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8th Annual Report
*2024 stock. 100 copies limited edition* Unexplained Sounds Group 8th Annual Report is the 8th chapter of the series that comes out every year in December, and showcases the best 2022 experimental electronic and electroacoustic music. It includes veteran composers alongside younger but equally talented musicians from all around the globe. All musicians here are united by the spirit of pushing the boundaries of music and of charting the new territories thus forged. This 8th edition features artis…
Anthology Of Electroacoustic Music From Finland
*200 copies limited edition* There is a long tradition of Electroacoustic music in Finland beginning in the 1950’s with the experimentation of tape music. Finland’s first electronic musical instrument the "Sähkövalopiano" or "Electric Light Piano" was built before this in 1894. It was constructed in the Polytechnic Institute (now Aalto University) in Helsinki. Finland also has a tradition of blending archaic traditional music in the contemporary music scene. The Kalevala tradition for example da…
Deprecated
*200 copies limited edition. 2022 stock* gc / nc is an electroacoustic duo based in Belgium and the Netherlands, consisting of Sjoerd Leijten and Patrick Bossink. They play instant electronic compositions using self-programmed software and self-made controllers. Deprecated is the result of a residency at studio Klangendum inside Worm in Rotterdam (NL). During this residency they explored the realm of broken, obsolete and unwanted sounds and experimented with various classic synths (a.o. ARP 2500…
Cross the Desert
**200 copies** Looking for the desert, awaiting abandonment, marrying detachment: essential steps for those who ardently want new dawns and new lands to get lost in. First of all losing the common coordinates, the secure footholds, the consolidated certainties, forgetting scores, borders and judgments. A laying down, on the one hand, of the external conventions in order to make room and give light to the unexpected, to what pulsates underground, unheard. On the other hand, a putting aside of one…
Vairagya
*In process of stocking* Mario Lino Stancati’s second album for the Unexplained Sounds Group. His first album, “Cross The Desert,” was released in 2020. An innovator of sound textures, Stancati is a multifaceted musician. Explore the dark minimalism of “Vairagya,” along with bright openings and rhythmic progressions. Like faces of a prism, the refraction of the musician's intimate universe slowly leads us into the artist's subconscious, the den of aesthetic isolation, a poetic expression through…
Songs From An Obscure Matriarchal Tribe
*100 copies limited edition* "Utsnobi Matriarkaluri Tomis Simgherebi" is an improvisational cycle recorded by musicians Darja Kazimira and Zura Makharadze during the filming of the experimental, analogue film "Rue de la Lune" by the Irish director Juana Robles, dedicated to the comprehension of one matriarchal generation, embraced by the tendency to painful transformation and self-absorption, striving throughout the performance to get out of these boundaries, heal and to reborn. In this act, the…
Rivbea Live! Series, Volume 1
Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums
Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Frictions / Frictions Now
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
Constant Change 1976-2016
This solo piano music has never been released before on disc. It covers a 40-year period stretching from 1976 to 2016 and contains both live concerts and studio sessions. "Paris / Debrecen are both Festival performances recorded at a period when I was concentrating on developing my own material / compositions, and before I had evolved my ‘with or without repertoire’ approach to solo playing, which explained in the ‘sleeve-note’ to Live With Repertoire on NoBusiness Records CD 58 (briefly: some p…
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Live at Vilnius Jazz Festival
A demanding live duo performance from New York drummer William Hooker and Lithunian saxophonist Liudas Mockunas, performing at the 2013 Vilnius Jazz Festival. The playing is hard-edged, rugged and free playing, keeping a strong momentum from Hooker's unabating drive, maintaining a solid pulse without seeming to repeat himself. Mockunas has a thick confident approach to his playing, varying melodic riffs with trance-like playing. An album of edge-of the-seat and persuasive playing."Liudas Mockuna…
Live at Cafe Amores
Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…
Mole's Milk & Other Pieces
2012 release ** For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a com…
Personalidade
1987 release ** "One of Brazilian PolyGram's anthologies of homegrown music, this volume offers a cross-section of Milton Nascimento's Brazilian output from 1980 to 1985, with a side trip way back to the unforgettable tune that launched him in 1967, "Travessia." From North American rock/funk -- a live rendition of a tune dedicated to the Beatles, "Para Lennon e McCartney" -- to smooth-textured pop, lush electronic backdrops, a mournful Villa-Lobos melody ("Cantiga"), and various Brazilian backgr…
Sea Shanties
2010 release ** "With the Misunderstood, Tony Hill co-wrote epochal psych-rock anthems like "Children of the Sun"; however, while High Tide's sound has roots in the peace-and-love era, the band was also in tune with the post-psychedelic comedown at the decade's darker end. On Sea Shanties, there's nothing fey and flowery in Hill's bleak lyrics or his doomy Jim Morrison-like delivery, and psychedelia's melodic whimsy is supplanted by a physicality more in line with the visceral heft of metal prog…
Katër i radës. Il naufragio
2015 release ** "The Albanian patrol boat Katër i Radës sank in the Strait of Otranto in 1997 after being rammed by an Italian corvette that was trying to repel it. Around 100 women, men and children died while fleeing the civil war. Almost twenty years after that tragedy, the Albanian composer Admir Shkurtaj, who has lived in Salento by adoption, has written a contemporary chamber opera for the 2014 Venice Biennale (which commissioned it), with a libretto by Alessandro Leogrande and staged by t…
In Veil
Refracted's "In Veil" materialises as the third emission in the Titrate series. A gradual unfolding across six passages, each step a study in the dissolution of boundaries. Here, time becomes elastic - synthetic textures breathe alongside captured moments of reality, neither demanding prominence nor seeking refuge in the background. Percussion appears as memory rather than rhythm, while drones hover like fog over unknown lands. Cut to 180g vinyl and embraced by 350gsm reverse board, "In Veil" do…