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Wounded Galaxies Tap At The Window
This is the long-anticipated third album by Cyclobe. Essentially a duo comprised of Ossian Brown and Stephen Thrower, Cyclobe have created a thrilling and compelling collection of music, which moves effortlessly from realms of cavernous cacophony to moments of blissful delicacy. The first new Cyclobe music to surface since their "death-concréte" missile Paraparaparallelogrammatica (an album made in collaboration with Nurse With Wound), Wounded Galaxies Tap At The Window showcases major new …
Harry Smith
New LP - first ever vinyl - from this great west coast drone group with a magical sÇance in tribute to occultist, archivist, artist and visionary film-maker Harry Smith, performed as a live soundtrack to his films. Mile-deep tones that you could swim in flux through intricately populated blankets of brain-cushioning foo with that classic aircraft-hangar-filled-with-white-light feel. Edition of only 300 copies with paste-on art.
Walks
Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…
3
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
Le Piano Demecanise
Le Piano Demécanisé is a vinyl album with music played on a dismantled piano. The release of the album goes in tandem with the publication of the new issue of RTRSRCH magazine, in which Frederik Croene presents the text accompanying the LP. The LP was pressed in an edition of 500, sleeve design by Joris Verdoodt." Overall the music has a very contemplative and percussive nature. Either with hands, sticks or bows, he gently approaches the piano and works on it, very much like both a comp…
Early Works
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
IV
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Gilbert Artman's Lard Free
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
Hymn For Tomasz Stanko
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
Automaticism
Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded.Automaticism features songs Yosihumi Ni…
Static
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…
Crow Autumn
Richard Skelton’s work as A Broken Consort is, ostensibly, consistently and easily contextualized within a broader composer-centric scene. Nick Cave and Warren Ellis, for example, deal in similar realms of psychogeographics with their soundtrack work on The Assassination of Jesse James by the Coward Robert Ford and the like. There, the compositions render emotions on the physical plane. Landscapes and troubled faces don’t just feel alienated or manic or soul-crushingly vast. They look it.…
Labor Of Love
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
A new exciting experience
first-time ever legit ri for this lost gem from the late '60s euro psychedelic underground. belgium-based portuguese soul brothers tony & waldo lam (better know as jess & james) join forces which american jazz man scott bradford and belgian mad scientist & electronics grand daddy Arsene Souffriau for a crazy trip of groovy free-rock and soul into electronics trip in the best pierre henry's 'jerks electroniques pour la messe du temps present,' cecil leuter's 'pop electronique,' jp massiera's male…
Daily Dance
Deluxe vinyl edition of this legendary outta time private press LP, cut by the duo of electric guitarist Doug Snyder and drummer Bob Thompson in Ohio in 1972...Amazing, unique, celebrated, and genuinely rare artifact from Rural Ohio. After stepping out of a Stooges concert in 1971, Doug Snyder and Bob Thompson set up a studio in their kitchen and attempted to record a record HEAVIER than the Stooges. They were completely successful, and the resulting LP, their only release at the time (put out b…
Free Improvisation
Gray-area reissue of this rare album previously only available in the legendary 3LP set only Free Improvisation (together with New Phonic Art and Iskra 1903, on the Deutsche Grammophon label, issued in 1973); analog re-recording. LTD. edition 180 grams. Karl Heinz Böttner: electric guitar, 'Vox Organ Guitar', vocals, ocarinas, flexatone, zither, electric bass, guitar, framus; Mike Lewis: Hammond (and Leslie) organ, vocals, percussion; Michael Ranta: percussion, home-made plucked instrument, voca…
Beatings With Gimpy Flighted Wings Entrapped By Post-Fence Of Ga
EXCLUSIVE! Member of CAROLINER RAINBOW & DEERHOOF. Some may call these tunes brashly harsh, some might call it electronic composition, others may think it to be the sounds of rusty robots mating. Oh no, this is none of those, this is hardcore done with wires, lo-tech tape manipulation, bits of synth, home rigged effects, and a whole bunch of other crap.
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Dungeon Dots
Debut LP. Nicole Schneit's soft, clear voice careens across walking bass lines, big cymbals & brassy guitars. Warm, inviting & bittersweet. Features Sharon Van Etten.
Navigare
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…