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One of the most significant musical works of the twentieth century is now available in an archive-quality recording. Only now, using surround-sound technology can the twenty-six channels be balanced out and distributed, spatially and dynamically, with minute accuracy across the five speakers: a time-consuming and fascinating task, evoking the optimist Sisyphus. With this double SACD, André Richard and Peter Hirsch’s team, who had already worked on the first performance of the then new Prometeo i…
rare double CD set documenting a series of exclusives live-concerts that took place as part of an exhibition held at Weserburg, Museum für moderne Kunst, Bremen, from Sept. 17-Nov. 16, 2005.; Artists include: Blank, Sven-Ake Johansson, Gerhard Rü̈hm mit Monika Lichtenfeld, Sten Hanson, Dimitri Prigov, DJKL & The Temporary Soundmuseum, Staalplaat Soundsystem Yokomono, Philip Jeck, Radboud Mens, Ignaz Schick, Alva Noto, Christina Kubisch.
CD 1: “La Grande Vallée”. Concrete music composed in 1993/1996 at INA-GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisation and composition : Lionel Marchetti. Voice : Hélène Bettencourt. Additives voices : Frédéric Malenfer, Bruno Roche. Bass clarinette : Jean Andréo. Sib clarinette : Lionel Marchetti.“Portrait d'un glacier (Alpes, 2173m)”. Concrete music composed in 1998/2000 at INA - GRM (Paris-France). Field recordings, electronic, analogic synthesiser, realisat…
Vinko Globokar advises listeners to "make up their own movies to the music." The Slovenian-French European does not believe in explaining music. And the deeply moving expressiveness of his orchestral trilogy Der Engel der Geschichte, "The angel of history," inspired by Paul Klee's painting "Angelus Novus" and now documented by this recording of the exemplary SWR production, certainly speaks for itself. The listener encounters three disturbing sound images: the first, "Zerfall," refers to the dis…
There is little doubt that Helmschrott’s Sonate da chiesa only bear a fleeting resemblance to their namesakes from the 17th and 18th centuries, which, emerging from Northern Italy, quickly rose to great popularity in Baroque Europe. Among the resemblances is their bipartite structure with slow and fast movement and, of course, the use of an organ. Far from expressing formal dependence, the archaic names of the movements lend the twelve pieces a Mediterranean superstructure, as it were. The manif…
Recorded on October 19, 1985 in Orfeum, Graz as part of the Sterischer Herbest festival. Originally released on Dieter Roth's Verlag as a double C90 in an edition of 200 copies.
BACK IN STOCK. Very occasionally a record comes along that we just don't want to review, a record so wondrous that words just seem to fall short. Since we have an urge to persuade anyone who crosses our path to hear 'Imperial Distortion', though, perhaps it's worth a shot nonetheless. Dominick Fernow's Hospital imprint has long impressed us with its output, but never before have we heard anything quite like 'Imperial Distortion' slip out of its ornate iron gates. Those of you in the know will al…
Franck turned to writing organ music only in his thirties, prompted not least by his appointment as organist at the Parisian Basilica Ste-Clotilde in 1858, a post he held until his death. He had played the organ at smaller churches in Paris before; the Six Pièces date back to that time and his first years at Ste-Clotilde; the core piece, Prélude, Fugue et Variation op. 18, with its extraordinary structure including a fugue as the central part, is dedicated to Camille Saint-Saens. Pastorale is de…
UK's Michael Chapman began his career on the Cornish folk circuit in 1967. He signed to the Harvest label, home to Pink Floyd, Deep Purple and many others, recording four quasi-legendary albums. The influential Fully Qualified Survivor was John Peel's favorite record of 1970, and featured future Bowie collaborator Mick Ronson. After decades of recording and touring, Chapman remains an obscure figure in the states. His profile was raised by a lengthy interview with big fan Thurston Moore in…
Recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö. Originally released on Mego in 2001. Of course, Jim O'Rourke needs no introduction being well known as a performer, producer and all round top chap, as well membership of various pop and rock combos for more than two decades. ÔIm Happy, and I'm Singing, and a 1, 2, 3, 4' was called by many common folk Jim's laptop record or his powerbook album. We prefer the simple term computer when referring to the instrument used for the creation of t…
2CD collects some of this EMERALDS member's best work, previously-released on a number of ltd edition CD-Rs & tape releases over the last 4 years. Electric & acoustic guitar, vocals, tapes, & guitar-synthesizer performed & recorded by Mark McGuire 2007-2010. Although, only 24 years of age McGuire has racked up an impressive canon which most artists twice his age would have problems delivering. With his expert use of loops and layers, as well a superb ear for killer melody hooks makes AYPGTMM…
More electronic music by Badings: did we partly cover Badings' electronic music on the Popular electronics Boxset (Basta 3091412), here's the best of the rest, to say so. CD1: 'Capriccio' (1959) for violin and two sound tracks. 'Genese' (1958) music for five audio-frequency oscillators. 'Dialogues for man and machine' (1958) text and voice: Ramses Shaffy. 'The woman of Andros', 'Toccata' (1964).
"Led by infamous Fluxus member Takehisa Kosugi, Tokyo's Taj Mahal Travellers were one of the prime examples of a band more heard-of than actually heard. Their vinyl legacy (the 1972 LP July 15, 1972 released on CBS/Sony Japan; the 1974 2LP August 1974 released on Columbia Japan and recently reissued by P-Vine as a 2CD; one side of the mythical Oz Days Live 2LP compilation released on Oz in 1973 and recently bootlegged as a single LP) could dig a hole in your wallet deeper than the Grand Canyon. …
RESTOCKED This is another great piece of musique concrete from Michel Chion. Never published before ! Composed in 1979 at the GMEM studios in Marseille. Comes with a 16 page booklet with texts from Michel Chion and Lionel Marchetti.TheWire beautiful review Michel Chion proposes three different modes of listening : causal, semantic and reduced. The first relates simply to a sound’s source or causal agent. The second involves a desire to extract meaning, or meaningful action. Reduced listening …
an unrhymed chord is a deceptively simple piece. from the score we see that each performer picks a single sound, sustains this sound for one to fifteen minutes in each half of the piece, and that amplitude is inversely proportional to duration. it does not seem like much in the way of instructions for a piece that lasts just over an hour. however, after I started making a realization I quickly realized how dynamic the situation the piece presents actually is. I had never heard a music quite li…
Editions Mego has finally reissued the woefully out-of-print complete recorded oeuvre of this massively influential and infrequently convening laptop supergroup. Unsurprisingly, it still sounds great. The Magic Sound Of...’ and ‘The Return Of...’, originally released in 1999 and 2002. Fenn O’Berg (Christian Fennesz, Jim O’Rourke and Peter Rehberg) first hit the scene after a surprise appearance at the Nickelsdorf Festival in 1997. Throughout 1998 and 1999 the trio toured extensively throughout A…
Reissued: Biosphere's 2nd CD for Touch after Cirque (Touch # TO:46, 2000) is a double CDin digipack designed by Jon Wozencroft. CD One - Substrata. Originally released in 1997 on All Saints Records, this remastered version of Substrata contains 11 tracks with a total length of 55:20. '...by many (the undersigned included) considered to be the finest ambient album of the 1990s' (Motion-State 51), and 'Three years after its release, biosphere's 'Substrata' is already being recognised as one of th…