content to settle within one particular style or mode of music for long, moving ever forward in an evolutional continuum, an ove…
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere…
Charles Ives composed nearly 200 songs throughout his life. Wiley Hitchcock, in the thorough introduction to his 2004 critical edition 129 Songs, described the Ives song canon as the contents of a kind of scrapbook or commonplace book or chapbook, or…
In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and te…
Lejaren Hiller (1924-1994) was a musically eclectic composer, often combining several different types of techniques in the same piece. In the mid-sixties, he asserted that his "objective in composing music by means of computer programming is not t…
Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was writte…
music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer…
Peter Garland (b. 1952) studied with Harold Budd and James Tenney at Cal Arts and had long student-mentor friendships with Lou Harrison, Conlon Nancarrow, Paul Bowles and Dane Rudhyar. Like Harrison, Garland has forged his own musical vocabulary as a…
Kenneth Gaburo (1926–1993) composed works for instruments, voices, electronics, multi-media, theater, and a variety of other resources. Foremost among his many interests was a concern with the voice and with language—how we shape language and how we …
Wrestling with the notion of balancing both formal construction and creative spontaneity has allowed Scott Fields (b 1952) to compose a powerful body of work with ties to extramusical concerns from the realms of literature, philosophy, and science. S…
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere…
We want to fabricate a new music. We imagine a situation in which the sounding together of tones is never taken for granted, is continually renewed and reinvented. We know that the effect of any set of simultaneous tones, by means of the multiplicati…
Max Giteck Duykers (born 1972) stands out for his ongoing dedication to the sound worlds made possible by the Pierrot ensemble. Therefore it is fitting that the first recording devoted exclusively to Duykers's music should feature two of the four "Pi…
Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries betw…
Joseph Kubera, piano. Michael Byron (b. 1953) was a pupil of James Tenney, and later, of Richard Teitelbaum. The body of music he has composed over the past thirty years has been harmonically rich, rhythmically detailed, and increasingly virtuosic. D…
In his compositions, composer/performer Kyle Bruckmann seeks to integrate rigor and internal logic with raw immediacy while fully engaging his fellow performers as not simply dutiful interpreters, but creatively invested collaborators. Aesthetically,…
Six Primes is composed using the first six prime numbers 2, 3, 5,
7, 11, and 13 to govern both its tuning and temporal structure,
including harmony, rhythmic subdivisions, and form. I wrote this music
to explore the limits of using the same intege…